John Ferriter | Exclusive Interview: The Tearaways ‘Esquire’ & The Alternative | Series No.1

by Candice Anne Marshall

Earlier this month, my friend Mr. Mike Rogers (WhatTheFunday InterFM897 Radio) introduced me to his friend and peer, Los Angeles-based Mr. John Ferriter. As I always do when meeting an industry peer, I began doing my research and quickly discovered that John is a man of many talents. He is the mastermind behind highly successful television shows like ‘The Biggest Loser’, ‘On Air With Ryan Seacrest’, and ‘Project Runway’ to name a few. His career span includes working as a Talent Agent with The William Morris Agency, Octagon, and later, his own venture, The Alternative.

Ferriter has worked with the entertainment industries most notable individuals like Piers Morgan (also a close friend of his), Garth Brooks, Ryan Seacrest, Jimmy Kimmel, Carson Daly (to name a few), and some of his earlier clients include supermodel Claudia Schiffer and Jerry Garcia. In addition to managing his impressive client roster with The Alternative, John’s current projects include landing deals for world famous DJ Rodney Bingenheimer known as The Mayor of the Sunset Strip in L.A. (more on that later) and his own successful Music career with The Tearaways (more on that later too).

After initial introductions (thanks Mike!), John and I arranged for an in-depth interview covering his career span, music, and personal life. ‘Nothing is off limits’ was his response to my inquiry on sensitive subject matter. In fact, he even divulged on the future of Rodney Bingenheimers’ career (under his wing at The Alternative), his thoughts on his career change from The William Morris Agency to The Alternative, and the extreme passion for his art (a night owl like me – often creatives don’t sleep much). This is one of the most candid and entertaining interviews I have had to date where we cover many insightful, relevant, and interesting topics.

This is the first installment in our SMC SPOTLIGHT Numbered Series where we will continue to track and follow John’s career. So, if you feel left like you’re left wanting more at the end of this feature, know that this is just the first chapter in our journey with the entertainment industry legend known as Mr. John Ferriter. Enjoy!

Note: Following the interview below, I’ve included my review of the new Tearaways album ‘Esquire’ track by track complete with summary.

John Ferriter
Photo by: Colin Mathew

SMC SPOTLIGHT Exclusive Interview | John Ferriter June 20, 2017

SMC – Hello John! Welcome to the Starlight Music Chronicles (SMC) SPOTLIGHT! Let’s get right into it – you have quite an extensive career so we will break it down into sections here. Before we do that, can you tell us how you came to know Mike Rogers?

John – I actually met Mike Rogers in the early 80’s when he was the lead singer for a Punk Rock band called The Rotters. He was in the band with Phester Swollen and he was singing a song called “Sit On My Face Stevie Nix”. It was a classic and I played it on my radio show on KCSB many, many times.

Television Producer/Talent Representative

SMC – I was watching a YouTube video on your website ‘The Alternative’ where you are interviewed by Hollywood Immersive. In it, you spoke about working with The William Morris Agency. Can you tell us which accomplishments you feel were your greatest while working there?

John – In my 19 years at William Morris, there were many highs and many lows. The best part of the job was that I never experienced the same day twice.  Conversely most days felt like a broken play, so you learned to think on your feet and improvise. But the greatest accomplishments were when you made the seemingly impossible become possible and when you saw the moments where clients were able to realize their dreams.

SMC – You are behind many well-known television shows such as ‘The Biggest Loser’, ‘Project Runway’, and ‘On Air with Ryan Seacrest’ to name a few. Can you tell us what your process is in terms of ‘packaging’ these shows?

John – When packaging shows, I always tried to bring together proprietary elements that couldn’t be replicated anywhere else. That’s why I’ve always been so partial to talent.  There is only one Ryan Seacrest. There is only one Garth Brooks, one Dick Clark, one Piers Morgan, one Dr. Drew, One Carrie Keagan, so when you have an opportunity to build shows around really talented people with great concepts and you target the marketplace accordingly you can meet with a greater degree of success.

