SMC Spotlight Series No.1 | Stephen David Brooks ‘Flytrap’ Director & Writer Exclusive Interview

By Candice Anne Marshall

There’s a new King in town and he is known as Los Angeles-based Writer/Director/Special FX mastermind Stephen David Brooks. I mean this quite literally. After watching the 2-hour sci-for thriller ‘Flytrap‘, a film that was well received on the film festival circuit, I am convinced that Brooks is the next creative film genius of our time. I spoke at length with Brooks a few days ago about some of his upcoming projects, his views on the film industry and his time working with horror book Novelist Stephen King. This is truly one of the most unique individuals I have met thus far, and it is apparent in this most recent film – its script is inventive, dynamic in visuals, and strong in composition. It comes as no surprise to me either that King elected Brooks to be the screenplay writer for his film adaptation of the book ‘The Mangler’. This earned him a place on King’s short list of “King Approved” Screenwriters.

‘Flytrap’ is full of humorous, chilling, and edge-of-your-seat dramatic performances delivered by Jeremy Crutchley, Ina-Alice Kopp, complete with epic creepiness by ‘whistle blowing’ Jonah Blechman. Overall musical score is by Simon Boswell with dance sequence and end titles by The Tearaways which add a unique balance between paranoia (the synopsis) and normalcy. The film is directed by Brooks and produced by Tamara Sayiner (Ellen Degeneres Show) and is a true reflection of this sophisticated and audacious film prodigy. I can not even compare him to any other because there absolutely is no comparison – Brooks walks to the beat of his own unique drum and it is this that will make his films a truly memorable work of art.

You can catch the thriller on most major media platforms since it has already circulated the Film Festival scene throughout 2016 earning Brooks several prestigious awards. Stephens films have screened & won audience & Jury awards at: ECU The European Independent Film Festival, The Chelsea Film Festival, Worldfest Houston, Dances With Films, The Monaco Independent Film Festival, The Idyllwild Festival of Cinema, Ramsgate International Film & Television Festival, Festival du Film de Strasbourg, and The Los Angeles Independent Film Festival.

In speaking about future projects, the idea of SMC being involved in a ‘behind-the-scenes’ editorial came up and Brooks was all for it, ‘Do that for my next film, sounds fantastic!’ We look forward to continuing our journey by documenting his career through our SMC Spotlight series and we begin with our exclusive interview today.

Enjoy this Director’s reel below and ‘Flytrap’ preview, sit back, grab a coffee and enjoy. We guarantee this IS the beginnings of a genius at work!

By Candice Anne Marshall

SMC – Hello Stephen! Welcome to the SMC Spotlight! We were thrilled when our friend Mr. Mike Rogers connected us. This interview has been a long time coming and we are so excited to dig into the questions here. First, can you tell us what your connection is to Mike?

Stephen – Happy to be here. I met Mike through John Ferriter. Mike was playing some Tearaways songs on his Japanese radio show and had questions about film festival strategies and sales for his film Ghost Roads. So, John turned him on to me. 

SMC – Mike also informed me that you are a multi-award winner at some of the most prestigious film festivals! Can you tell us which was most memorable for you and why?

Stephen – I have four festivals that stand out, each with a unique set of wonderful memories. ECU The European Independent Film Festival in Paris, The Chelsea Film Festival in the heart of New York City, the F.A.S.H. festival in Los Angeles, and the charming Ramsgate International Film and Television Festival in Ramsgate UK. ECU screened my first feature HEADS N TAILZ so I have a special place in my heart for festival founder Scott Hillier and everyone there. That’s why I chose ECU to be the site for the World Premiere of my second feature film FLYTRAP. The people running it are top notch film lovers and are very supportive of independent filmmakers. Plus, the festival is in Paris in early April. Nice time to be in Paris!

SMC – Your credentials as a Director/Writer are astounding. I have read that you have also worked with Horror Novelist Stephen King – can you tell us how that came about?

Stephen – That was my first professional writing job. I was hired to adapt Stephen King’s short story THE MANGLER. And Stephen King had script approval. So…no pressure.

