SMC Spotlight No. 5 | Palaye Royale ‘SMC Exclusive’ Headline Tour Review & Vlog

Indeed, 2017 has been a whirlwind Musicians life for Canadian-born, Los Angeles-based, Fashion Art Rock Band, Palaye Royale. We have been following and documenting the bands career since early 2014 and in that time, we saw them achieve what might seem the impossible for an indie band (see our timeline/history of the bands’ accomplishments below). By late 2016, the band had toured over 225 shows in almost every state, drove close to 100,000 miles, and hugged over 150,000 fans. It goes without saying that this kind of traction doesn’t go unnoticed in the music industry among their peers. Earlier this year the band toured with Andy Black (Black Veil Brides) and is currently touring with Rock Band Sleeping With Sirens on their ‘Gossip’ album tour (which launches September 22nd, 2017), and they plan on hopping the pond to England for their first ever Headline date at London’s Camden Assembly in November (see poster below – tickets can be purchased here). No doubt, this news has their European fanbase scurrying to find a method of transportation to get to them. We don’t even have to ‘suppose’ this is what will happen, we are certain it’s what will be.

Breaking records and making waves is nothing new to Palaye Royale. Well actually, making records is what they’re into these days and with so many accomplishments under their belt since January of this year, I am not surprised. This band is why Starlight Music Chronicles has incepted the very concept of a Spotlight Number Series: they are a trailblazing band who are constantly evolving, creating, touring, and making waves. We have chosen this for many reasons, the main one being: Palaye Royale (comprised of Frontman Remington Leith, Guitarist & Organist Sebastian Danzig, and Drummer Emerson Barrett) have become a permanent fixture in the SMC Family.

The bands loyal fan following, known as Soldiers of the Royal Council, have organized mass street teams globally and the band themselves spend considerable time engaging and responding to this fanbase via social media and their exclusive online fan group. It was this kind of interaction which landed them as first place winners in MTV’s Musical March Madness in 2014 as fans continuously leant their support throughout the competition. They were the first ever Indie band to win this award beating out well-known Artists such as: Coldplay, Fallout Boy, Linkin Park, and Tokio Hotel.

Palaye Royale marched right into 2017 without blinking an eye and have covered thousands of miles more and spearheading their own western Canada headline tour which landed them at northern British Columbia’s Grizfest Music Festival (where many high caliber bands such as Hedley, Theory of a Deadman, Down With Webster, and The Road Hammers have played), then on to their Edmonton and Calgary, Alberta shows before heading home to prep for their current tour. All shows were sold out once again with the support of their Canadian street teams getting the word out on social media, physical posters strewn about the cities, and support from Starlight Music Chronicles (SMC).

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CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Palaye Royale North American Headline Tour 2017

In late July 2017, SMC was contacted by the bands’ management team for the purpose of coordinating local press in the Edmonton area for the event. We also acted as exclusive ‘behind-the-scenes’ media support for the VIP acoustic performance and meet and greet. This included support teams from The Edmonton Muse and Ron Palmer Photography who expressed interest in media coverage for the show.

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

The band landed in Edmonton on August 8th, 2017 at the Mercury Room. Opening act Desperado Pilots gave a stellar performance before handing the stage over to the band. Indeed, many fans who came to see Desperado Pilots were also made ‘Soldiers of the Royal Council’ that evening after Palaye Royale’s outstanding performance.

VIP Acoustic Performance

The VIP acoustic set prior to the show was the jewel in this already beautiful crown. A select audience of approximately 20+ watched the band perform three acoustic sets off their newest album: Boom Boom Room Side A. Fans sang along to ‘Ma Cherie’ on pointe causing Remington Leith to pause, smile, and comment: ‘They know the words.’ There was also an insightful question and answer period woven between sets followed by a photo op with the fans prior to the show. (see below).

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

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Palaye Royale at their live performance at the Mercury Room in Edmonton.
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Live Performance

Now here’s where we saw the magic: after prepping backstage, like the majestic kings they are, the band skillfully dominated the stage for an hour-long thrill ride that left fans begging for more. It was the classic ‘Rock and Roll-CBGB-style’, performance too: bras were being tossed onto the stage, fans clambered over one another just to touch them, and the room was beset with copious writhing, fist-pumping, dancing, and singing.

