SMC 2017/2018 Artist of the Year | Hannah Clive Exclusive Interview & Page Launch!

The moment has finally arrived! We are pleased to announce that our Starlight Music Chronicles (SMC) 2017/18 Artist of the Year, London, UK-based Hannah Clive has been officially launched on our website (see here)! We have launched this feature & her page in the same month last year when Hannah won our October 2016 Artist of the Month event – there is just something special about this month: Hannah is special.

In 2015 when our September Artist of the Month winner IAMWARFACE catapulted into the SMC music scene, many UK artists began competing in our monthly events. In the fall of 2016, IAMWARFACE frontman Matt Warneford nominated Hannah for the October event. It is ironic that these two top performers from the same country have aced our Artist of the Year events, but, we assure you, they were chosen by our Judges for their incredible talent! All our SMC Artist of the Year competitors this year and last were stellar – it was a very tough decision to make. For the 2017 competition, we had four voting platforms for the Judges: Best in Media Support, Best in Music and Instrumentation, Best in Fan Interaction and Engagement, and Best in Social Media, Content, and Branding. Hannah not only excels in these areas, she is the total package when we look at an artist whose mark in this very tough industry has stood the test of time. She approaches everyone and everything with a smile, quick wit, and even her favorite: cake! (yes, cake. If you haven’t been following her tweets, get on that!). But beyond all these personal attributes, Hannah is a woman on the rise: her music is always evolving and she continues to interact with her peers and fans daily which is very rare to see. These are the kinds of things that keep an Artist relevant and current and we definitely see great things happening for her!

Hannah’s’ page on the SMC website has all of her socials, latest videos, links to her interview with Limehead Radio, announcements and upcoming events or shows are located in one convenient spot. We encourage you to get to know our reigning SMC royalty by connecting and following on all her socials and while you’re here, check out our exclusive interview with her below!

Editor’s Note: Hannah I want to personally congratulate you again. I know that this industry can be challenging at the best of times, but you, dear, continue to surprise us all with your perseverance, talent, and ability to stay at the top of your game with your art and loyal fan base. Now, it’s your time to shine as our Official SMC 2017 Artist of the Year! Welcome to the SMC Family!

SMC Exclusive Interview | Hannah Clive SMC 2017/18 Artist of the Year!

SMC – Hello Hannah! We are beyond thrilled that you are our SMC Artist of the Year! Can you tell us where you were when you found out you had won and what your first thoughts were?

HC – I was standing in the middle of a field having just performed at Frontrow Festival in deepest, darkest Oxfordshire, England when somehow, I got reception and took a call from Matt of (IAM)WARFACE around one AM telling me I’d won SMC Artist of the Year. I was elated, as were the other musicians for me, prompting singing late into the night with the Scottish contingent the Barstow Bats enthusiastically leading the charge.

SMC – Can you tell us what you think about online Artist voting competitions? What were your thoughts on the SMC Artist of the Year event?

HC – If I’m honest – generally speaking I’m skeptical of Artist Voting Competitions and other similar ventures like Battle of The Band competitions. I’ve heard horror stories from fellow musicians where they’ve been left out of pocket. So, I think a lot of competitions tend to leave a lot to be desired – they’re very good for competition organizers and their own promotion, fan base grabbing and connections made, yet they don’t seem to benefit the participants in any real way; artists who do work their a**es off, pushing the darned thing! I didn’t feel that about SMC Artist of The Year as I have built a relationship with you over a few years and you actually do cross-promote.

SMC – Can you tell us where your biggest supporters come from aside from the UK?

HC – My biggest group of supporters outside of the UK is in the USA and Canada.

SMC – Are there any people you would like to give a shout out to for their support during the competition?

HC – I’d like to thank all my ‘Queens of Ireland’ for their unfailing support, to Music Hour UK, fellow bands who’ve shared the love as well as to all my unfailing supporters. Last but very not least – last year’s winners, (IAM)WARFACE and all the ‘Warfarian’s out there.

SMC – Where did you first learn about SMC?

HC – Word of mouth via a local band of musicians (IAM)WARFACE.

SMC – Let’s get into your career – I saw recently that you were in the recording studio with IAMWARFACE, our 2016 Artists of the Year. Can you tell us what’s going on behind the scenes there?

HC – I can’t reveal too much but suffice to say Matt and I are writing new material together, we’ve yet to decide when we will present that. I’m singing and it’s all gone a bit James Bond meets Warface and Hannah’s smoky, torch vocals…and it really works – appeals to my cinematic background I guess.

SMC – We saw from your Facebook Page that you had recently performed live at a charity event. Can you tell us which festivals or events you have performed at over the summer?

HC – Well, when not attending to review them as I did with the Indies on the Jack Rocks / This Feeling Stage at Isle of Wight festival, I have been performing at quite a few! Starting with London’s largest one-day music festival The Hanwell Hootie sponsored by Marshall Amplifications – I know Jim Marshall’s son and now CEO Terry Marshall – he came down to support me personally, which was very moving. Then there’s been Into The Wild Festival along with (IAM)WARFACE – completely loved that. FrontRow Fest in Oxfordshire and there’s been the Bicester Round TablePub In The Park’ charity event, among others.

SMC – Do you have any events coming up that we can share with our readers?

HC – I was planning on releasing a new EP September/ October but I’m still waiting on the final production processes to be completed, plus now I’ve done this stuff with Matt – I’m in two minds as to what to release. I would very much like to release something new because fans are wanting it and it’s been a while – but it’s gotta be right in terms of my direction artistically. It may be I’m looking at another metamorphosis 😉

SMC – Being our Artist of the Year means having our support from July 2017 to June 2018. Can you tell us how best we can help promote you on our site? We love creativity and collaborations but we are also aware that our artists have their own vision on how they are promoted…what is your vision?

HC – So long as SMC are able to offer what all artists need which is their music promoted, available for people to listen to easily, presented in an engaging way and that the places where it can be bought are on prominent one-click-away display – really that’s all that matters to us music makers.  It can be an expensive hobby so any investment we get from our supporters is enabling and always greatly appreciated. My vision has always been not to shout ‘BUY MY MUSIC’ or ‘CHECK THIS OUT’ – it puts people off. Instead I prefer building genuine fan relationships – I find that’s the best way to naturally generate interest in one’s music with music fans – and to be real.

SMC –We have Limehead Radio in the UK linked to our SMC Spotlight – can you tell us about your experience with your recent interview with them?

HC – I loved doing my interview with Limehead. They’re enthusiastic new music supporters and that always gets my vote! They have a good ear too for quality new music and goodness knows it’s out there and a genuine interest in supporting it.

SMC – Speaking of Radio – are there any stations you would like to give a shout-out to who have been supportive of your music?

HC – First and foremost all at EGH Radio Wednesday Unsigned Show with Stephen and Anne Lambert, and with Niki Tyler on Thursdays Unsigned Pop Show. Now that is a genuine community of music makers and supporters, where I tune in virtually every week. Also have to give a shout out to Gary Crowley at BBC Radio London (see below) for all his kind words and his support, playing my tracks twice now on BBC introducing in London. Additionally, to Gaby Roslin for inviting me on her show as a guest and to perform at BBC Radio London. But there is a plethora of independent digi’ stations out there I could mention – all doing an admirable job of play-listing new music, whereas nationals for whatever reason just can’t. Instead radio pluggers and corporates tie their hands. So, Independents such as Stephen and Anne at EGH Radio are seemingly the true Champions of real new music now – elsewhere it’s become a turn-style for the mainstream radio stations due to the sheer volume sent in versus available airtime for unsigned acts. The rest of the airtime has to be dedicated to signed acts and therein perhaps lays the problem.

SMC – Which Media platforms (aside from Radio) have been most supportive of your music?

HC – Social media is the best alternative platform and for that see Twitter. Facebook videos get a lot of hits too, more so than Youtube. I’m trying to branch out into Spotify playlists but they have to be the right ones apparently.

SMC – Can you tell us who your ‘go-to’ team is in terms of the production of your music/videos/branding?

HC – Production I have my Producer friend Brian Tench who’s worked with the best including Kate Bush and The Bee Gees and we often use my session musician friends who all play on world class material elsewhere. My branding I do myself, plus I bounce artistic ideas off of Matt from (IAM)WARFACE – he’s an artist as well as a musician so he has that artist’s eye, I’m also looking at image with Mrs. Warface.

SMC – I am aware that you come from an esteemed background in terms of the entertainment history and your family (your father). Can you tell us about that?

HC – Basically, growing up my Dad was on the telly – a lot! He was in seminal British Television programming and films of the 60’s, 70’s and 80’s including Kubrick’s A Clockwork Orange to name but a few. Like the actor Julian Fellowes who wrote Downton Abbey – my father the actor John Clive went on to become a successful writer, in his case an international best-selling author several times over and a screenplay writer and I’m very proud of him. He had me late and died only a few years ago but I feel strongly that he’s keeping a close eye on my career as its something he always supported. My mother was on the Production side in Light Entertainment including seminal British music programmes like the BBC’s Top of The Pops, then after having me and my brother went into specialist VIP and Press liaison – so I have a very solid grounding in the Business.