I had supervised Visual Effects for director Tobe Hooper. He and I had a great working relationship so when he and his producers obtained the rights to Stephen King’s short story he called me to see if I’d like to pitch him my take on the adaptation. Tobe loved my pitch and called Stephen King. Next morning, I get a call from Tobe informing me Stephen King loved the pitch as well. So, I was hired to write the first draft. Six months and 44 drafts later we were in Johannesburg South Africa shooting. I went along as the Screenwriter/2nd Unit Director/Visual Effects Supervisor.

Brooks (right) on the set of Stephen King’s ‘The Mangler’ with Ted Levine (left, Silence of the Lambs)
Photo Courtesy: Stephen David Brooks

SMC -What was your experience working with King like? Can you tell us of one that is most memorable?

Stephen – It was actually a dream working with him. He understands the psychological aspects of horror better than anyone. We went back and forth on dozens of drafts of the script until he gave it his stamp of approval. He’s a perfectionist but one who knows exactly what he wants. Brilliant mind.

The most memorable moment happened when Stephen King screened the film. The short story is 5 pages long so I had to add a lot of detail that needed to be Stephen Kingesque but wasn’t actually in the original work. As he was watching the film he kept asking “Was that me?” and oftentimes Tobe would say “No man. That was Brooks.” No higher complement than that. Stephen King couldn’t tell what I wrote from what he wrote.

SMC – You then went on to seek your own adventures in Directing and writing – can you tell us what kinds of themes and stories you gravitate toward most?

Stephen – I gravitate towards characters who are out of their depth, in a situation they couldn’t have imagined and when we first meet them, have no idea how to extricate themselves.  Then again, I think that’s the basis of all drama. That sense of being out of our depth and unsure how to proceed to make things right. We’re all imperfect creatures and exploring that imperfection through drama is how we discover who we are as human beings.

SMC – As a writer myself, I know that we writers are a very eclectic group and our imaginations are pretty intense at times – tell me, are you also an insomniac too? Most of us are…. if so, what keeps you up?

Stephen – I have never had insomnia. I can sleep anywhere. On a plane. On a train. In a moving car. And some of my best ideas have come to me in dreams.

SMC – You and I have tried so often to connect by phone to no avail – our schedules are intense! Can you tell us what project you are working on at present?

Stephen – Well I’m quite superstitious about announcing anything too soon. Waiting for all the pieces to be forced into place. Let’s just say one film is intended to be an iconic holiday classic, like LOVE, ACTUALLY and IT’S A WONDERFUL LIFE. This film has a heart. A big heart. Another film will bring a beloved character back to the big screen. And another is the beginning of a Young Adult mega franchise…When I can say more I’ll let you know.

SMC – Before we get into discussion on your film ‘Flytrap’, can you tell us what it’s really like being among some of the world’s greatest screenwriters in Hollywood? Have you collaborated with any?

Stephen – I know some of those writing greats but have not collaborated with any of them. We screenwriters tend to be solo creatures.

SMC – Your bio on your website says that you have been ‘mentored by Oscar winners John Dykstra & Richard Edlund’ (Star Wars) – can you tell us what that experience was like and what the most important thing you absorbed in your experience being mentored by them?

Stephen – John Dykstra taught me to always have a backup plan for any specific shot or scene. He was so right! Things oftentimes go wrong during the intensity of production and having a ready backup plan has saved the day more than once.

Richard really taught me how to view dailies with a critical eye. That man sees absolutely everything. It’s astounding.

I also had a third mentor in my Visual Effects days…Harrison Ellenshaw. Harrison taught me another valuable lesson…one I have dubbed “The Harrison Ellenshaw Rule.” That is…everything will change. Go with the flow. Filmmaking is as much about reading the tea leaves as it is turning adversity into an advantage.

And in the end. IT. WILL. ALL. CHANGE. Sage advice.

SMC – What, in your opinion, makes a film ‘great’?

Stephen – For me it all comes from the characters. Do they have identifiable problems? Do they deal with those problems in a realistic way? Are the characters driving the story? Are there some larger more universal thematic issues being explored? Is the film well executed? If the answer to all those is “yes” then you probably have a great film. Ultimately, it’s the test of time. If we’re still watching a film 50 years later. It must be great.