SMC – Can you tell us of a time when you felt there was a client that was unprepared, or not ready for the kind of work you expected of them?

John – Many clients are unprepared in general and unprepared for success. As an Artist, your life can change in an instant, so I tell them to act like they’ve already had success.  But too many are unprepared. See it and Realize it and it can happen if they are willing to work for it.

SMC – While with The William Morris Agency, can you tell us which project made you feel exceptionally proud?

John – At William Morris I was proud of all my projects. That being said, all of the work I did with Garth Brooks, Piers Morgan, Dick Clark, Ryan Seacrest, Nancy O’Dell, The Spice Girls, Hanson were quite fulfilling. I sold “Blue Collar Comedy”, “Biggest Loser”, “Keeping Up with the Kardashians”, “The Man Show”, “Project Runway”, “Biggest Loser” and about 300 other projects while at WMA. I was very proud of the Tsunami Benefit we put together in seven days that generated millions for the victim. I packaged the first Radio Music Awards and it’s now been cloned 50 times. I feel good about that.

SMC – Your transition into your own Agency ‘The Alternative’ followed working with The William Morris Agency and Octagon, can you tell us how that came about and why?

John – I was unceremoniously locked out of WME after the WMA and Endeavor merger because I was the only board member who voted against the merger. It was a bad deal and I voted to support the rank and file. The new boss used it against me. I don’t think I ever would have left the agency but I was given no choice. I signed a five-year deal with Octagon, a division of the Public Company Interpublic Group, and built a successful entertainment division. I sold and produced the Arsenio Hall Show, Garth Brooks last network series, was nominated for an Emmy for producing the Teen Bullying series “It Gets Better”, won an award from Planned Parenthood for Best Documentary for “I’m Positive” and launched a couple of docu-series. I realized that representing people and working at a Public Company are in direct conflict and I opened to launch my own Management Production shingle, THE ALTERNATIVE, when my five-year deal with Octagon expired.  No regrets at all.

SMC – Can you tell us which of your clients with The Alternative you have enjoyed working with the most and why?

John – Wow, at the Alternative I love them all! Seriously, Piers Morgan, Glenn Weiss, Nancy O’Dell, Mike Wolfe, Clem Burke, Rodney Bingenheimer, Carrie Keagan, Brian Copeland, Mark Walberg, The Beach Boys, JoJo Wright, Ari Afsar, The Tearaways, Millie Courtney, Paige Davis, Mark McGrath, The Calling, The Fulcos…. How much time do you have? It’s a privilege to work with such talent people.

SMC – You gave advice in your interview with Hollywood Immersive about how individuals should appear in their first meetings with your agency in terms of professionalism. Can you share some more insight on that with our readers?

John – Well just blow me away in the first 120 seconds. I don’t look for clients. I look for partners who are or who want to be stars. Shy doesn’t play, so make an instant impression. Also, don’t bring your problems into the room.

SMC – I saw in the ‘About’ section of your website, it states: ‘WE ARE PLEASED TO INTRODUCE AND WORK WITH THE MOST NOTABLE ENTERTAINERS IN THE INDUSTRY. WE DO THIS WITH EXPERIENCE, INSIGHT AND PASSION.’ Can you tell us what determines who is a ‘notable’ in the industry? What are your standards?

John – Great people, great projects, great attitudes. That’s where we start. I also like category leaders. But I look for people who will listen and who want it all. My standards are really about the character of the person, not that the person is a character.

SMC – You have just taken the famous Mayor of the Sunset Strip ‘Rodney Bingenheimer’ under your wing, can you tell us how that came about? When will you be able to reveal what projects/deals you have coming up for him? (can you tell we are excited about this?)

John – I have listened to Rodney on the Roq since 1978. I met him over the years, have loved what he has done for so many, many people. Clem Burke (Rock and Roll Hall of Fame Drummer for Blondie, and the man who has played with us the last year) introduced me to a different side of Rodney. I learned Rodney was a deeply sensitive caring person who loves music and musicians. I heard Kroq was dropping his show (new management decision) so I called Rodney and offered to manage him for free and told him I would get him on the air within a month.  We just closed a great deal for Rodney to continue his show, Sunday nights in primetime on Sirius Radio on Little Steven’s Underground Garage Channel 21. One of my proudest deals ever because Rodney deserves to be National and I want everyone to experience what has made me happy for 39 years.