Drummer, Emerson Barret at the bands live performance at the Mercury Room in Edmonton. CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Guitarist, Sebastian Danzig at the bands live performance at the Mercury Room in Edmonton.
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

The band brought it full boar with heart pounding beats by Emerson Barret (that boy can play!), exquisite guitar riffs by Sebastian Danzig (love those Gretsch guitars too, by the way!) and a theatrical and engaging performance by frontman, Remington Leith. He even did his signature ‘hanging upside-down from the rafters’ move after wrapping up the show with ‘Get Higher’ a song that has previously been placed for a television commercial spot with Samsung Galaxy. (see more on the Samsung Galaxy commercial details below in the bands’ history timeline)

Remington Leith
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Sebastian Danzig
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Emerson Barrett
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Following the performance, the band met in a private room with fans for photo ops. While the SMC team waited for the line to dwindle (an hour and a half later), we listened to the feedback from fans and media. Ron Palmer Photography commented that the band was energetic and sounded fantastic. Tania Ribeiro with The Edmonton Muse commented ‘I am so glad I came to this! What a great show!’ Comments from eager fans were ‘I drove all the way from Calgary to see them!’ (even though the band was heading to Calgary next!), and ‘This is the best birthday present I could ever get!’ The Edmonton Palaye Royale Street Team members also made an appearance and were avidly singing and dancing along with the crowd. One member said it was her first time seeing the band live (this was their third appearance in Edmonton), and she has since become an instant fan, actively following our posts about Palaye Royale on social media.

Remington Leith
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Palaye Royale
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Emerson Barrett
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Remington Leith & Fan
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale’s Sebastian Danzig shreds on his Gretsch Guitar
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Sebastian Danzig
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Remington Leith
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Palaye Royale
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Remington Leith & Fan
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Sebastian Danzig CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Here’s my summation of this event:

For four years now, Palaye Royale has impressed me with every accomplishment that they have made. Witnessing (in person) their unique sound (see my Boom Boom Room Side A review below), image, and live performance is something magical comparative to Charlie Bucket finding that last golden ticket in the Willy Wonka chocolate bar: it’s a one in a million chance you will ever find something this special in this lifetime ever again. If you are anywhere near the last remaining concert dates for their current tour, we recommend that you go. This includes all our avid followers in London too! It won’t be long before this band headlines every one of their tours at sold out venues globally.

Check out the bands’ socials below and follow their journey so you can stay tapped in on upcoming tour dates, video releases, and new music coming soon!

The band packs up and heads out to their next gig! CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Boom Boom Room Side A | Album Review

Our review of ‘Boom Boom Room: Side A’, a 15-track album which includes their song ‘White’ and has been featured on our Starlight Music Chronicles Facebook page over 2 years ago, in an ode to the band and their journey thus far. It also includes ‘Get Higher’ as a bonus track which has become the band’s iconic signature from their early recording days.

Late December, 2015, the band was signed to Sumerian Records (see link) and since, the label has supported the successful launch of their album along with videos for ‘Don’t Feel Quite Right’, ‘Mr. Doctor Man’ and ‘Live Like We Want To’. The album, created with Producer James Iha (Smashing Pumpkins) was recorded in a vintage studio in Los Angeles, California, and is absolute genius. Prior to this, the band had been performing the new music featured in the album long before it’s recordings to gauge fans reactions.

The success of Boom Boom Room: Side A isn’t just in the hundreds of live performances this band has made getting the sound out to their fans, the countless meetings and interactions with their fans, or even the exquisite Neoclassical Architecture Art on the album cover and insert by Emerson Barrett…. it’s the sound that this band creates when they are together: it’s pure classic Rock and Roll magic!