Brooks speaking at the European Independent Film Festival
Photo Courtesy: Stephen David Brooks

SMC – I see you have also shot music videos as well. Can you tell us which projects you have worked on past or present that are most memorable and why?

Stephen – Back in my Visual Effects days I worked on an Ozzie Osbourne video. “No More Tears.” That was a blast. Ozzie, what a character.

I directed a couple of videos for The Tearaways: ”Bash” and “Hello Isla Vista.” I loved capturing the exuberance of The Tearaways sound.

I’m now working with Rochelle Vincente Von K on a new video for her song “Deal Me In.” Rochelle is an Austrian Australian recording artist from London now based in LA. Very exciting stuff. We’re exploring an amplified cinematic visual style not usually seen in music videos.

SMC – What do you think makes your art stand out among the rest in your field?

Stephen – I’m just true to my point of view. I trust my gut. I have a very specific idea how the universe works and I use that as my guiding light when creating.

I don’t over think what I’m doing. Rather I feel my way through it. When I’m writing I can feel when a situation, or line of dialog is right. When directing Actors, I can feel when a moment is right. All I can say is…Everything I do is very “me” as those who know me well can attest. My sensibility. My sense of humor. My sense of irony.

SMC – Let’s get into your film ‘Flytrap’ – I watched the trailer on your website – wow! It’s intense! Can you tell us where you conceived the storyline for this film?

Stephen – FLYTRAP came to me like all my ideas…BOOM. There it is. A complete concept just pops into my brain. There’s no method to it. The initial idea is pure inspiration. Then I have to craft the idea into a story and a script. That’s where the hard work comes in.

SMC – As for the Actors in your film, can you tell us whose performance most blew you away in terms of final result?

Stephen – I had worked with Jeremy Crutchley before. He was in THE MANGLER. So, I knew he’d be great. Although Ina-Alice Kopp and I knew each other we hadn’t worked together. But having discussed another project at some length I had a good idea what she could do. And she did not disappoint!

Billy ‘Sly’ Williams and I have worked together on three films. He is my Robert DeNiro. So, I knew he’d knock it out of the park.

The big surprise was Jonah Blechman’s portrayal of Gilligan. I had met him once. I thought he seemed perfect for the role but I didn’t really see his genius until the first day of shooting. His look. The creepy whistle thing he did. He absolutely blew me away.

Brooks (left) with Ina Alice Kopp (right) at the ‘Flytrap’ World Premiere
Photo Courtesy: Stephen David Brooks

SMC – Can you tell us where the public can see this film in the film festival circuit?

Stephen – We’re finished playing festivals. FLYTRAP is in wide distribution and can be seen on Amazon US, Amazon UK, Amazon Germany, Amazon Japan, Google Play, iTunes, and Fandango Now. And we recently sold the film to China so it will be available on various platforms there in the very near future.

SMC – Your bio states:

‘Stephen’s films have screened & won audience & Jury awards at: ECU The European Independent Film Festival, The Chelsea Film Festival, Worldfest Houston, Dances With Films, The Monaco Independent Film Festival, The Idyllwild Festival of Cinema, Ramsgate International Film & Television Festival, Festival du Film de Strasbourg, and The Los Angeles Independent Film Festival.’

Can you tell us which award ceremony/win stands out to you the most and which film it was for?

Stephen – I hate to pick and choose. Every festival award is a gift and a special moment. But the win at The Chelsea Film Festival was quite memorable. It was the end of the ceremony and they had given out all the awards. FLYTRAP was nominated but didn’t win. Fine you can’t win them all. And as everybody got up to leave the theater the lovely Ingrid Jean-Baptiste, founder of the festival, steps up to the podium and announces there is one more award. And the Special Jury Prize goes to FLYTRAP. I was floored. What a great moment!

SMC – I also noted that there’s some ‘Tearaways’ music included in this film. As you are aware, we recently interviewed John Ferriter for our SMC Spotlight. Can you tell us of your connection to John and what projects you have worked on together?