SMC – I have worked with some smaller newspapers and have a passion for Journalism in all its forms. One of your clients is Piers Morgan and I have to say, I admire that you have taken individuals not only from the entertainment industry, but also those who are behind the broadcasting of major world events. Can you tell us how this relationship began?

John – My relationship with Piers began over a bottle of inexpensive French Bordeaux at a party at Lady Caroline Michel’s flat in London and he’s become one of my closest and most trusted friends. I also shared the most expensive French Bordeaux with him the night we signed the big CNN contract. I’d take a bullet for him. We’re that close, and he’s that good.

SMC – You also have worked with Garth Brooks. Can you tell us what your best or most memorable experience was in working with him?

John – I love Garth Brooks. Greatest country artist of all time and up in the top three with Paul McCartney and John Lennon in my opinion. My greatest experience with Garth was in Vegas when I was producing his One Man Show Thanksgiving CBS Special with him. I suggested he put his Cowboy Hat back on for one of the numbers and he refused. Right before the show, he looked at me and said “ok, I will do it. If it doesn’t work, it’s your fault. If it does, I’m taking all the credit.”  It did, and after the crowd went crazy he looked my way and winked at me. He’s simply the best.

SMC – Can you tell us of a time where you were in complete awe of an industry peer/client?

John – Every day I am in awe of people in the business. Too many stories to tell, but I am in awe of any person who can balance a successful family, marriage and career. I’m envious.

SMC – At the end of the day we are all human. Can you tell us of an experience with a client or industry peer that made you see them in a different light aside from their celebrity status?

John – I’ve seen so many human sides. Clients who go through divorces who have to walk onto a set and smile like there’s no tomorrow while I know their heart is breaking. Many come to mind.

SMC – Have you ever had a real friendship develop with any of your clients?

John – I’ve had many friendships with clients. Piers Morgan, Glenn Weiss, Nancy O’Dell, James Ray, many, many, many. I’ve also had close friendships break up when clients look at me as their servant. Live by the sword, die by the sword.

SMC – In terms of your clients, what do you feel are the key factors in being successful in the entertainment industry?

John – Success in the industry – if you are a woman, know where you want to go and look fabulous when you get there! (Thank you, Leeza Gibbons, for that!). In general – success comes via hard work and preparation. Also, you need to trust your team. Without trust there will be failure.

The Tearaways
Photo – Collin Mathew Photography Liverpool

The Tearaways

SMC – Let’s begin with your connection to Rodney. Rodney is a legend and a true pioneer in the music industry in terms of discovering the ‘who’s who’ (such as Bowie, Blondie, etc.) I am aware that you have your own music career, The Tearaways as well. Can you tell us how supportive Rodney has been of your music?

John – Rodney Bingenheimer has always been a supporter. He started playing “Girls Who Love Cars” off of the Earle Mankey Sessions: Vol. IV CD and then he jumped on a number of other songs. He has gotten behind “Name That Tune”, “John Wayne”, “Bash”, “That’s Rock!”, “Do You Remember Rock and Roll Radio”, “I Love My Life”, “We Don’t Talk We Text” many, many tunes. Our new Christmas song “Helluva Christmas” will be on his new Christmas CD. What can I say, the man’s a tastemaker!

SMC – Your new album ‘Esquire’ is a ton of fun! There are a lot of vintage rock influences woven throughout the lyrics and even in the instrumentation. Can you tell us what it was like to collaborate with some of the industry’s most notable such as Clem Burke?

John – Esquire” is a label of love. John Finseth (founder of the Tearaways in 1981 at 17) and I wrote about thirty songs along with Greg Brallier and we just tried to create a record that we would want to listen to over and over. Clem came in after I met him with the Empty Hearts and played about thirty shows with us last summer and fall and this winter. He came up and started recording and we watched it grow into something special. We also did some work with Jeffrey Foskett from the Beach Boys on Name That Tune (the theme to the new game show). We’ve been friends for years, and fans of Jeffrey’s and that was a thrill.