The album kicks off with ‘Don’t Feel Quite Right’, ‘How Do You Do’, and ‘My Youth Generation’- sounds that give serious kick. Just like the vintage motorcycle Remington Leith rides, this is an all-out-on-the-highway-speeding-at-full-boar sound that is generated. There is no mistaking this is something that only the magic of these three brothers can create as a team who have come to know one another’s strengths and they are put to the test in the creation of these three numbers. However, the insanely incredible guitar riffs Sebastian Danzig pulls off at the start of ‘Mr. Doctor Man’ and throughout the song is second to none: it’s a MUST HEAR at loud decibels! In conjunction with strong lyrics and vocals by Remington Leith supported by powerful drum playing by Emerson Barrett, this song is probably one of my favorite off this album. Check it into your iPod playlist right away.

Going further into the album, ‘Sick Boy Soldier’ and ‘Live Like We Want To’ are some seriously killer tracks that continue the epic Palaye Royale sounds we have come to know and appreciate: Full of energy and cleverly written lyrics. ‘Ma Chérie’ is a deeply emotional song about love and loss featuring fellow industry peer Kellin Quinn (Sleeping With Sirens) combined with Leith’s powerful accomplished vocals delivering a cleverly executed number that is upbeat and extremely catchy.

The pièce de ré·sis·tance on this album comes in the form of ‘Too Many People’. The lyrics are suited to our current period in time where we have all suffered epic loss both in the Music Industry and our own personal lives making them truly relatable. There’s no mistaking that 2016 had been a year of endings (in numerology, the year added up equals to 9 which literally is the number representing endings and new beginnings) and ‘Too Many People’ is the antidote to the grieving many of us are going through: it goes to the heart and heals the soul.

The balance of the album with ‘Where Is The Boom?’, ‘Clockwork’, ‘Warhol’, and ‘Rag Doll’ are consistent in their output and strong lyrics but the ‘All My Friends’ finale is true ode to who Palaye Royale are as a band in their sonic and physical make-up: classical sounding, deeply emotional, dramatic, completely original, all-out chaos, and heart pounding energy. This song is another fave on our playlist and will bode well among new fans and classic rock and roll lovers when the band makes their mark in Edmonton at the Starlite Room February 26th, 2017.

To sum Boom Boom Room Side A up: this is a band of brothers whose ability and ingenuity in creating music that is both original and unheard of (in this era of ‘complacent’ rock and roll) results in a magical and biographical journey for the ears. I am confident that this is a band who has been through as much as they have, are rising to the top of their game, and will truly stand the test of time.

If you are new to this band and have never heard their sound before, we recommend you spend a weekend immersed in the comfort of your living room and watch episodes of live concert footage and behind-the-scenes on their YouTube Channel (see here) as well as the Sumerian Records YouTube channel where their recent music videos are posted (see here).

CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Palaye Royale Historical Timeline

I have personally written several articles on different Website platforms for Palaye Royale and have followed their journey quite closely since February of 2014 when they messaged me via Twitter to ‘check out’ their video for ‘Get Higher’. I didn’t realize at the time (and after 48 consecutive hours of research later) that I had been reeled into what I call the ‘Palaye Royale Vortex’. Anyone who has heard them knows this as: ‘We NEED to know more! HEAR more! SEE more!’ And so it went, with every accomplishment, SMC has been documenting the way.

The band broke ground early 2015 when they hopped aboard the High School Nation Spring Tour from April and well into the end of May by performing in front of tens of thousands of people. At the same time, their single ‘Get Higher’ was (and still is) released and getting into high radio rotation across the USA and Canada which also secured the video a spot on MUCH Canada rotation. *Notable: Prior to the High School Nation Tour, Palaye Royale did live pre-production, an ‘old school’ style of music creation much like the Rolling Stones. In fact, World famous DJ Rodney Bingenheimer (previously at KROQ 106.7 FM Radio based out of Los Angeles, CA) has been so smitten with the band’s music, he has sought them out, connecting immediately, and taken it upon himself to spin their unreleased song ‘White’ causing their Twitter fan base to go into a frenzy wanting to get their hands on a copy.

CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

It goes without saying that true fans of Palaye Royale would know this band has been insanely busy since launching their album ‘Boom Boom Room’ on June 24th of 2016. Shortly following the album release,the band began touring Vans Warped Tour 2016 and continued back to back touring up until present day. This is a band that has legitimately worked very hard for their art and with the recording of ‘Boom Boom Room: Side B’ now imminent, we are certain that their hard work and dedication is going to pay off. In fact, on November 15th, 2016, they headed into new territory touring with Andy Black (Andy Biersack: founder and lead vocalist for the American rock band Black Veil Brides) beginning February 2017 in Canadian cities such as Edmonton, Calgary, and Saskatoon.

Merch includes custom art by Emerson Barret
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

This is a truly innovative band whose creativity never stops and the world is waking up and taking serious note of their accomplishments and with credentials to the Sid and Nancy: Sad Vacation film by Danny Garcia (a Documentary on Sid Vicious and Nancy Spungen – see here) under their belts (Death Is A Party, Invite All Your Friends is the song featured in the film), a Jewelry line launched by Remington Leith on ‘Never Take It Off’ (https://www.facebook.com/NeverTakeItOff/) , a live performance at LA Fashion Week with Emerson Barrett’s art being shown next to Banksy (See here) and the sale of one of a kind custom Neoclassical Architecture designed Vans Shoes also by Emerson Barrett, it seems there is no limit. In addition, the band has performed hundreds of exclusive and intimate acoustic shows prior to their stage performances at ALOFT hotels and many other exclusive locations in their tour travels.

In 2017, the band launched their own newspaper ‘The Royal Times’, continued to tour western Canada, and even made an appearance on the 2017 Alternative Press Televised Awards Show. Fans continue to accumulate as the band continues to venture into new territory, winning over the hearts of new music seekers young and old everywhere they leave their mark.

Tour life has been challenging and this band has endured a lot: bus catching fire, tire blow-outs, transmissions cratering, brakes shot on a 20-year-old passenger bus known affectionately as ‘The Pirate Ship’, cooking in Wal Mart parking lots, roasting in the hot summer heat changing in cramped quarters (their trailer) and bunked up with half a dozen of their band mates all for the labor of love known as the ‘Rock and Roll Battlefield’ simply to bring their art to their adoring masses. When we look at the numbers of fans that have resulted from these sacrifices to perform live, (known as Soldiers of the Royal Council) the numbers have gone insane. They have a whopping 195,000+ twitter following, 115,000+ on Facebook, and 47,000+ on Instagram and its progressively growing every day.

Why? Because they. Never. Stop.

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

-Earlier Accomplishment History-

Palaye Royale has accomplished an MTV Music Award (after winning first place in MTV Musical March Madness in early April of 2014 beating out bands like Coldplay, Fall Out Boys, Linking Park, and Tokio Hotel, clearly demonstrating their artistry is also of the same high caliber. Even more interesting is that they are the FIRST EVER Independent band in the history of MTV to ever accomplish this feat and were consequently invited to appear on the red carpet at the MTV Movie awards in the same month. They have also performed on the Ernie Ball Stage at Vans Warped Tour as well as The Hard Rock Rising in Las Vegas. All of the above are fan voted accomplishments, all within a few months span.

The band was also featured in a Global Samsung Galaxy Note commercial alongside their single ‘Get Higher’. The Samsung campaign started in Londons’ ‘Picadilly Circus’ on the Teletrons for its visual content. Subsequently, due to the overwhelming response from viewers at the International Consumer Electronics Show CES in Las Vegas, Nevada the campaign continued for a further 18 months. Clearly, this isn’t any ordinary band and the strategic plans that they have charted out for the future of their success is absolutely remarkable.

Palaye Royale were also winners of Bongo Boy TV’s (BBTV) Indie Music Video Contest this last Spring being selected out of 1.2 million independent artists via Reverbnation.  Their music video ‘Get Higher’ featured on The Bongo Boy Rock n’ Roll TV Show aired in two episodes: premiering in April 2015 with National rotation coast to coast and in New York City on April 4th 2015. BBTV distribute their TV show series on 3 TV channels with cable companies like NBCUniversal Comcast, Cablevision, Time Warner, FiOS, AT&T U-Verse, Suddenlink, Charter Cable and RCN Network Television.