SMC – Okay – let’s get into your music: Can you tell us which of your songs has received the most traction on radio?

HC – Oh goodness that’s difficult – they all have. Fire seems very popular, as is Kiss of Life.(below)

SMC – Do you write all your own music?

HC – Pretty much yes.

SMC – Do you plan on having any co-writes in the near future?

HC – I love collaborations and am always up for them. I like mixing things up I did as say with The Herbaliser on ‘Lost Boy’ (see belwo) or as I’m doing now with IAW – it sends you off creatively on a different path to the one you normally tread.

SMC – What is the song-writing process like for you?

HC – If working with others its quick. If its me I tend to get a burst, leave it for while, come back to it, tweak it etc. When writing it has to flow easily – if I try and force it the result is never as good. I have to have a buzz for it.

SMC – What instrument do you create your songs with?

HC – Good question. First it was piano, and then I didn’t have one (not particularly portable and I dislike plastic keys) so I wrote using the guitar for twenty years. Now I have my piano back I’m writing with that again and loving it – for instance Fire started out on piano and was then transposed to guitar.

SMC – Which instruments do you play aside from the acoustic guitar?

HC – Piano, flute, piccolo and tambourine – I play a mean tambourine (little known fact!) I write string parts too.

SMC – What do you admire most about other Musicians in the industry that have inspired you in some way?

HC – Their tenacity in the face of ever-dwindling returns! They keep playing because it’s their passion and Music chooses you.

SMC – Can you tell me whom your most influential role models were growing up?

HC – My Dad was a huge influence both musically and in the art of performance. Others early influences include John Lennon /The Beatles, Yellow Submarine was a biggie, Elton John, film scores, plus a raft of old school classic singers whom my Dad used to play on vinyl e.g. Ella Fitzgerald, Julie London, Peggy Lee – oh and Sinatra, but in this last instance that was more to do with the songwriting. My Mum who was younger than my Dad was a music influence on me too – she played things like Simon and Garfunkel, Earth, Wind and Fire – oh and ZZ Tops at full volume, at speed, with the windows down!

SMC – What does the term ‘success’ mean to you?

HC – Honestly? Being recognized for my craft and making enough money from my own music to pay the bills – anything else is a bonus – holidays in Antigua can wait.

SMC – How have you been able to juggle your career with home life? We see you always out there hustling and doing such a fab job of your social media!

HC – I feel like Zorba the Greek sometimes I’m juggling that many plates but then that’s what modern Mum’s do and I’m no exception. Mine’s just a slightly unusual area of employ is all, but no different than that in which I was raised, so it’s normal to me.

SMC – Can you tell us what advice you have been given by industry peers which stands out for you or which has influenced the way you do things now?

HC – Listen, speak less, learn – blend into the wallpaper until you have.

SMC – What do the next 3 months look like for you in terms of your career and new music releases?

HC – As explained I’d like to release something new. I’ll avoid the Christmas crush of releases but if not The Fall, then springtime 2018. Hopefully more gigs this year, the festival season’s pretty much over so everyone is prepping for Christmas releases and booking in for festivals next year. Plus, I’m managing (IAM)WARFACE now at their insistence, so I now have all theirs to juggle too!

SMC – Are there any tours or festivals planned for the next few months?

HC – No.

SMC – Where is your biggest fan base located?

HC – The UK followed by USA, then Europe – also very popular in France and Germany –, which is handy coz I speak reasonable French, and they like their chanteuses. I’m open to going there and it’s a good market.

SMC – What is the approximate age group your largest fanbase is?

HC – Actually, it’s across the board but mainly the 25 – 50 bracket, male and female – and they buy music.

SMC – Can you tell us what you think is total career fulfillment for you?

HC – Being known for, respected for and doing what I’m best at – singing, songwriting and entertaining people – and being fairly remunerated for that.

SMC – Which social media platform do you gravitate to most and why?

HC – Twitter because its instant and they don’t use an algorithm (like Facebook) to pick what to tell your friends and followers.

SMC – Which social media or music platform do you think is most effective for Artists today?

HC – I’m still working that one out – truth be told probably a combination of all of them. Fortunately, most of my fans actually buy their music on hard copy or via a music platform like iTunes; they don’t prefer streaming on Spotify because they enjoy the attachment, the sense of propriety owning a copy and its better quality. They know it supports the artist buying it.

SMC – What are your thoughts on Spotify? I know we had a discussion about that and I know this is something that most Artists want is to be featured on Spotify playlists. Are you featured on any?

HC – I am apparently – but its something I need to look at more. Open to help there!

SMC – Can you tell us when in your lifetime was your ‘Ah Ha’ moment – the time where you knew music was your destiny?

HC – When I sat at the piano aged 9 or 10, wrote a song and called my dad in to have a listen. He immediately started typing up the lyrics for me so I knew I was on to something – clearly, he thought I had something because he wouldn’t have indulged me with his time had I not.

SMC – Okay, final question: if you had not pursued a career in music, what would you have chosen to be?

I have absolutely no idea – probably a marine biologist or naturalist of some kind – an eco warrior. When not on stage I like good honest earth and living off grid – it proves a useful antidote to the plastic fantastic people one sometimes meets in the music business!

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Hannah Clive Social Media Links (click to view)

Website

SoundCloud

Facebook

Twitter

Instagram

iTunes

Spotify

YouTube

 

SMC October Featured Artist | Ghostly Beard ‘Blue’ Music Video World Premiere

The one and only Ghostly Beard
Photo courtesy: Ghostly Beard

We are pleased to announce our SMC Spotlight Featured Artist for October 2017 is Menton, France-born, Montreal, Canadian-based Ghostly Beard! Just as the name suggests, you won’t find imagery of him anywhere (believe me, we have all tried!) and much like Sia, he has chosen this pseudo-image/name as his signature moniker for the purpose of creating music and getting it out to his fans – minus the convoluted self-imagery that runs rampant through the music industry today. In fact, this incredibly talented Artist has no intention of ever performing live. Although some might say that is a risky move in the music community, we at Starlight Music Chronicles (SMC) and Limehead Radio have specifically chosen Ghostly Beard as our October 2017 Featured Artist not only for his brilliant music, but also for his ability to consistently engage in the Artist community through social media platforms, always networking his peers and showing support for their music. Indeed, there aren’t many ‘Casper The Friendly Ghosts’ in the industry today, so it’s refreshing to see an Artist as passionate as he is about networking his peers while still maintaining his secret identity.

Today, we have launched the world premiere of his lyric music video for ‘Blue’ exclusively on the SMC Spotlight and our main website front page. It is a song written for his daughter and the beautiful imagery throughout demonstrates the love between a Father and his ‘little girl’. Without giving away the literal meaning behind this lovely song (see the interview below), I can honestly say that this song is one that will resonate with any parent. The song itself is a beautiful, soliloquy-type account of the immense love and pride one feels as a parent and the accompanying instrumentation is a gentle, dream-like melody which supports this.

Aside from the obvious, Halloween being the October theme for SMC and Limehead Radio, the Ghostly Beard not only reigns as our Featured Artist this month on both platforms, but it made sense to showcase his art as his music and presence in the Artist community is most definitely felt, even if he isn’t ‘seen’. I encourage you all to check out his socials at the end of this interview and watch the music video for ‘Blue’ (below) here and also on the SMC website at www.starlightmusicchronicles.com!

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Still from the ‘Blue’ music video
Photo courtesy: Ghostly Beard

SMC Spotlight Exclusive Interview | Ghostly Beard

SMC – Hello Patrick! We are pleased to host you on the SMC Spotlight to coincide with the SMC and Limehead Radio Halloween special! Can you tell us what your thoughts are on the support you have received from both for the launch of your new music coming out?

GB – It’s awesome! I love it! It’s an amazing experience and an honor for me to be featured. I truly appreciate all the work you do in the background to help spreading the word about indie music and artists, it is essential for all of us and most welcome.

SMC – Speaking of new music – we launched the World Premiere of your music video ‘Blue’ today on the SMC Spotlight and our main website. Can you tell us what this song is about? The lyrics are sweet!

GB – Thank you! I’m really happy about this one, especially the lyrics. It’s dedicated to my daughter, Sarah. It’s been inspired by a picture I took when we adopted her in China, the very first day actually. She was almost a year old and that day when we first met her she had been crying nonstop for hours, but in this picture, she had finally given up to tiredness and she looked so peacefully asleep… The picture is in a shade of blue from the lighting, which is why the song is “Blue” and inspired by that color. But more than anything, this picture represents the exact moment that I fell in love with my daughter. The song is also about how she has changed my life… she’s 16 now and I’m very proud of the grown up she is now, but this song express how I will forever remember her somehow.

Sarah, Ghostly Beard’s adopted Daughter who inspired the song ‘Blue’.
Photo courtesy: Ghostly Beard

SMC – The video has some lovely scenes in it. Can you tell us who the creative team was behind the making of it?