SMC – Which is your personal favorite song off this album and why?

John – My favorite song is one of five – “BASH” is just an old-fashioned romp and puts me in a good mood whenever I hear it. Hey we mention, Bash, IPO, The Rave-Ups, The 3 O’clock, Chesterfield Kings…. I mean, come on! “That’s Rock!” Is an autobiography of our early Santa Barbara days, “Much Too Old To Feel This Young” was inspired by Garth Brooks and his song “Much too Young to feel this damn old”, “I’m Just Trying to be nice” is the quintessential breakup song (it’s not you…. it’s really you!”) and “If I Had It” (just great vocals by Fin and Greg). I do the first ever Tearaway rap/Meatloaf rip off bit as well).

SMC – The album art is dynamic! David Russo is the brilliance behind the artwork on it and he has quite an impressive roster of accomplishments also. Can you tell us how he came up with the theme for it?

John – I met David through a mutual friend. Loved him and his work. We conversed for a couple of years and I just called and asked if we could use the vibe and characters from “What A Great Life” (WAGL) which he created. He said yes. The cover and design were all David.  I love it!!!!

SMC – When you are songwriting, where do you go to for inspiration?

John – As a songwriter I just look for inspiration. I have my favorites, but it starts with an idea and a melody for me. But it’s important to me that everyone be able to hum our songs. Mike Rogers told me that Japanese audience hum the Tearaways’ songs. That makes me feel really good.

SMC – The albums’ credits include this phrase: ‘A lot of sacrifice went into making this record so we hope you enjoy it and appreciate the spirit within which it is presented to the world’. We often hear how much has been put into the work by the Artists we support. Can you tell us what YOUR meaning behind that phrase is?

John – We loved making the record. We love the songs. We collaborated, we fought, we compromised but at the end of each song we high fived, hugged each other and shook hands. Being in a band is like being married to five of your ex-wives at the same time. But it’s as great high as I’ve ever experienced when it works. So, we are saying… “We love this, we hope you do to, and if you don’t love it we aren’t going to quit anytime soon!

SMC – I especially had deep appreciation for this phrase (also on the album credits): ‘When you’ve topped 40 in age, you can never be in the top 40 on the Pop Charts, but you can always be Top 40 in Life.’ With that being said, what would you say is an accomplishment that you are all proud of (aside from the album, of course)?

John- I am proud that a bunch of guys in their fifties can still rock, and sing and play with passion and that we all have our hair and none of us are grossly out of shape. I’m 57, but I feel 27! And playing with Clem makes me feel invincible. Fin is 53 but has the stamina of a 16-year-old in the studio. It’s a thrill to do this, while still having a very time intensive day job.

SMC – What has been the media response to your music in terms of Radio and Entertainment websites and blogs?

John – Knock on wood, the response to our music has been very strong. I just hope more people hear it. But we are gaining fans daily and that’s an amazing feeling.

SMC – What has the support been like among your peers? Family?

John – Our families have been wonderful and wonderfully supportive for the most part.  Unfortunately, my wife left me during the recording of this record. We will write about that on the next record! But hey, sometimes Bad things have to happen for the right things to happen.So, love is out there somewhere!!

SMC – Are there any tour plans for the remainder of 2017? Any festivals you will be attending during the summer months?

John – Yes. We are playing in Ireland and England in August and September. Also, a lot of California dates in September and October and November. We have two new Christmas songs that are done and we will push them hard this fall and winter. We played the Malibu Guitar Festival for the second year in a row. It was great. We would love to play more festivals!!

SMC – Where do you find your fanbase is the most concentrated in terms of countries and age groups?

John – Our fan base is early twenties to Sixties. More women than men. California, the UK, some Scandinavian countries and Australia. Slowly but surely, by the time we’re 80, look out!!

SMC – Can you tell us a bit about your songwriting process?