(l-r) Remington Leith and Sebastian Danzig at their VIP Acoustic show backstage
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On July 1st, 2015, Palaye Royale performed at the World-famous Hollywood Rock and Roll Hotel: Sunset Marquis right off of the Sunset Strip in Los Angeles, California before a private audience of 300 prominent Industry Dignitaries and the Canadian Consulate for the Canada Day SOCAN Friends and Family event.  Once again, the band made music history in a venue which has been a platform for actors, comedians, writers, artists, filmmakers, fashion designers, supermodels, restaurateurs, billionaire entrepreneurs, for the past 50 years.

Sebastian Danzig at the bands’ VIP Acoustic show backstage CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

On July 15th, 2015, Palaye Royale performed on the CBGB Stage originating from the famous club in New York at the Bowery which was shipped to the YouTube Space LA where the live recording of their new song ‘Live Like We Want To’ took place. (Cool side note: the club is now the home to John Varvatos’ flagship store since 2007 following the clubs closure in 2006) So what does this mean? It’s a pretty huge deal: The CBGB Stage originated as a biker club in 1973 featuring Country, Bluegrass and Blues Musicians (thus the acronym CBGB) and towards the early 1980’s became a famed venue known for hosting punk rock Musicians Blondie, The Ramones, Television, Patti Smith Group, and Talking Heads. By being asked by YouTube Space LA to perform on the original stage specifically brought to Los Angeles and having Palaye Royale create yet another major historical music maneuver does not surprise me one bit given their accomplished history.

Palaye Royale performing at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

In addition to all of the focus on the bands accomplishments as a whole, Drummer Emerson Barrett (under the alias: Dr. Strangebomb) has been featuring his unique and exquisite art in Galleries and Art shows throughout Los Angeles. The attention to the tiniest details in his creations has fans and collectors across the Globe fascinated by his ‘Revolutionary Art’ concepts and principles.

Palaye Royale are at present working on new music and collaborations which will only create more of a stir globally and it is exciting to see what will come next as they head towards new accomplishments and unique historical music feats. It can only be anticipated given their successes. Let’s face it folks, there will never be another band in the history of music who will have paved a path so unique such as Palaye Royale and with all their hard work, dedication, and accomplishments under their belt, I am confident saying this IS the Band of the Century and the Century has only just begun!

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The *EXCLUSIVE* behind the scenes video glimpses of Palaye Royale at their Headline Tour show in Edmonton, Alberta, Canada on August 8th, 2017 including their VIP acoustic show are available on our Vimeo channel which can be accessed through this feature.

This is an official Starlight Music Chronicles Press Exclusive behind the scenes. More on the band can be found at:

Palaye Royale Social Media Links:

Website

Facebook

Instagram

Twitter

YouTube

iTunes

Spotify

*The video content in this feature is exclusive property of Starlight Music Chronicles and may not be cropped, edited, or ‘borrowed’ on any other platform without express permission from editor@starlightmusicchronicles.com

 

 

FKB | SPOTLIGHT interview Series No.1 ‘Bright Lights’

By Candice Anne Marshall

Have you ever had that one song that just plays on repeat and you just can’t seem to get it out of your head? When I am talking about Alberta’s own FKB, and their new single ‘Bright Lights’, I am not referring to the kind of song you want to get out of your head. I am talking about a song you spontaneously hear on a gloomy Monday afternoon whilst crunching numbers (mindlessly) that, upon first listen, it gets your toe tapping and you grinning like an idiot to your coworkers for the remainder of the day. Yes indeed, you have just heard the greatest song to come across your ears and that, dear readers, is unforgettable.

‘Bright Lights’ is a single written by FKB and produced by Grammy Award Winning Producer and Musician Clayton Bellamy (The Road Hammers, Clayton Bellamy Band). The band has worked with Bellamy on their previous album ‘123 FKB’, known for their song ‘Crystal Ball’ which was well received across the Canadian radio circuit. It’s no wonder that they would come out of the barn gates kicking it up a notch once again with ‘Bright Lights’, a catchy tune produced in true Bellamy style: unforgettable. The vocals on this single come across with meaningful intention and the instrumentation is fun, vibrant, and on point. It has been a while since I have heard a song like this (for me, Dan Davidson’s ‘Found’ is another favorite, also co-written by Bellamy) and I am certain that this is the ground work for a very successful album coming in the near future.