GB – I’ve found Gareth Kay, the director, who actually lives in London, UK, from an online service called Radar (see here) The service allows you to post a brief and this will be picked by various video artists who will pitch their ideas. His was the most interesting, in that he proposed to do live footage with a friend and his daughter, the budget was pretty tight of course but he came up with this simple idea of a father/daughter having fun in a park. Since I’ve done this (and it was actually the first video I’ve done), I asked him to do a few more, and he has done videos for “Close Your Eyes” and “No Return” from the previous EP, and he’s now working on “A Reason to Leave” and will possibly work on another one from that new album.

SMC – Now, your album launches very soon! Can you tell us what we can expect from it in terms of how it differentiates from your last album?

GB – It’s very different. Someone said that it was almost a 180, perhaps a 150 turn from the previous EP, and it’s really the case. The previous EP was quite progressive-rock in spirit, while this one is much more jazz oriented, and much more song oriented too. So, it might be a little bit disconcerting for people who expected the same kind of music, but jazz is also a big part of my background and music that I love to listen to and write and play, so this album reflects that. I hope the people who have loved the first EP will give it a shot though, they might like it!

SMC – Did you write all your own music for the album?

GB – Yes, I did. I write, arrange, record, produce, mix everything in my home studio. I also perform all the instruments (although drums are programmed, I program them myself too), and sing (or try to anyway).

SMC – What is the theme of your album?

GB – Not sure it has a theme as such, it’s not a concept album. The previous EP was more cohesive in terms of theme, but this one is more diverse and I wanted it so. It has tales of lost love or obsession, but also dreamy tunes, or tender songs like the “Blue” song, and even self-deprecating fun songs like “Fool”.

SMC – How long did it take to create your album from first concept to final art?

GB – A couple of years, probably more. These songs, as well as the songs from the previous EP and the songs from the next album after this one, I have worked on since 2013 I think. I usually take at least a month from an initial idea to a finished song. And then to put them out there on an album, I have remixed them, and then had them mastered and worked on the cover art and packaging and running order, etc. so yeah, a long time!

SMC – In terms of your name ‘Ghostly Beard’ – why the name? How did you arrive at that?

GB – First, I tried to use my name ‘Patrick Talbot’ – but the .com domain was taken as well as many social media accounts. So, I decided that I would use an artist name… Choosing a name that wasn’t already taken proved quite difficult actually… I was looking for a name that would be fun and evocative around the idea of being invisible. Why? Because truly I am invisible, like many other indie artists, I mean we don’t really exist in the realm of the “music industry”. Also, I liked the idea of being invisible, because I think nowadays images take too much importance and precedence over music and I think it’s a shame. Personally, I don’t need any visual stimuli when I listen to good music. I put my headphones on and I close my eyes… So how to convey these ideas in a name? I looked for “invisible” something, “shadow” something else, finally I was happy about “Ghostly Bear” but the name was taken too! So, I added a “d” at the end because I do have a beard… And then I found that icon that I use as a logo and that settled it. I licensed the icon immediately because I found that it was so evocative of a beard, a ghost, a mask, anything you want, really. I love that.

SMC – Can you tell me what people’s reactions to your name and secret identity have been?

GB – It’s been really fun. At first people didn’t understand it, but once they’ve learned the reasons behind it, they’ve been playing the game… And I know that some people are desperately trying to find a pic of me and it’s like a treasure hunt… so that’s the fun part. But they won’t find anything of course. I’ve been totally absent of the world of social media until very recently, and then I never published any pic. Anyway, if they did find something, they would just be disappointed. A mystery is only good when it stays a mystery. The fun is in the hunt, and just like reading a book, compared to watching a movie, the best is in creating your own images in your mind, not having them imposed on you…

SMC – With the secret identity, it reminds me of Sia. Are your reasons the same as hers?

GB – Nothing as dramatic, no. And at first, I didn’t want to hide as such, I just didn’t want to put a closeup of my ugly mug on my website, I thought it wouldn’t be such an incentive to check my music. I played with images of shadows for the site because I’m fascinated by them. But the more I’ve seen people wanting to see my face, the more it made sense to me to refuse to show it. It’s a message, really… It says: forget the face, forget the image, listen to the music. Music to me is powerful enough that it doesn’t need any image to go with it, and certainly not the image of an old dude with a beard.

Still from the ‘Blue’ music video. Photo Courtesy: Ghostly Beard

SMC – Can you tell me what people’s reactions have been like for your music so far?

GB – I’ve been blessed with a lot of positive feedback. I’ve received a lot of really awesome press and reviews for my first EP, and generally people are loving the music. I’ve also had some people saying to me that they have connected with my music and that it has touched them emotionally, which is amazing because to me that’s the ultimate goal. I mean I’m not in it for the money that’s for sure, and anyway I’m too old to have any claim of fame and fortune. I’m way passed that. But to have people connect with my music so deeply is something that means a lot to me, and something that makes me want to do more and better. In the end, and you might think that it’s paradoxical because I don’t show my face, but it’s all about human connection and this is something that I want my music to reflect upon and my actions on social media to be about.

SMC – What has that public/fan anticipation been like for the release of your new music so far?

GB – Everyone who has loved the first EP, and who has come across my music, has said to me that they are eager to hear what I would do next, and that’s been a great incentive for me to go forward. Now all I hope is that this new album, which is so different, is still going to connect with people, and perhaps make them want to open their ears to different music, things that they are not used to listen to in general. I really hope that people will give it a good listen anyway.

SMC – You have been such an amazing support among your peers. Can you tell us who you would like to give a shout out to in terms of support for your work among your industry peers?

GB – How many pages do I have? The truth is that it’s been only a few months that I’ve started reaching out and “meeting” people virtually on social media, and already I’ve seen many people doing amazing things to support indie artists and this is something that really warms my old heart. Now I can’t cite them all, because there are so many, and I would hate to forget anyone so I’ve created a page on my website that I call “partners” to list all the ones that I know of and to say thanks to them. It’s also a resource for other indie artists who might wonder who are the good ones in this indie world…

SMC – You also have a blog! It includes a directory of all your industry faves and its growing every day. Can you tell us more about this blog?

GB – The blog started as a simple way of keeping my site up to date. I started putting short stories about what inspires me. And then the more I’ve met people online in this indie world and the more I’ve felt that I needed to talk about it, about what they do, and how it affects me, and every other artist, and it also became a way to put forward a few ideas that I have about sharing and networking between artists and indie “actors” and how it seems obvious to me that this is the way to go for us little fishes if we want to get heard in a music industry that ignores us blatantly.

SMC – What has the support been for your blog?

GB – Pretty good so far! People are sharing it, commenting on it, and it’s really nice to see! Now It puts some pressure on me to write about the issues I see in the music industry and about ideas that I have and hear about how to better network and share and care. But I try to write one post at the time, and usually it comes from things that I’ve seen or experienced online or off, and that I want to talk about. So, I might talk about something light and just have fun with it on one post, and then the next try to go deeper about the state of the music industry. That people are reading it and discussing it with me amazes me and it’s great if this makes anyone think a little bit and believe that we can all make a change.

SMC – What has been the biggest accomplishment of your music career to date that you are most proud of?

GB – The fact that I came back to music after 15 years of drawing a blank, and that my music has actually gained a lot of musicality and maturity in the process… I was really good technically when I stopped playing altogether. I mean I could play anything, really. But now after 15 years of not touching an instrument, my technique is much more limited, and I’ve learned to work around that by writing more simply but more deeply, with a lot more attention to production details and arrangement. I’ve learned the power of silence in music, and how to play each note with some thoughts behind it instead of letting my fingers run their course. It’s really coming from my heart nowadays. I want everything that I play to be sing-able and memorable somehow.

SMC – What is your songwriting process like?

GB – Painful! Well maybe not, but it takes me a long time from an initial idea, that could be a chord progression or a melody, something simple but powerful enough that it’s worth spending the time to perfect it, to try and make it a finished song. I usually record a scratch version, most of the time with acoustic guitar or simple piano and vocal humming some melody on it, then I live with it for a while… meaning I will listen to it from time to time during a week or two at least. And if this is strong enough, then I will start hearing some extra ideas in my head, counterpoint melodies, a bridge, some words, it will grow… This takes a while until I have a good idea in my head of an arrangement and something to work on. Then I start recording and adding layers to get close enough to what I hear in my head. And as I go along more ideas come and I throw everything and the kitchen sink at it and see what sticks. This goes on until I’m satisfied…

SMC – What instrument are you most proficient in?

GB – The guitar is my first instrument. I’ve started learning it intently (and intensely) at the age of 14 until the age of 30. I could spend 8 to 12 hours a day practicing, and playing. I wanted to be a session musician, so I knew I needed to learn to play in any style. And I did play in a lot of styles. There are some things that I naturally tend to do though, like playing augmented chords for example, because I have trouble playing simple Major or Minor chords, there should be a 7th at least then a 9th or a 13th somewhere otherwise it doesn’t sound complete to me, I find Major chords pretty boring TBH. And I tend to swing more than playing straight, which comes from having played jazz and listened to a lot of it too. I like straight rock and blues and many genres, but I love sophisticated harmonies best and some interesting groove.