Stephen – Well that’s no coincidence! I went to high school with Greg Brallier of The Tearaways. So, I see most of their Southern California gigs. I had also seen John Ferriter’s band The Stingrays back in the day. So when John re-joined The Tearaways John and I re-connected.

I needed 3 songs for the dance sequence in FLYTRAP. John said he’d send me the new Tearaways CD’s The Earle Mankey Sessions Volume IV and VII. I got the CD’s at 8 am the next morning. Played them and found two absolutely perfect songs on Volume VII: “Keep Your Knickers On,” “I Love The Blues,” and then on Volume IV I found “The Last Goodbye.” I mean it is as if they were written for the film. They were thematically and rhythmically perfect.

Then I discovered the song “I Love My Life” on the Volume IV CD and realized it is the perfect end titles music. Sometimes when it’s meant to be it just works out. And this was the perfect marriage of film and music.

SMC – What do you feel is the most important thing to be ‘equipped with’ in terms of pitching an idea/concept to potential investors for your art?

Stephen – Passion. Period. Yes, you have to know the structure of a pitch and you have to have a compelling story. But if you don’t go into the pitch absolutely convinced it will be the best film/tv show ever then you’ll get nowhere. And you have at most 30 seconds to make an impression. If you fail in the first thirty you won’t last the next couple of minutes.

SMC – I saw that you shot this film in California in a matter of only 12 days! In my personal opinion, some of the greatest films or projects that I have seen have been produced in a very short time-frame. What are your thoughts on this?

Stephen – There is something to be said for working fast. I think the energy level you create on set having to shoot 10-12 pages a day shows up on the screen. There’s an intensity there that translates.

SMC – Can you tell me who your ‘dream team’ is or who you would like them to be?

Stephen – John Ferriter, Jamie Angelise and Rana Joy Glickman…I’m already working with them!

SMC – What do you want to aspire to?

Stephen – I’d love to make a cinema classic. A CASABLANCA. Or LAWRENCE OF ARABIA. A timeless story set against an epic struggle. Intimate and sweeping at the same time. I’ve got a few ideas…

SMC – Which of your other projects are you particularly fond of and why?

Stephen – My first feature HEADS N TAILZ stands out. I mean it was my first! And making a feature is infinitely more complicated than making a short. I’m very proud of that film. It did play festivals and win some awards. And there seems to be renewed interest in it…

I’m also proud of my short BINKY which I shot before FLYTRAP. It stars two of my actors from HEADS N TAILZ: Billy ‘Sly’ Williams and Lucy Jenner (Lucia Ballard). That film also won some awards including a Best Actress accolade for Lucia. BINKY is being distributed by Shorts.TV and can be seen online, via Amazon and iTunes as well as on select cable and satellite channels.

Last year I directed a short called IRIS. I didn’t write or cast the project which is a first for me. But it turned out really nicely. And has already won a Remi at Worldfest Houston. Other film festival screenings are in the future but we can’t announce anything specific just yet.

I recently directed a short called BURN BABY, BURN with the Irish sensation Emma Pyne. The film was an experiment in minimalism. Emma wrote it, produced it, and stars in it. I directed and shot it. No crew. We’ll be screening at a festival in LA this November…stay tuned.

Genius at work – Brooks on the set of his film ‘Headz n Tailz’
Photo Courtesy: Stephen David Brooks

SMC – If you had a chance to do anything in your career over again, what would that be and why?

Stephen – I don’t dwell on the past. I learn from it. Learn from my mistakes then move on. I’m always moving forward. Never looking backward.

SMC – What do you measure success in the film industry by?

Stephen – There are two parts to my answer. First, how your work effects the audience. You can make them feel bad or make them feel good. Make them feel afraid or make them feel loved. I’d rather go for the positive emotional response. Have them walk out of the theater feeling better about themselves and their fellow human beings. That’s success to me on a creative level.

On a professional level, success it’s all about box-office. If you make the industry a lot of money then you will earn the clout to get more projects off the ground. That’s a win/win for me.