There’s no doubt about it, this is a band whose long tenure on the music scene and perseverance has caught the attention of our SMC SPOTLIGHT team. We will begin running a Spotlight Numbered Series on this band as we follow them on their career journey and will be anticipating more in the near future! So what are you all doing still reading this? Get this song on your iPod now! Hurry!

Just remember, you heard ‘Bright Lights’ here first.

You’re welcome.

FKB *EXCLUSIVE* Interview | SPOTLIGHT Series No. 1 ‘Bright Lights’ May 5th, 2017

SMC – Hello Gentlemen! We are so thrilled to have connected with you via our industry peer Mr. Bill Miller (Sharp 9 Music). We have worked on several SMC SPOTLIGHT Numbered Series with Mr. Dan Davidson over the last couple years since launching himself into a solo Country music career and it seems everyone associated with Bill and Dan are super talented! Can you tell us how your connection came about in the music industry? (aside from your passion for creating it of course!)

FKB – Hello Candice! Thank you we are extremely excited that you gave us the opportunity to be in the SMC Spotlight! Our connections in the music industry largely come from Clayton Bellamy. We met him many years ago when we were playing at a car show in Bonnyville, Alberta and we began to work with him regularly. We met Dan through a songwriter’s event in Edmonton this summer and we had Clayton as a mutual friend. We met Bill this spring through both Clayton and Dan who both recommended working with him.

SMC – That’s fantastic! I was able to connect with Clayton and The Road Hammers in 2007 when they performed at Grizfest Music Festival in Tumbler Ridge, British Columbia. To what extent is Clayton’s involvement in your projects?

FKB – Clayton has been the producer of all our work so far. He co-wrote and produced our first EP 123 FKB and produced our new single “Bright Lights” as well as a few other songs that are yet to be released. He’s been a tremendous help in getting the sound and vibe we want and making sure everything we do sounds as good as it possibly can.

SMC – Who can all the songwriting be attributed to for the ‘123 FKB’ album (released March 28, 2014)?

FKB – All the songs on that EP were written by Drew Shalka, Derek Chalut, Zach Fontaine, Zack Moon, and Clayton Bellamy.

SMC – Can you tell us how you gentlemen came together? I am more curious about the back story on how your interests collaborated in the early days of FKB…

FKB – We initially came together in high school back in 2009 because of a desire to play Beatles and Beach Boys music. We essentially found everyone we could who was interested in playing that kind of music who was our age and began to book shows all over the local area. We would also often listen to old 30s and 40s music like Fats Waller on our way to shows so it was a slightly unusual high school rock band.

SMC – I read on your website that the band has been together for eight years now. I find that most of the bands that stay together are the ones that go through everything that is possible to break them up and yet, they get past that eight-year mark and that’s when the real magic begins. My friends The Standstills are a perfect example of this…. what are your thoughts on the ups and downs of the band?

FKB – There were definitely some serious ups and downs over the years. I have found things were the easiest in the early days before there’s any sort of actual business in place. Once things started getting serious and we began to start writing and releasing our own music as well as doing more shows, which was around the three-year mark, we began to have some issues that nearly broke up the band but we managed to work through and come out stronger than ever. We have even had a few instances where we’ve had members leave and sometimes it seems like that could be the end but each time we have managed to find the exact right people to take their place and move forward as a unit. I would say after getting through everything though it takes a lot more to shake us up than ever before.

SMC – You can certainly hear a different vibe with your newest single ‘Bright Lights’ in comparison to your earlier work. Can you tell us how you have evolved as musicians in terms of your actual sound and image?