John – I write constantly. If I come up with an idea I write it down. I then usually write late at night or early in the morning. If I start a song I finish it. Then I bring it to the guys. But I also love to co-write with others and help them elevate their ideas and concepts. Lyrics are easy for me. Melodies are easy. I need help with arrangements.

SMC – What instrument do you create your music on?

John – I write almost exclusively on Guitar. I recently wrote two songs that started on my trusty old Hofner Club bass (A Little Bit of Love and King of “F” Mountain).

SMC – You have all played impressive venues in the USA and England, can you tell us which is your favorite and why?

John – My favorite venue is the Cavern in Liverpool. Because it’s the Cavern and the Beatles played there. The staff at the Cavern is World class. In Dublin, I love “Whelan’s”. In Santa Barbara, I love “Soho”. I’ve always loved “Molly Malone’s” and “The Troubadour in Los Angeles. I’ve always wanted to play “The Roxy”. But I will play anywhere with a stage and a great PA.

SMC – What is the reception like when you play live? Which were your most memorable live performances?

John – We played to 40,000 people in Liverpool one year. We opened with a Ramones song and they went nuts. It was magic.  People really seem to like the band know. We also played a show in Long Beach at the Petroleum Club to about 20 people and I loved it. Old people got up and danced. It was cool.

SMC – Can you tell us what your experience was like working with Earle Mankey?

John – I’ve worked with Earle Mankey going back to 1988. He is a collaborator, a great producer, engineer and I am thankful to call him a friend. He’s talented and compassionate. So, I feel good when I work with him. Earle been berry, berry good to The Tearaways!

SMC – Tom Hanks and Piers Morgan are huge fans of your art – can you tell us what their responses are to the new album?

John – Tom Hanks booked the Tearaways a number of times before I rejoined the band. Piers has been an ardent supporter coming to shows and tweeting in support of us. Piers does the voice of “James Bond” in our song “James Bond”. That’s cool!

SMC – I read in your band bio that ‘Recent TV appearances include NBC, CBS, FOX, ABC, Tribune and The Arsenio Hall Show’…wow! Which experience was most memorable?

John – Any TV is memorable. Love it all. They can see us, they can hear us too! I’m in!

SMC – Will there be more creating in the next few years for The Tearaways?

John – We released “Esquire” May 29th, we have the next record in the can. We have two new Christmas songs and we will perform on the Hollywood Christmas Parade. Lots of Tearaway action coming to you!

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Personal Life

SMC – Aside from being a successful Television Producer, Artist and Talent Representative, what other characteristics or hobbies do you have?

John – I love animals. I love dogs. I help with dog rescues. I like all animals, but I love dogs. They are loyal, smart, they trust us, they are loyal. My goal in life is to be the person my dog thinks I am.

SMC – Who has been the most supportive of your career(s) other than family?

John – I have some friends and associates who have really supported us. It takes an infrastructure of love and support to make a band work. We’ve been blessed.

SMC – Can you recall an interview that was most memorable to you and why?

John – I loved my Hollywood Immersive” interviews and my talk/interview at UCSB a couple of years ago.

SMC – Can you list at least 5 talents/hobbies aside from your music career we don’t know about?

John – I play Tennis. I read avidly. I listen to music avidly. I love TV. It’s not the boob tube, it’s the Groove Tube to me. I love Tea. I really love Tea. I also love the News. I’m a news junkie.

SMC – Can you tell us what a normal day in your life would be like? Many of our readers idolize a celebrities’ life, but they don’t often know what goes on behind the scenes and how tough the industry can be….

John – I don’t have a normal day. I get up and all hell breaks loose. Every day since August 21st, 1991. I like it!

SMC – What kinds of pressures are there for you personally in keeping to a schedule in terms of your career(s)?

John – Many pressures. The industry kills relationships. If you are with someone who isn’t in the industry they don’t understand why you are a slave to your clients. If they are in the industry, they are jealous of your clients. Next, I will be a monk. Also, the hours put a strain on fitness. I work hard now to stay in shape. I want to live longer.