SMC – Have you been spun on radio? If so, who would you like to give a shout out to?

GB – I’ve been aired on many indie radios, and it’s been a pleasure to be played on some amazing indie shows along some really great artists that I love and respect. Among these radios there is one that I want people to be aware of. First because it’s a good friend and then because his radio is in trouble and he has a fundraiser to buy the equipment that has been destroyed a while ago. I’m talking about KB Radio in London, Ontario, Canada, which is the labor of love of Al Yardy, an amazing indie supporter with a big heart and a real passion for good music. His motto says it all: “What radio used to be”! To help, I’ve been reversing all the sales proceeds from my first EP into his fundraiser. I wish people would chip in as well because I don’t want another good radio to disappear.

SMC – Where is the bulk of your fanbase located?

GB – Anywhere! Everywhere! Basically, on the internet. I think most people are aware of my music through interactions on social medias, hearing it on indie radios (mostly internet radios) and blogs. There’s no more frontiers now with the internet and anyone can hear music from anywhere, and it’s an awesome thing!

SMC – Since connecting with SMC and Limehead Radio, can you tell us what has changed in terms of your career and/or connections?

GB – Well first, I’ve come to know you and Mark and Rachael from Limehead Radio and seen what awesome work you do in the background, then I’ve been in contact with many artists that have been under your wings as well, like Hannah Clive or Chris Watkins and many others, and it’s been fun to support them and they support me too, so it’s a win-win for all of us. And then of course having my tunes played on Limehead opens it to UK listeners, and being supported by SMC makes me more “visible” on social medias and on the internet.

Still from the music video ‘Blue’
Photo courtesy: Ghostly Beard

SMC – I saw a tweet once where someone had commented that you are very picky with your art. Is this true? Are you a perfectionist?

GB – I’m afraid so. I spend hours and hours, recording and arranging songs and mixing and in the end, I’m never entirely satisfied. I love mixing but it’s a never-ending task because everything you change on a mix affects everything else… And then our ears tend to get used to sounds too easily. Say you mix a track and you have too much of a certain frequency, at first it will feel weird, but then wait for a few seconds and it will sound perfectly fine, your ears have adjusted to it. So, you always need to re-tune your ears to what you are hearing, using references and taking breaks. And then the laws of physics also make it extremely hard to have a flat monitoring, especially in a home studio in a room that is not made for it, meaning what you hear is not necessarily what it is… in fact, there’s a good chance your room is lying to you. You listen to it in another room and it will sound completely different, and with another kind of speakers and you will hear it differently again. Someone said that you never truly finish a mix, you just abandon it, and that’s been exactly my experience.

SMC – Since you have chosen a ‘ghostly’ image, how are you going to get around live performances and such?

GB – I’m really a recording artist, I don’t gig. And I have no intention to do so. Too old for this, truly. I’ve done that in the past and it’s never been the part of being a musician that I enjoyed the most anyway. My dream was to be a session musician, meaning a studio rat. I love working in a studio but playing on stage is not my thing. No, my true pleasure comes from songwriting, arranging, producing, crafting my little tunes, finding the best note at the best time with the best sound I can. My dream role nowadays would be to be a producer for artists that I like.

SMC – Alright, final question: What are your plans in terms of any future collaborations with other Artists?

GB – None at the moment. Although my next album will contain an artist that I’ve been collaborating with for a long time, Emma Caiman. She’s a singer and musician and a poet and a friend, and she sings with me on one of the tune (I’ve played on a couple of her tunes too). And then my daughter Sarah will also sing with me on another tune. Apart from that I’m open to collaboration in principle, and there are a few artists that I’d love to collaborate with, but to be honest I’m such a control freak that I’m not sure anyone will dare attempting the experience!

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The upcoming album ‘Invisible’

Social Media Links for Ghostly Beard (click to view)

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Email: info@ghostlybeard.com

Olivia Penalva | SMC’s Teen Artist of the Year, ArtistMax, and ‘I Choose This Love’

In June 2016, Starlight Music Chronicles (SMC) ran our first Artist of the Year (AOY) event with Adult and Teen Categories. The response to our event was astounding with final vote counts for all Artists in the thousands. Now, with the SMC Artist of the Year Season II amping up, we will be saying hello to a new Artist and our goodbyes to current ones: IAMWARFACE and Miss Olivia Penalva. But with all the mayhem that is about to go down in the next 2 weeks, our Artists of the Year will always be held in high regard and supported by the SMC platform. They are SMC Family, after all. In fact, when we look to the future of SMC and our annual events and the global attention within the industry, it would not be too far of a stretch to say we are considering a five and ten year Artist of the Year concert series. More on that later….

In the time that British Columbia based Olivia Penalva has reigned as SMC’s Teen Artist of the Year, she has launched an EP, performed across Canada live on several radio shows, launched several music videos, did a cover of The Police’s ‘Every Breath You Take’ which landed in a TV commercial in Greece, and has even attended an ArtistMax (www.artistmax.org) weekend in Los Angeles where she met with Award Winning Producer Ken Caillat and Award-Winning Artist David Foster. Part of the win as AOY on our platform was a VIP Scholarship to the ArtistMax event where Olivia was mentored by these industry peers (more on that in our interview below).

Recently, Olivia launched her new single ‘I Choose This Love’ a brilliant co-write with Robin Ghosh (more on that below too) over a David’s Tea and Smarties (yes, really!). The song is about how love pulls us through some of the most challenging times of our lives and is an absolute MUST for your playlists. In fact, we have added the song already to our Spotify playlists ‘SMC Editor’s Favorites’ and ‘SMC Spotlight Artists’.

In reviewing this single, I can say that this song is Olivia, evolved. Her earlier singles like ‘Ferris Wheel’ and ‘Outshine The Stars’ while inspirational and fun in their make – up (it was Ferris Wheel where I discovered Olivia after all in a Reverbnation contest SMC ran with Bongo Boy TV), ‘I Choose This Love’ is a step up for Olivia in terms of a more mature lyrical progression. Her strong vocal ability is never a disappointment in all of her music – it is consistent and fluid throughout. However, in ‘I Choose This Love’, you can audibly hear how she’s grown into her own and just like fine wine, she keeps getting better.

The video for ‘I Choose This Love’ is also evident of Olivia’s personal growth with a theme demonstrating the struggles and triumphs that a gay couple face in their heterosexual environment that surrounds them. Acceptance and disapproval are heavily woven throughout and lend power to the purpose of this song. I applaud Olivia for having compassion and fearlessness beyond her years in terms of addressing real issues in society today through her music such as in ‘Outshine The Stars’, a song about self-confidence and celebrating our uniqueness. Similarly, ‘I Choose This Love’ isn’t a video you would expect from someone so young in an industry primarily saturated with Artists focused on egocentric career advancement. It boils down to one thing: this is Olivia, and she will always dance to the beat of her own drum in terms of her music: she is fearless, selfless, and unafraid to make change in the world. Her goals are personally driven and not industry based meaning, she addresses the real issues in our world and not just what the music industry typically expects of someone so talented and young: a flowery, over the top ‘all about me’ glamour video. This is the stuff that makes an Artist celebrated by us on the SMC platform simply for their ability to adapt to their environment with grace, consistency, and integrity. She continues to be a beacon of light and hope to disadvantaged groups in society through her music – how can we not all applaud that?

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SMC SPOTLIGHT Exclusive Interview | Olivia Penalva

SMC – Hello Olivia! We have so much to talk about since our last interview! Let’s begin with your run as our TEEN Artist of the Year (AOY) – what was your experience like?

Olivia – Hi Candice, so great of you to do another interview with me. I am always grateful for these opportunities. It for sure was so amazing to have won AOY! Aside from the great spotlight you did of me and my music, I got other interviews and media attention and support throughout the year, not to mention the bragging rightsJ.

SMC – One of the benefits of becoming the TEEN AOY was being awarded a VIP Scholarship to the ArtistMax 3-day event in Los Angeles. You attended in late March 2017 – can you tell us about your experience with the weekend?

Olivia – That was definitely a fantastic prize to win. I got to go to LA and spend three intensive days working with very talented industry professionals and meet other artists. I had a terrific time. I was pretty nervous and not sure what to expect but enjoyed it, learnt lots, and made some nice friends as well.

SMC – We saw that you also met Grammy Award Winning Artist David Foster while you were there! Can you tell us what advice he gave that you took with you?

Olivia – Pretty cool to have met him. He is a legend. Basically he was straightforward and told us how hard this business is, which is probably better than sugar coating it.

SMC – What was it like to meet with our industry friends Ken Caillat and Bridge Gardiner?

Olivia – Bridge is super sweet and definitely made the weekend what it was. She seems to really enjoy these mentorship weekends and working with us artists. Ken Caillat is also a legend, and it is inspiring to be mentored by someone who worked with Fleetwood Mac and other greats.