FKB – A lot of the new vibe comes from different music we’re listening to at the time of writing and recording the songs. With the previous EP, we were listening to a lot of Kings of Leon and Green Day and had planned to make a kind of retro record with the backing tracks recorded mostly live off the floor. To accompany that we also had a bit of a more 70s rocker kind of look. Over the years, we have been listening to different styles of music and our songwriting began to take on more of a pop/rock style. After recording the last EP, we began listening to a lot of the music that was coming out and we loved how diverse and exciting it was. These were albums like Bruno Mars’ Unorthodox Jukebox and Down With Webster’s Time to Win Volumes I and II. The big things we took away from those albums were the diverse sounds on Unorthodox Jukebox and the fun party atmosphere on the Down With Webster albums. We began incorporating these into our live shows first and then when it came time to make the new songs we began using more synth and keyboards and playing with the sounds on Logic and Cubase to really change things up. The image progressed to reflect the changes in the music.

SMC – What do you think are some of the biggest challenges in the music industry today?

FKB – The biggest challenge at this point would have to be breaking through to audiences. With the number of bands and artists these days it is often easy to get lost in the crowd especially online. Another big challenge is finding places to play live music and get through to audiences in person especially with the number of artists all needing to use the same venues in a lot of places.

SMC – A lot of bands choose to remain ‘indie’ – can you tell us if your ultimate goal is to become signed to a label or to remain indie?

FKB – That is a difficult question. Our ultimate goal is largely independent of whether or not we are signed a label. Our main goal is to reach as many people as possible and if there was a situation where a label could help us achieve that and we felt they could provide us with a benefit, then we would likely sign to them. However, if we can continue to build and reach more and more people on our own then that would be fine with us as well.

SMC – I saw that you are touring this summer too! Can you tell us where those locations are and with whom?

FKB – The current announced dates are:

5/18 – Edmonton, AB @ The Sewing Machine Factory

5/19 – Fernie, BC @ Northern Bar and Stage

5/20 – Trail, BC @ Arlington Bar and Grill

5/21 – Winlaw, BC @ Mama Sita’s

5/27 – Vancouver, BC @ The Roxy

6/2 – Creston, BC @ Jimmy’s Pub

6/3 – Nelson, BC @ The Royal

6/8 – Beaumont, AB @ Live City

7/6 – Waterton, AB @ Thirsty Bear Social House

7/7 – Canmore, AB @ The Drake

7/8 – Canmore, AB @ The Drake

7/14 – Revelstoke, BC @ The Last Drop Pub

8/2 – Saskatoon, SK @ Buds on Broadway

8/3 – Saskatoon, SK @ Buds on Broadway

8/4 – Lloydminster, SK @ The Root

8/10 – Thunder Bay, ON @ The Foundry

8/11 – Sault Ste. Marie, ON @ Loplop’s

8/17 – New York, NY @ Silvana

8/18 – Buffalo, NY @ Nietzche’s

8/22 – Cleveland, OH @ Wilbert’s

8/24 – Chicago, IL @ Moe’s Tavern

We’re mostly touring independently but at some select shows we are playing with: For Tonight, Guests, Naeem Gabriel, The Sophisticrats, West Hammock, and Poor Little Tin Man. There’s also a few unannounced that should be quite exciting as well!

SMC – Can you tell us what is one cool fact about each of you that no one else knows? (fans love this one)

FKB –

Drew: Has a Bachelor’s Degree in Commerce from the University of Alberta.

Travis: Has a Bachelor’s Degree in Engineering from the University of Alberta.

Derek: Has been playing drums since he was four.

Alex: Once hosted a hit Ukrainian Christmas special on a radio station in Vegreville, Alberta.

SMC – What are your thoughts on the support in the music industry in Canada as opposed to other countries in the world like the USA or the UK?

FKB – We’re not too familiar with the support in a lot of other countries but Canada seems to come together around Canadian performers and really try and help everyone grow together. There’s so many great organizations like FACTOR, AFFTA, Alberta Music, Sask Music, CBC Music, Canadian Music Week and so many others that help Canadian artists develop their careers and bring their music to the world stage. This summer will our be first international tour and a lot of it is possible with the help of other Canadian musicians and publications like SMC!

SMC – How do you feel Canadian Songwriters have a better advantage over, say, our American peers?