SMC – What kinds of charities or organizations do you personally support and why?

John – I support many dog rescues, but It’s a Dog’s Life in particular. I support a lot of AIDS Charities, Autism Charities, the SPCA and the like. Animals need our help. So, I go there first.

SMC – Can you tell us of a time where you were involved in a project and it just didn’t ‘feel right’? How did you handle it?

John – This happens every day unfortunately. Recently someone was disrespectful to my partner Jamie. He screamed “Do you know who I am?” I said “Yes, the guy that I just dropped.” I have no tolerance for Temporary people who make permanent decisions.

SMC – What does the term ‘truly successful’ mean to you?

John – Knowing that you’ve done things to change people’s lives forever in positive things. I call it Psychic Income!

SMC – Final question – if there was one thing in your life you could go back and ‘do over’ again, what would it be and why/why not?

John – I would have gotten up on stage at the Goleta Community Center and I would have sung “Sit On my Face Stevie Nix” with Mike Rogers.

SMC – Thank you John!

John – Thank you!!!

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Album Review

Bash – Right out of the barn gates (complete with lampshade on the head and party animals in tow), ‘Bash’ is a thrill-ride throwback to sunny beach days with the convertible top rolled down. The single word to describe this song has already been occupied by its title – a true reflection of this super catchy piece infused with guitar riffs and smashing drums that deliver like a punchy, warm, attack.

If I Had It – Now this tune is smooth as silk: the intro grabs my attention immediately and leads into instrumentation that takes me back to the music I coveted as a young girl listening to dynamic classic Rock songs on the turntable. It’s fun from start to finish. You can audibly hear these guys having a blast in the recording process of this song and listening to it allows you to be a part of it, almost as if you are there. Listen LOUD.

Hello Isla Vita – This is the song you hear in those movies where the little country girl arrives in the big city: it’s awe-inspiring. The magnificence is heard in the thunderous drums and gentle vocals throughout marking this ballad as the song you want to listen to when you are looking for adventure on a Friday night. Keep it in your weekend playlist for sure.

I Quit My Job – The lyrics here are laced with honesty throughout and is a true ode to the beach boy days where songs were executed with that gentle feel-good vibe. I give credit to the vocals in this one which are mellow but powerful in their impact. I recommend this one for cruising one a warm sunny day.

That’s Rock – We pick up the pace again with this track that is strategically placed halfway through the album. After the ‘Hello Isla Vita’ and ‘I Quit My Job’ mellow vibe, ‘That’s Rock’ picks up the pace with a groovy beat topped with impressive vocals. This song brings the party right back into the album.

My Bad – Ohhhhhh where do I begin with this slick number? The lyrics are strong right off the get-go. The instrumentation flows very well throughout and supports the steady authoritative vocals heard throughout. I envision a ride down sunset strip on a motorcycle when I hear this number.

Much Too Old To Feel This Young – If you want to get to the heartbeat of this album, this song is the one. The gentle tones in the vocals on this one illuminates the heart and soul. The song is perfectly placed in terms of the track order in this album as it gives the listener a true taste of how this band demonstrates a 360 degree turn in their style and instrumental composition.

Good Luck Lovin – What a fun one. The party continues with the catchy lyrics in this tune which, I feel, is an ode to The Beatles Cavern Club era days. The vocals are on point and the instrumentation is super catchy.  I think this one would be fantastic to hear live!

Find Another Fool – is a slower ballad that has a very slight ‘Bon Jovi’ style in the vocals and mood. I am talking the ‘Living on a Prayer’ variety here. Backup vocals on this are a perfect fit throughout and make this a unique composition. I quite like this one a lot.

I’m Just Trying To Be Nice – Hello Sir Paul McCartney! This is a gorgeous number and probably, my favorite off this album. I mean it, this album definitely touches on the scope of all eras of classic Rock and ‘I’m Just Trying To Be Nice’ is captivating in its overall composition. They lyrics, vocals, instrumentation – all of it is completely on point. Classic British Rock and Pop influences play a primary role here.