Olivia Penalva, bottom row, far left, at the ArtistMax event in March 2017 where she met with Award Winning Producer Ken Caillat and Award Winning Composer David Foster. Photo Credit: ArtistMax

 

SMC – If you were asked why you would recommend the ArtistMax program, what would you say to someone wanting an understanding of the program?

Olivia – I would definitely suggest it to those artists who have not had a lot of songwriting experience, or who have not collaborated much with other artists. We were put in groups and had to come up with a song and perform it at the end. Working with 5 other artists for one main goal like that can be difficult, as everyone has a different opinion or style for what they see. It was pretty intensive. Also great for artists who have not had much if any studio time, as we got to record in the studio with Ken Caillat and his team. Though I have had quite a bit of experience with songwriting and working in the studio, I did enjoy working with other artists my age and collaborating together. We also worked with a vocal coach (Colbie Caillat’s) and a performance coach, and got to meet industry reps and managers. All in all it was a positive and rewarding experience. Thank you so much Candice for that!

SMC- Now let’s get into your Music – your new single ‘I Choose This Love’ is just beautiful in composition and sound. Did you write the lyrics for this song?

Olivia – Yes, I wrote this song last summer as an acoustic track with my favorite songwriter, Robin Ghosh. We write most of my songs together. I have written with several others, but Robin and I just seem to click and usually it is the songs we wrote together that I end up releasing.

SMC – Can you tell us five things about the making of this song that no one knows about? (they can be fun facts)

Olivia – Ha ha well I think the idea literally popped into Robin’s brain at like 3 in the morning, so later that day when we sat down to write, he told me about his idea, and a couple hours later, we had the song. I think we may have been eating smarties and drinking David’s tea when we wrote it… And I am pretty sure I had a candle burning in my studio to create the mood J. When we were talking about the song, we were thinking about how love gets you through stuff. Whether it be love of a partner, a parent, a friend, a child, and that being there for someone no matter what is what everyone is looking for.

SMC – What has the media support been like for this single so far?

Olivia – I have the best publicist who does an amazing job of getting my music some media attention, whether it be blogs, or interviews. Often from that the social medial support can spiral with shares on Facebook or twitter. This time Spotify actually added it at the time of the release to a new pop music playlist, which was awesome because it got me over 60,000 streams.

SMC – What was the fan support like when you released this single?

Olivia – I have some great loyal fans who like my music, so they were quick to comment on You Tube on my lyric video for the song that came out at the same time. I also had great support as I mentioned on Spotify and even SoundCloud, where I have a decent number of steady followers.

SMC – The video is equally as gorgeous as the song – who is the creative team behind the video?

Olivia – I am really proud of this video. It tells the love story that this song is all about. I have to give major credits to my Videographer Lee Watkins of LMW Photos. We were initially brainstorming for a video with all kinds of different love, but realized how difficult that could be in less than three minutes, and so we decided to focus on one love story and the ups and downs of that. The two main characters are actually friends of ours and did such a great job of sharing their love story and their dreams. Lee directed and filmed this over three days, and the results are so emotional and inspiring. Everyone in the video is from Vernon, and everyone just stepped up and either acted in it, or gave us locations to film at. We had an amazing team in front of and behind the camera.

SMC – Where and who produced this song?

Olivia – This song was ultimately produced by a young man named Alex Klingle, a Vancouver BC based music producer, composer, and sound designer who has his music roots in electronic dance. My manager met him at a music event and played him the track, and Alex was on board.

SMC – Who is your ‘go-to’ dream team?

Olivia – Well first of all, I have the best team ever!!! So not sure if I would need to dream one up, unless you are taking about song writing – Ed Sheeran all the way!! A duet with him would be pretty nice. Seriously though, I do have a great team and they are there for me whenever I need them, from my managers Andrew Allen & Julia Allen, to my writing partner Robin Ghosh, my Radio Promoter Scott Clements, my Videographer and Photographer Lee Watkins, my Publicist Sera Roadnight, and my beauty team, Brit Fisher and Jessie Voss.

SMC – What are your thoughts on being the only TEEN to have been supported as Artist of the Year on our Platform? We moved to an ‘adult only’ competition for Season II of these events….

Olivia – Well I would have to say AMAZING!!! And thank you! It is hard to be an artist, let alone a teen artist, as somehow our age always plays against us. I have often heard, too young, music is too young, not fit for the demographic, and make yourself look older… But instead I believe in myself and my art, and I write what I know, which changes as I grow up, and people respond to my music, so for those platforms that do support us teens, I am truly grateful.

SMC – We have seven Judges for the Artist of the Year event this month – Last year, we had five from various categories. Can you tell us if and what your connection was to last years’ Judges?

Olivia – Wow, that is a lot of judges. Well I can thank Candice for sure as she actually discovered me through another competition that my Ferris Wheel video won, through an SMC sponsored Bongo Boy video competition. Through the ‘SMC Artist of the Month Competition’, I got to know Randy Wayne Belt, frontman for Barley Station, who is super supportive of my music and even wrote a super nice article about it also.

SMC – I have seen that your single ‘Skyline’ was added to many radio shows last fall – can you tell us which stations you would like to acknowledge in this interview for their consistent support?

Olivia – I can’t believe how well Skyline did. It was chosen for the month of October 2016 as Bell Media’s iHeartRadio’s Future star at CHR, then chosen again in November for iHeartRadio’s Future Star at Hot AC and AC Radio. So it played across Canada on all Virgin Radio Stations across Canada, and SUN FM here in BC, Chum FM in Toronto, all of which was just so amazing. It also got played by several other stations, many of which are in Ontario and who have been great supporters like 103.1 FM in London Fresh, FM in Kitchener, Mix FM in Belleville, and Kiss FM and the Jump FM in Ottawa, to name a few. The Maritimes have also been good to me with spins from CING FM in Hamilton, CKCW FM in Moncton, the list goes on… I am so grateful to all of the stations who took a chance on me and hope they will continue to want to support me with my new single I Choose This Love.

SMC – Where do you feel the focus is with regards to your management team in terms of getting your music promoted to the masses?

I Choose This LoveI think it is to just keep on doing what we are doing, trying to put out good music that my publicist and radio promoter can get out to radio and social media.

SMC – Do you feel that platforms like Spotify or Pandora are the way of the future in terms of music play and getting your music in high rotation?

Olivia – It seems to be the way. Most of my music sales are from Spotify. ITunes is the no longer the favorite platform, and I guess platforms like Spotify do make it easier and I guess cheaper for listeners to find and compile playlists. I have a decent following on Spotify with almost 860,000 streams of my music. Spotify also create cool playlists and I have been lucky enough to have had Skyline Madlucky Remix included last year on a workout playlist, and I Choose This Love on a new music playlist.

SMC – We consider you to be a part of the SMC Family now and we will be looking at the possibilities of hosting a SMC Concert for charity in the next 5-10 years. What are your thoughts on that?

Olivia – Well thank you do much for thinking of me that way. I am honored and would love to be a part of your charity event!

SMC – Recently, Limehead Radio in the UK has reached out to SMC and have expressed interest in supporting the Artists on our platform – what do you think about being supported on a multi-media platform?

Olivia – I think that is fantastic. This industry gets harder and harder and so any support that one platform can get or give to another is valuable. Internet radio is getting popular as it is free for its listeners and often will play non top 40 tunes and indie artists, so a great platform for emerging artists to get heard.

SMC – Which Social Media Platform is your favorite?

Olivia – Personally I love Snapchat and Instagram. For music, twitter and Facebook still seem to be more popular, and of course the most effective is You Tube. This year I hit 1,000,000 views on YT and am almost at 10,000 subscribers. It is a great way to get noticed for your covers and then you hope your fans will like your originals too. You never know where a cover might lead. Last fall I did a cover of Every Breath You Take with a fellow artist, and randomly it was pitched by Universal to a client of their in Greece, and now it plays on a commercial on Greece. This has really helped my YT channel growth as I have a lot of new fans who either found me through Shazam of the commercial, or looked me up on YT. Very cool to have a growing fan base in another country.

SMC – Do you work all of your Social Media or does someone do it for you?

Olivia – I do it all myself, which means that sometimes I get behind in posting and sharing stuff, and thanking my fans for their love and support. I plan to use the summer to catch up and get on top of it.

SMC – What has been the best experience in your career to date?

Olivia – Wow, there are so many. Meeting and performing with Andrew Allen back in 2013, working with Brian West on Ferris Wheel, writing at the Toby Gad Studios in 2014 on Forgettable, being at the She’s the One comp in Ottawa 2014, Artistmax 2017, being on a billboard in Edmonton, winning iHeartRadio Future Star 2016. I feel very lucky for it all.

SMC – What has been a not so pleasant experience in your career to date?

Olivia – Radio visits where the MD or PD doesn’t seem really interested or asks some very hard questions. You feel so fortunate to be able to be welcomed into their stations and work so hard to show them your music, but sometimes it just doesn’t click and you have to be okay with that too.

SMC – Can you tell us which competitions you have won in the last five years? Which was your favorite?