FKB – Not that familiar with what is available in the US but there is so much support in Canada for Canadian music and lyrics that helps songwriters reach people. Again, there is so many organizations that help songwriters network and create music like the Songwriter’s Association of Canada, FACTOR, and SOCAN that help songwriters work and get paid for their work. There is also a tighter network of performers and songwriters as well than is initially apparent in Canada.

SMC – You have been voted as one of the top 100 ‘Campus Bands’ by CBC. Can you tell us what exactly that means and what it means to you?

FKB – That was very special to us because at that time especially our fan base was a lot smaller than it is today so for that to have happened it took a lot of support from people who liked our music and they rallied around us to get us to that point. That was for a CBC Music competition where fans could vote for their bands who have members at university campuses across Canada. There were thousands of bands that entered and our fans helped bring us to the top 100 which meant a lot to us.

SMC – What is the biggest compliment you have received as a band or individually?

FKB – There have been a few examples that stick out in our minds. A sound man at The Roxy in Vancouver told us our show “was epic” after our performance and that was cool because they have so many awesome bands come through there. Another more recent one was a band who booked us as a feature act at a jam night told us we were no longer a band and that we have become “an act” meaning our show had become more than just music. That was a big compliment because they had booked us before and had seen us a few months earlier. Clayton Bellamy also wrote about us on his Facebook saying that he has loved watching us grow as a band and called us as hard working as anybody in the business. That was big because we have worked with him for such a long time and he is an extremely hard working person himself.

SMC – Which kinds of genre peers do you each connect to in terms of building and networking?

FKB – We actually have close ties to a lot of musicians in genres outside of our own so they’re not really genre specific. We have a lot of connections with country artists like Dan and Clayton. We also talk a lot with some pop artists as well. Closer to our genre we have connections with some other bands within Edmonton and a few from Saskatoon, Lloydminster, and Vancouver as well. The styles of those bands even range a lot from Metal to Alternative and Indie. We also have some connections to a lot of people involved with the industry in other ways like producers, and other writers.

SMC – What has become the most vital thing for you as a band to portray via social media?

FKB – Consistency would be the most vital thing at this point. Making sure that we are putting across the same image on all the platforms and putting out content as regularly as necessary to let people know what we are up to. At this point we want people to get a sense of who we are and portray a positive and fun image through our social media. Because it is an important way for fans to keep in touch with us and up to date on where we are playing and when we are releasing new music we want to keep people engaged and with an accurate expectation of what we are doing.

SMC – What has been the best advice you have received over the years in terms of building your success as a band?

FKB – Just keep working hard and get out in front of people. That combined with putting egos at the door and working together towards whatever goal we’re trying to accomplish. Combined that advice has been a huge help to us over the years especially with remaining as objective as possible towards making decisions.

SMC – Okay, final question: Can you tell us which media platforms (radio aside) that have been most supportive of your music?

FKB – There has been a lot of support over the years in print media especially in the early years when we were starting out the newspapers were always helpful in doing profiles on the band and writing about us at events we were playing. Another big one from the start has always been social media. Facebook is still where most of our fans interact with us and has been our home base from the very beginning. YouTube has also been supportive especially recently we made a few cover videos of some songs we were into and some of them actually did quite well and turned out to gain thousands of views.

SMC – That’s wonderful! Well, thank you gentlemen and we look forward to hosting you on the SMC SPOTLIGHT! in years to come!

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FKB Social Media Links (click to view)

Website
Facebook
Soundcloud
Instagram
Twitter
YouTube

BIOGRAPHY

FKB formed in 2009 out of a mutual love of fun music and the classic artists of the 50s and 60s. They’ve toured Canada and shared the stage with The Trews, The Road Hammers, and Dan Davidson. Their dedication to creating a fast and exciting rock show attracted the attention of Clayton Bellamy (The Road Hammers) who produced their debut EP, 123 FKB and their newest single “Bright Lights”.

For interviews or promotional materials contact Drew at info@fkbmusic.ca or by phone at 780-573-3329

Radio Promo: Bill Miller – bill@sharp9music.com

For all press materials visit http://fkbmusic.ca/press