Name That Tune – Back we go to California! This is a short ballad that fares well among the 1960’s groovy pool party crowd. Can you see it? Once you have heard the song, you’ll know what I mean. Definitely a must for a playlist suitable to this nature.

Any Better Than This – The final song on this album is like the bow on a present: a complete picture of the who, what, when, where, and why of The Tearaways: they have been there, done that and there’s no regrets. This is a very heart-warming number.

Summary

Here’s my description of this album in its entirety: These boys are no strangers to this industry and it’s apparent in their cultivated sound. Listening to ‘Esquire’ is the kind of experience where you walk away feeling closer to these incredibly talented Musicians. They have exposed their hearts and souls vividly and authentically to their fans, comparable to them inviting you into their homes, having a couple of beers and shooting the breeze. It’s a warm, familiar, and fun feeling that leaves you satisfied long after the visit. Who doesn’t walk away from something like that feeling fantastic. That’s The Tearaways sound. Well done gentlemen!

People, have you bought the album yet? Get on it! 

Check out their live performance on Brian Copeland below:

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John Ferriter Social Media Links (click to view)

The Alternative Website

Twitter

The Tearaways Social Media (click to view)

Website

Facebook

Twitter

Instagram

Spotify

YouTube

iTunes

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The Tearaways Album Art by David Russo Photo Supplied by John Ferriter
The Tearaways Album Art by David Russo Photo Supplied by John Ferriter

The Tearaways Album Credits

THE TEARAWAYS –  “DW Hofner, Martin Gibson, Ludwig Rickenbacker, Marshall Gretsch, Earle Hammond & Vox Fender, esq.”

BASH

IF I HAD IT

HELLO ISLA VISTA

I QUIT MY JOB

THAT’S ROCK!

MY BAD

MUCH TOO OLD TO FEEL THIS YOUNG

GOOD LUCK LOVIN’

FIND ANOTHER FOOL

I’M JUST TRYING TO BE NICE

NAME THAT TUNE

ANY BETTER THAN THIS

Produced by Earle Mankey/John Finseth/John Ferriter

all songs John Ferriter/John Finseth/Greg Brallier/Clem Burke c. 2016/2017

Feretic Music, ASCAP / Magma Music ASCAP / Clem Burke Music ASCAP

except “BASH” – John Ferriter/John Finseth/Greg Brallier/Clem Burke/David Hekhouse c. 2016

Feretic Music, ASCAP / Magma Music ASCAP / Clem Burke Music ASCAP

except “NAME THAT TUNE” – John Ferriter/John Finseth/Jeffrey Foskett/Ralph Rubenstein/Clem Burke c. 2014

Feretic Music, ASCAP / Magma Music, ASCAP/Fos Q Music, ASCAP/Clem Burke Music, ASCAP

“I’M JUST TRYING TO BE NICE” – John Ferriter/John Finseth/Greg Brallier/John Ordazzo c. 2016

Feretic Music, ASCAP / Magma Music, ASCAP

“Whatever Happened To Rock And Roll Radio” by Dee Dee Ramone, Johnny Ramone, Joey Ramone c. 1979

“MUCH TOO OLD TO FEEL THIS YOUNG” c. 2015

“FIND ANOTHER FOOL” c. 2015

“ANY BETTER THAN THIS” c. 2012

John Ferriter/John Finseth/Greg Brallier

Feretic Music, ASCAP / Magma Music, ASCAP

THE TEARAWAYS

John Finseth – Guitar, Bass, Keys, Percussion & Vocals

Greg Brallier – guitar & vocals

David Hekhouse – guitar & vocals

John Ferriter – bass, guitar & vocals

with Clem Burke – drums & percussion

Additional instruments – Joel Mankey – horns, woodwinds, cool noises

The Tearaways are endorsed by Hofner Guitars

The Tearaways use Vintage Vox Amps, Vintage Fender Amps, Marshall Amps,  Hi-Watt Amps, Ampeg Amps, Hofner Basses & Guitars, Gibson Guitars, Rickenbacker Guitars, Fender Guitars, Martin Guitars, Gretsch Guitars, Silvertone Guitars, DW Drums, Gretsch Drums, Vox, Korg & Hammond organs, Human hand-claps, just about anything else in the studio that you can shake or hit