Olivia – I have been in quite a few and made it pretty far, like top ten She’s the one at the Ottawa Blues Fest, winning top EP at the Independent Music Awards for Weightless 2016, top Holiday Song for Christmas For Two at the Independent Music awards 2016, Bob Kingsley’s Country Top 40 Video cover for H.O.L.Y. 2016, Ferris Wheel 1st Runner up in Radio Airplay Summer Music Comp 2015,  top 15 finalist in the International Song Writing Competition for Fight For You 2015, Artist of the Month and then TEEN Artist of the Year with SMC 2016. It felt great to get the results I did in all of them, but I can say winning the SMC Artist of the Year 2016 that was a real compliment as I was up against some real talent, and the prize to go to ArtistMax was so valuable, and SMC has since been just such wonderful supporters of my music.

SMC – How do you feel music competitions help Artists?

Olivia – First it gets the artist and their music out there for others to see. It also gives the artist confidence to put themselves out there. Winning feels very validating, but you also learn not to beat yourself up to much if you don’t win. Public votes are hard as it can really depend on many people an artists can rally to vote for them, and judge voted ones are very satisfying given that industry professionals validate your work. At the end of the day music is very subjective, and you have to take the negative that may come out of a competition and work harder and make your music better.

SMC – How do you feel about the kinds of Grants and Funding options available to Artists in Canada as opposed to other countries? Do you feel Canadians are at an advantage over other countries?

Olivia – I can’t speak for what is out there in other countries, but I can say that there are lots of grants available to Canadian Artists, you just have to know where to look, and work hard to put an application together to get them as you are up against other determined artist. Factor Canada gives away several grants a year for emerging artists, for marketing, for song production, etc. Storyhive gives away grants for music videos, I know the British Columbia, Canadian Government also now has grants for Artists. The application process can be overwhelming and using a grant writer often helps the process. I have been fortunate to have received a couple Factor grants and am so grateful for them as they are helping me continue my music journey.

SMC – Can you tell us about your song for the Salvation Army titled ‘Fight For You’? How do you hope to benefit this organization through this song?

Olivia – When I released the song in 2013, I was inspired to do something as that particular year we had a very cold winter and I just could not imagine what it must be like to have no home or shelter to go to. I knew that my impact would be small, but felt that whatever I could do I would do. So, I decided to annually donate any proceeds of the sale of Fight For You to the Salvation Army. We have had a couple good years where I was able to donate a couple hundred dollars a year. I hope to continue to give back where and how I can through my music.

SMC – You have a really cool section on  your website titled, “These are a few of my favorite things’ – some of those things listed in the menu are: Little White Lies, David’s Tea, Fluevog Shoes, Lush, Quay Australia, wildflower cases, Nars, Kylie Cosmetics, Aritzia, and mAAJI. Have any of these companies stepped up to become sponsors of your music?

Olivia – That would be a dream come true!!! Not at the moment, but of course I would welcome any opportunity. I am a big online browser of beauty and fashion goods. I love Pinterest as you can see so many beautiful things. And I love to write about those things, so I thought why not have a page on my website where fans can see what I am all about. I always have an online shopping cart full of items that I will never actually end up buying, but just love to look at clothes and makeup.

SMC – I see you have some tours coming up as well! Can you tell us the where and when of each date?

Olivia – Yes, I am excited to be touring a bit this summer. I will start of the summer on June 23rd in Edmonton at the ‘Edmonton Chante Festival’ at la Cite Francophone at 7:15 pm celebrating Canada’s 150 years. Then on June 24th I am performing at the ‘Works Art & Design Festival’ at Winston Churchill Square at 3:45 pm. I am also doing a cool local venue at ‘Predator Ridge on the Patio’ from 5:00 – 7:00 pm on June 27. Then off to New Westminster to perform at a Canada Day celebration at Queens Park at 11:35 am, then some private concerts until early August where I will do a sweet local event called ‘Jammin For Justice’ Wednesday August 2, from 12:00 – 1:30. Then back to Vancouver August 11 to perform at ‘Coquitlam’s Summer Concert Series’ where you can find me at 7 pm at the ‘Towne Centre Park Plaza’ Stage. And maybe a few more here and there.

SMC – Do you have any tours planned for the fall and winter months?

Olivia – I do have a couple private events in the fall, but not much else planned yet as I will be in my final year of school, and I like to use the fall and winter months to work on songwriting and potential releases, but I am always open to performing any time of the year if my schedule permits it.

SMC – Can you tell us about the possibility of an album or EP release in the near future?

Olivia – Yes well for sure a new single coming end of the summer, then working on potentially a full length album for next year. I have a lot of songwriting plans so hopefully something good will come out of it all!

SMC – Last question: If I were not pursuing a career as a Musician, I would be…….

Olivia – An interior designer!

SMC – Well Thank You Olivia! It has been a pleasure having you on our platform the last year as our TEEN Artist of the Year – we wish you all the best going forward!

Olivia – Thank you so much for your continued support. I truly appreciate it.

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Olivia’s Social Media Links (click to view)

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Scott Patterson | SMITHRADIO SMC February 2017 Artist of the Month!

By Candice Anne Marshall

images provided by Scott Patterson | SMITHRADIO

If any of the Starlight Music Chronicles followers on Twitter were paying attention from January 15th to 22nd, they would have noticed a flurry of activity. This was the seven-day period that will go down in our history books as the Artist of the Month fan voted competition that broke some serious records in terms of ‘fan votes’. It was the first time ever that a band (fan nominated) would achieve the highest ever votes for the social media poll posted. In fact, SMITHRADIO fans were relentless in their pursuit of making music history by elevating their favorite Musician, Scott Patterson and his band, to this level of success with a whopping 1112 fan votes tallied as of January 22nd, 11:50 pm MST. (previously, the highest votes ever recorded was held by The Roxy Suicide in December 2015)

Recently. I connected with Scott to talk about the February 2017 Artist of the Month win, his fans (who have now labelled themselves the SMITHRADIO Army), and what that means for the upcoming Artist of the Year competition in June 2017. Here’s what he had to say

INTERVIEW | Scott Patterson SMITHRADIO January 30 2017

SMC – So tell me, what are your thoughts on winning SMC’s February 2017 Artist of the Month (AOM) competition?

SP – Well, it’s a terrific honor to get this kind of validation so early in the game. I didn’t expect to get a nomination, was surprised when we got it and was even more surprised we won. Kinda pinching myself on this one, truth be told.

SMC – Yes, they sure did! It’s so exciting Scott because a lot of Artists who come out with a first single don’t have this kind of support right away and I believe it’s what SMITHRADIO has produced so far that really has enraptured the fans. What was your first reaction when you found out you were nominated by a fan?

SP – My fans have always been there for me. There have been times when I’ve been so exhausted, too exhausted to continue on a given day and just seeing a few nice comments got me to the finish line. I’m doing this all myself – my own label (Blind Horse Records), my own small but dedicated staff and fan support that is unprecedented for me.

SMC – That’s true! You’re right!

SP – My assistant called to tell me that we were beginning to pull ahead in the voting and I was quite moved by the whole thing. It meant the fans were supporting it and wanting to represent. That was very meaningful for me and the guys (band). I never thought we would win.

SMC – what was your reaction to the win?

SP – I didn’t know right away. My assistant contacted me and said, ‘They’ve made a decision and we won!’, and I thought, ‘Good Lord, how did that happen?’ I was excited. I was in the middle of writing a song when I got the news. So, I allowed myself to have that moment, and then the work ethic in me demanded that I stop celebrating and get back to writing the song. After my writing session was done, I got on the phone and was talking to everyone (band) and we had a good time (celebrating). We are really excited about it.

SMC – Yeah, that’s great. The fans went crazy. I think they’re still celebrating.

SP – Yeah, Isn’t that amazing?

SMC – Absolutely. I’ve seen this happen with another young (new) band once before and I know that this is possible. Aside from the win, how did the name SMITHRADIO Army come about? That’s pretty cool.

SP – That was a term I was kicking around with my assistant at the beginning and then some fans picked up on it and ran with it so it stuck. I have some very loyal fans that are spreading the word about “HAHA SONG” and SMITHRADIO just like any other band but these particular fans are going the extra mile. Can’t wait to meet them, comp them when we tour and thank them personally.

SMC – That’s exciting. So, which Social Media platform did you find the fans most active on for this competition?

SP – I spent more time on twitter and I jumped on the Instagram and Facebook band pages to engage as well. I just tried to be active on as much as I could.

SMC- What are your thoughts on the other Artists you competed against in terms of the camaraderie while there was active fan voting?

SP – I think they were a very classy group of people. They congratulated us and were very kind. I was really moved by all that and I wish them all the best. I don’t know their music but I can’t wait to hear it. When we go to the U.K. I can’t wait to see The Black Jackals.

SMC – Hey that’s awesome.

SP – Yeah, they just kick ass! Also, Neil and Adam – such nice guys! I haven’t listened to their stuff but I am going to. They all reached out to me – classy guys. That’s what I love about music – these Musicians are so giving and generous. It’s not really a competition really, it’s a chance for people to get to know one another and share music.

SMC – Absolutely. That’s really the point of our fan nominated competitions – is to engage and cross promote the Artists. When we’re talking indie music, we are talking about bands who may not know a lot of the other Artists that are in other countries. Because SMC promotes bands on a global scale, this is a way of introducing one another via the fans. For this new season, we have three European bands who have won AOM (Hannah Clive, DaveIt Ferris, and Tamsyn) in the latter part of 2016 and now one North American band to kick off 2017 (SMITHRADIO). We have a few more months left before we head to the Artist of the Year competition in June 2017 so there may be more, but SMITHRADIO is the first North American band to win AOM this season. Last season, our Artist of the Year (IAMWARFACE) is from the U.K. and they won with 22,000+ votes. What are your thoughts on all of this?

SP – Oh wow. Well, the EP will be out and we will hopefully be touring by then so maybe we’ve got a chance. Wow.

SMC- I think you do!

SP – Okay, well, we’ll knuckle down. We’ll see what happens. Does this mean we are enrolled into the Artist of the Year event?

SMC – Yes. All our Artists of the Month are automatically enrolled into the June 2017 Artist of the Year (AOY) event.

SP – Wow. Okay!

SMC – It was your fans who nominated you and brought you to this place.

SP – They are the very best in the world which is why I am being so meticulous with these tracks. Want them to be as good as they can be for the fans. They deserve that.

SMC – Part of the Artist of the Year win means you get a scholarship for ArtistMax. This program is in Los Angeles with Producer Ken Caillat (Fleetwood Mac) and his daughter Colbie (Caillat – Grammy award winner), who is one of the program mentors. Our AOY winner will also receive VIP invitations by ArtistMax to VIP events as part of their scholarship program as well. It’s kind of a big deal. So, what are your thoughts about going to that next level in addition to what you’ve already accomplished?

SP – Wow that’s great. Well, we need to just keep doing what we are doing. The 5 songs (for the new EP) are almost mastered. We are going to release the EP and then a single after that. There is a single that I wrote that has a different feel than the rest of the songs (on the EP). It’s a more serious song which hooks into something we’re involved in. We want to roll this out the best way and that’s really the step to take us to the next level. We’re going to be playing the SXSW (South by Southwest) 2017 Music Festival this year as well. I was on the Rachael Ray show back in November and played a couple of bars of “HAHA DONG” and right there, she said, “I want you to come and play at SXSW. We have three stages down there and you get one of them for a 30-minute set”. That’ll be fun. Rachael really hooked me up. You know, we had that instant chemistry when we met and we had a great chat. Spectacular woman. She and her team are comped for life any show we do. I mean, how do you pay someone back for being so generous and having your back like that? Anyway, could go on about her forever. Love her.  There’s also a Sirius XM radio concert in New York as well as an AOL Build appearance which will hit Facebook as well. We are rehearsing for that. In the meantime, writing a lot of new material and eager to get back in the studio to record. Don’t like songs to sit very long after they are born.

SMC – I heard an interview earlier today that you had with Pulse 98.4’s Big Drive Home with Peter Greenwood. You talked about your influences. Who are your main ones?

SP – When I was five I use to stand on top of my parent stereo console (like a coffee table) with a hairbrush mic and sing along to Beatles songs. Hard Days Night, Rubber Soul. I’d put on shows for my parents when my dad got home from work. Then there was The Rolling Stones and ‘Satisfaction’. The sound of that guitar bore into me and from that moment I wanted to play guitar as well as sing. We had an old Spanish guitar laying around the place and I started plucking away. Growing up it was Hendrix, Joni Mitchell, Neil Young, Zepplin, Bowie, James Gang, Skynyrd, Deep Purple, Emerson, Lake and Palmer, Yes, The Who, the usual suspects. I liked bands and songwriters. I liked guitar heroes. I liked guitar solos and drum solos. I like bathing myself in the giant cloud of marijuana that hovered above the ice rink at The Spectrum in Philly where I saw all those great bands. There was joy, anticipation, beautiful girls and a big train of rock music coming our way as soon as the lights went down. Joni Mitchell fascinated me. The tone of her voice is really special. Neil Young, too.  Love that big arena sound – The Who, Zepplin. When Patti Smith came along that just blew apart everything for me because what she was doing was her poetry and putting music to it. People were doing that a lot in the Village in NYC in the early 70’s but not like that. Blew me away. There are so many different types of performers – flashy showmen/women, introverted songwriters, etc. and I love them all. Anybody with the guts to get out there and just play their songs, well, I’m gonna listen. Over the past twenty five years or so there have been some great bands and songwriters but the one guy that always stood out for me was Noel Gallagher. No bullshit. Just gets right to it. With him it’s about the song and nothing else. It’s about a melody, a dynamic and a structure over an entire set. Very powerful. His ‘High Flying Birds’ will be my next concert to attend.

SP –SMC – So when we talk about your five song EP, we are going to be listening to songs that are your truths, correct?

SP – Yes. The songs are all about a girl: they are either break-up songs, love songs, or they’re ‘can’t-wait-to-get-away-from-you’ songs. The one song that will release as a single after the EP is launched is not me, it’s someone else’s point of view. I put myself in someone’s shoes and felt a need to tell the story of their life through that song. I imagined what it must be like for this individual to go through this particular experience. Deals with PTSD.

SMC – I do know that Patti Smith’s daughter had reached out to you and that you are looking at doing a benefit concert with Patti. Does this song tie into that?

SP – It may…. it’s about one specific type of a person but it could cross over into everyone who is experiencing these types of feelings. It’s not specific to any one category of person but that’s who I am telling to story of the song through. Kristina – pieces of it has been online, and that’s a song that might be appropriate for a benefit concert. That’s about a young girl being sexually abused and becoming a teenager who escapes her circumstances.

SMC- So many people look to that to tell that kind of a story. In terms of your EP and the kind of variety in genres (blues, punk rock, rock), what can we expect?

SP – You’re going to get rock and roll, Americana, some Glam, a dash of punk. In the same family as “HAHA SONG”.

SMC – Yeah, I love it.

SP – Yeah, I love it. Some good, classic party songs on the album and I attribute that to coming out of long period of writing very serious material and, quite frankly, getting sick of writing serious material. I simplified everything and started writing the kind of songs that come out of jam sessions with friends just horsing around at a party with maybe a beer or two in you. Just let it fly, appreciate the major chords and play what’s fun to play for YOU. What feels right and good in the moment. Might be the simplest progression but doesn’t matter if it rocks. It’s RockNRoll, man. It’s not complicated. Write what you feel and scream it out.

SMC – Oh excellent! You’re songwriting style is very strong.

SP – Like I said…..it’s rock. Rock is a specific discipline that too many people clutter with bullshit. Rock is supposed to hit you in those places we can’t talk about at family dinners. Rock is momentum. It’s a locomotive, it’s inevitable. But it’s personal to each songwriter. I write all the time which mean I’m strumming the guitar all the time. A lot of time bullshit comes out but when a real song comes out of your soul, for me it comes fast. Five minutes. Like a window opened and some power handing you something good. That’s exciting.  So, there’s stuff in the hopper ready to record. These are the songs I’m sharing with the world.

SMC – That’s exciting! In terms of touring, are you possibly looking at Australia?

SP – We’re looking at everything. Candice, we’re looking at touring all over for a number of years. We want to play everywhere and we don’t want to stop. That’s just something I want to do until I drop. So yes, we are looking at all possibilities to go everywhere. We are in discussions about this right now and we need to choose wisely. We thought we were going to start in the USA to do a six-week tour of the south west, now a lot of other countries are stepping up: Brazil, Scotland, U.K., Japan, and it’s a nice problem to have but we don’t want to alienate anyone. We want to do it right, so we’re being very careful and methodical about it. There will be something to announce soon enough. I understand the fans are getting anxious but I promise we will announce the EP and some solid dates real soon.

SMC – I know that the pressure is on but I do know the process of producing something that is quality and that takes time….

SP – It does. I spent the holidays laying down guitar tracks for a couple of the songs for the EP. I am very meticulous about this. I am working with people that are equally meticulous. We don’t want to have to go back and redo anything, we want to get it right the first time. Recording a song properly is complex. The listening public is very sophisticated now and they’re used to a very high quality recording because there’s lots of great Producers and bands and they’re hearing great stuff all the time. It’s important to step up and compete and we’re going for a knockout punch and “HAHA SONG” set the bar real high.

SMC – I know it’s going to be a great follow-up: you’re working with Michael Nomad Ripoll (Producer and Guitarist for SMITHRADIO)

SP –  Yeah, Nomad and I work well together in the studio and we are producing a great album. Hell of a guitar player, too. The band is together and we will be introducing members soon.

SMC – Are they the same musicians that will be touring with you that were also in the studio recording?

SP – Couple of the same and a couple different.

SMC – Going back to Patti Smith, what was your reaction when her daughter reached out to you?