CD design and original artwork for the Tearaways by David Russo (WAGL =. WHAT A GREAT LIFE)

CD photographs courtesy of Collin Mathew Photography Liverpool, Ian Hanson Photography Liverpool, Joanne A. Calitri Beat artist Santa Barbara California and Martyn Daniel Still Image – we thank you all for your amazing work and friendship

A lot of sacrifice went into making this record so we hope you enjoy it and appreciate the spirit within which it is presented to the world.  Special thanks go out to our families and friends for their loyalty, love and support. All of our former bandmates for tolerating us and inspiring us to play and to all others who have inspired us in some way.

And a very special thanks to Earle & Jeri Mankey, John Ordazzo, Piers Morgan, Jamie Gruttemeyer, Rodney Bingenheimer from Rodney on the Roq, KROQ, KTYD, Alan Goldman, Patricia Kramer, Lin Aubochon, Billy Butler BBC Merseyside,  Mike Rogers WhatTheFunDay, Radio365 Network, Jeffrey Foskett, Mike Love, Bruce Johnston, Ron Dante, Bo Donaldson, Kenny Aronoff, Robin DiMaggio, Jimmy Paxson, David Raymond,  Eddie Munoz, Joel Mankey, Jesse Benenati, Perry Benenati, Daniel Orias, Stephen David Brooks, Jim Yukich, Cindy Kona, Ralph Rubenstein, Noah Rubenstein, Matthew & Gunnar Nelson, Mark McGrath, Charles and Mary Rook, Thomas Repicci, Merwyn Belin, Robert Matheu, Bob Hannam, Chantal Reeder, Marc Platt, Lianne Curtis, Millie Courtney, Robert Courtney, Bill Heckle, Jon Keats & theteam at the Cavern Liverpool The Greatest Club in the World, Blondie, the Empty Hearts , the International Swingers & Split Squad for loaning Clem to us, The Beatles, Chandler, Carly, Marc Chardon Rogers, Nick Wass, Cathy Harrison & Rob Olson from Hofner, Jim Lombard, Charles &  Mary Rook, Bootleg Blondie, Paddy, John, Bob Horrocks, Tony Barbados and Liverpool elite, Candy Kayne, Elizabeth M. Adger, our friends from Imperial Guitars, Norman’s Rare Guitars & Guitar Center, The Beatles, The Ramones, The Rolling Stones, The Beach Boys, Tom Petty, The Spoilers, The Rotters, The Jetsons, Trik, The Stingrays, 5 Cool What, The Pranks, Reverie, Aston Martin, Toyota, Mercedes, Honda, Ford, Chevrolet, Mr. & Mrs. Dog, Christine Brallier, Jack Brallier, Loretta Finseth, Dakota Finseth, Jade Finseth, Mack Finseth, Dave Humes, Tony Cook, Steve Heller, Mike & Jessica Lambert, the little Twerp, Cam Dafoe, Lisa Hekhouse, Cari Hekhouse, Shane Hekhouse, Kyle Hekhouse & the Ferriters,

Dedicated to E.L. Woody & Alan Massengale & every kid who has a dream to play an instrument or sing in public

In loving memory – of our family members who remain with us only in spirit & Timothy Bryson

“When you’ve topped 40 in age, you can never be in the top 40 on the Pop Charts, but you can always be Top 40 in Life.”

The Tearaways are represented by John Ferriter & Jamie Gruttemeyer at The Alternative

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5 Replies to “John Ferriter | Exclusive Interview: The Tearaways ‘Esquire’ & The Alternative | Series No.1

  1. Amazing interview and review. listened to the record and it is exceptional. The songs are driving, melodic, in some cases really funny and they have amazing hooks. Favorite new record of the year.

  2. amazing interview and great review. I just listened to the record and it is spectacular. It’s fun, it has great hooks, and it’s driving melodic rock and roll. my favorite record of the year right now.

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