SP – Total shock. Read that email ten times before it hit me. Full circle kind of thing. Nice when that happens.

SMC – Absolutely. So, what is the greater feeling of gratification for you: finishing the recording of a new song, or performing in front of an audience?

SP – Either or. They are both great feelings that stay with you. I’m addicted to both. Can’t imagine not recording or performing.

SMC – I agree. It’s funny because I had a fan private message me and say that they felt that this career path you’ve taken really speaks about you as an individual the most. Do you feel the same?

SP – That is an accurate statement, yes. I’m ready. I have tried to pursue a music career several different times in my life: out of high school, again when I was out here in LA initially, then back in New York, and a couple of different times out here. What remains the same is that I continued to write music. When I was growing up I began writing my own stuff.  Now, it’s about getting my music out of my own body and soul. That’s what interests me. So, to answer the question, yes, I feel this is the right path for me. Things are happening and people are responding in a positive way. I’m steering the ship, it’s my record label, it’s all coming out of me. That’s where I am happiest.

SMC – It really shows too. You’ve been on a few talk shows already, Jimmy Fallon, The Today Show, and Rachel Ray to name a few since “HAHA SONG” released and you could really see that you were excited when they began to talk about the single and your music career. What were those experiences like?

SP – It was completely surreal. When I went out there and sat down on the couch next to Jimmy (Fallon), and we started talking and he held up a placard with the “HAHA SONG” on it, a photograph that I took, it was just a surreal moment. Here’s the biggest talk show guy in the world holding up my song and talking about it. I thought, ‘Good God, it doesn’t get any better than this!’ It was a real moment. That was the moment, to reference the previous question, that I knew I made a good decision in choosing this career path. I have made a lot of bad ones in my life, but I made a good one here.  

SMC – When I saw you walk out, I jumped up in my seat and shouted ‘YES! He did it!’

SP – It was surreal. It’s The Tonight Show. Grew up watching it. Was a head trip.

SMC – I know, I was so excited for you.

SP – They give you seven minutes but it feels like seven seconds. It’s over before you know it.

SMC – You know I really don’t think that will be the last time he will have you there. He always has a music component on his show and I’d love to see you two do that sing-off or guitar playoff – whatever it may be. Is that something you’d like to see happen?

SP – We went out for dinner after and I pitched the idea of the ‘three lost Dylan brothers’ to the Producer (Bob hasn’t anything to do with this and nobody knows about them) but they do Bob Dylan covers. Let’s see if the phone rings.

SMC – Oh, that’d be great.

SP – Then the Producer sent me a clip of Jimmy actually doing Dylan which was really funny. Jimmy is talented – really talented.

SMC – That would be amazing. One of the fans had asked if you would be looking at writing a SMITHRADIO Army song?

SP – I think I already have…. I wrote a song about taking over the world (laughs).

SMC – Pretty much!

SP – It’s something that I’ve been tossing around as a way to say thank you to the SMITHRADIO Army. It’s got to be rock with a little bit of humor. I am trying to get the right tone and balance for that song so yeah, I’ve been thinking about that song. Absolutely.

SMC – When we are talking about this all coming together, and the fans being there for you, years down the road, when you are really in the groove, you’ve gotta look back at the beginnings and the people who were there at the very beginning, how would you pay homage to them?

SP – The people that I started out with are still with me. They are either with me in spirit, or they’re employed by me. The team is very solid. They’re very dedicated, and loyal and that’s the great part about it. It is a family, it’s an extended family. The vision is: maybe a year from now, there is a SMITHRADIO convention, or a picnic, or a weekend retreat, something like that. These people get along very well. They are connecting and making friends and that warms my heart.

SMC – In terms of looking back at the first couple of interviews that you and I have had – One of the fans asked why I hadn’t changed the original GORDON name on the title of those articles to SMITHRADIO. I told them that the purpose of SMC was to actually chronicle the journey for the Artists we support. Therefore, you will see a numbered series on the Spotlight portion of our website. We feel it’s important to keep the chronicle as it was written with no updates so that we can keep a well-documented history of the Artist’s career and milestones. Later, when the band has become big, it’s always nice to uncover the beginnings and find those treasures for fans. What are your thoughts on this kind of authenticity?

SP – Hey, you’re the boss of that situation. (laughs) Well, hey, that’s what I was then and I think it should stay. I agree.

SMC – What’s behind the name change and the name itself?

SP – I thought of what my biggest influence was and what made me want to do this (music career) – what changed my life as a young person most radically, and that was Patti Smith. Through Patti, I discovered that Artistic courage and staying true to your art really was. Through her, I discovered so much literature – Arthur Rimbaud (French Poet) who, I ended up having a bigger obsession with than Patti.

SMC- I remember you referencing that in one of our earlier interviews.

SP – Yeah, and there were a lot of other literary influences that I went through in my youth because of Patti Smith. I discovered – to borrow her term – “the country of the mind” as it related to music and poetry. There’s a deep spirituality that isn’t often recognized through her work. A kind of faith, deep-seated. I would listen to Patti Smith live concerts from The Bottom Line (venue in New York City) via WMMR (radio station in Philadelphia) when it was past my bedtime. It would be late when she would come on and I would listen to these Sunday night live concerts….We had to change the band name because I was doing this this radio interview last summer and the DJ said, “Wow, that’s quite an EP you’ve got there. It’s a really punk sound”, and I said, “What are you talking about, we don’t have an EP yet”. That’s when we found out there was another band with the same name. So, we had to change the name. I didn’t want to come up with just any name – had to be very meaningful to me. I just kept thinking about Patti and those Sunday nights listening to the radio with the sheets over me, in the dark on a rainy evening in South Jersey and Patti Smith turned low so no one could hear. Those were the moments that make you really dream, so I just thought Patti Smith on the radio…. Smith Radio….SMITHRADIO. I thought, you know, I’m a wavelength on SMITHRADIO. Artistically, I was invented by Patti Smith. She is the Muse.

SMC – That’s an amazing story. I love that! Wow……wow.

SP – I grew up with a very artistic mother who demanded artistic integrity, honesty, vulnerability and, above all, spirituality, in every piece of art, music, book, film she exposed me to.  So, that’s what I aspire to. We’re starting this EP off with songs about love gone right and gone bad, longing with a kind of wistful resignation.

SMC – So there was that deep connection with her. I think you and I…. if I had read correctly…. both had mothers who passed away in 2008.

SP – Yes, my mother and I had always had a very deep connection…to the point where we were telepathic. I knew what she was thinking all the time, and vice versa. We didn’t have to speak, we just knew with a look. She never had to tell me to do anything, I always knew what she wanted me to do or what was expected of me.

SMC – My relationship with my mother was very similar, so I can concur.

SP – Yeah and it really contrasts with my relationship with my father because I had zero connection with him. We didn’t understand one another. He wasn’t around very much and when he was, it wasn’t very pleasant. When he left, I was really kind of relieved.

SMC – Now when I look at you having this success in your career along with also having a (young) son, and he starting to play with his guitar…with you not having that relationship with your own father, what would you like to bestow upon your son that you may not have gotten from a fatherly figure?

SP – My job is to prepare him to leave home eventually and thrive in the real world and that’s what I am doing. He’s very bright, willful. Absorbs everything I’m doing or saying so gotta be careful. The thing that really struck me is how much joy he brings every day, how funny he is. I literally laugh all day with him. Smart, quick, mischievous. Ton of fun. Then there’s the scary side, the worry but all worth it. He’s watching me build my music into something and I am very proud of that. I already have a nice, fat scrapbook about SMITHRADIO to go through with him when he’s ready. If I can inspire my boy to strive for great things and fight for his dreams I’ll have done my job.

SMC – In combining those two questions together, would you say that your mother, being the primary caregiver – obviously, she had to wear two hats – would you say that the skills she bestowed upon you is something that you are passing down to your son?

SP – I think that the greatest gift that my mother gave me was…. you know, she was toughest person that I’ve ever met. I’ve never met anyone with a backbone like that. She was 5ft 2” and the sweetest person you would ever want to meet but man, when people crossed her……uh oh! She wouldn’t yell. She would get really quiet and say, “Let me tell you about the facts of life here”, and we would go ‘Uh oh!’ She was amazing. But just tough as nails. Her famous line to me is the line I always say now and that’s: ‘Give ‘em hell’, that’s all I heard when I would walk out the door of the apartment was ‘Give ‘em hell’, and I did. In every aspect of my life, I gave ‘em hell. She wanted us to be competitive in all areas, and we were (he and his sisters). I still am – I don’t know any other way. I compete, therefore I am and that’s just what she wanted for us. She instilled the work ethic by example. I wish there were 30 hours in the day because I love putting in the work for my music. There’s just not enough time in the day.

SMC – I know, I can relate.

SP – I’m just at it all the time. People think I’m a mad man but I’m always saying, ‘I’ve got to go, I’ve got to go write.’  Songs hit me in odd place at odd times but the bottom line is they don’t hang around forever so you gotta split and get it down. When the Muse calls you answer.

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