And I don’t think the professional and creative definitions of success are mutually exclusive. You can have both.

SMC – What is the greatest compliment you have received to date from an industry peer?

Stephen – “I want to work with people who know what they’re doing. Like you.” Producer Rana Joy Glickman September 17th, 2015

SMC –  Let’s go way back: what was the pivotal point in your youth which lead to or was a result of where you are today in the film industry?

Stephen – When I was very young my parents took me to a re-release of Stanley Kubrick’s 2001: A Space Odyssey. I had seen films and TV shows before, of course, but that film made me keenly aware that there is a vision behind what is on screen. I started to make movies, read about movies, and think about movies. It became my obsession.

SMC – Where do you think there are difference between the music and film industries? What do you think there are similarities?

Stephen – Both are tough but I think the music business is much harder. Touring is brutal. Much more exhausting than being on location shooting a movie.

Artists in both industries are judged by the amount of money they make for the business interests. In that sense, both are quite similar.

SMC – What is a ‘deal breaker’ for you?

Stephen – That’s an interesting question. Showbiz is a full contact sport. Everyone gets knocked around and kicked to the carpet from time to time. That’s business as usual. For me I’d have to say a personal attack on my team or an attempt to subvert the team would be a possible deal breaker. I’ve been personally attacked but have a heavy-duty Teflon skin. So it doesn’t bother me. But to try to attack or attempt to influence me by attacking a member of my team? That’s way over the line.

We live and die by our working and personal relationships. It’s all about teams and allies. You have to defend them to the bitter end even if it means walking away from a project. There will always be another opportunity. But there will never be another core team. A truly broken relationship can never be repaired.

SMC – What five things impress you (this can be in relation to anything and includes the film industry)?

Stephen- Loyalty. When a person chooses an individual relationship over personal or professional gain…to me that’s golden. And in my experience very, very rare. Relationships are permanent. Or at least they should be. Professional gain is temporary and fleeting. The personal capital of a relationship is worth more than all the gold in the world.

Unfettered intelligence. By that I mean someone who can always view a situation with an open and analytical mind. Think outside the box and find a unique understanding of a problem. Every day something (or many things) will go wrong and it takes an unusually agile mind to keep everything on track.

The ability to say: “I was wrong.” You’d be amazed how many people there are inside and outside of the industry who simply will never admit a mistake. They’ll deflect. Blame others or simply double down on the error. I do say to people when I first start working with them “I don’t care if you make a mistake. We all make mistakes. Just let me know when and what happened and let’s find a solution.” For me the cover up is always worse than the crime.

I am impressed with anyone who can take criticism at face value and not take it personally. There is nothing absolute in the creative world. There are an infinite number of ways to tell a story or define a moment. And all of us, writers, directors, producers, actors, and musicians need to be able to accept a note or a comment and not become defensive about it.

I’m impressed by superstars who stay grounded. Very easy to be a movie star or rock & roll icon and lose yourself and your sense of humanity. Easy to lose themselves in their public persona. I’ve met both those who can and cannot handle stardom. The ones who can are rare gems.

SMC – What is the most positive experience you have had in your career where you felt like it was an ‘Ah Ha’ moment?

Stephen – My first 2nd Unit Directing job on SPONTANEOUS COMBUSTION. Usually 2nd Unit is just establishing shots of buildings, car drive-bys, shots that do not involve the principal actors. In the low budget world 2nd Unit also involves finishing scenes when the director has to move on to another location. Or shooting entire scenes when the schedule requires it.

This was my first opportunity to direct professional actors. And my first two actors where Academy Award Nominees…So, again, no pressure! I had to direct Melinda Dillon who was nominated for CLOSE ENCOUNTERS and Brad Dourif who was nominated for ONE FLEW OVER THE CUCKOO’S NEST.

First up was Melinda. She played a ghost-like character who came back from the dead. So, there was a supernatural element to the scene. I setup the shot. And we did Take 1. It didn’t work. So, I walk over to Melinda and made a suggestion. I don’t’ remember what I said. I walked back behind camera and did Take 2. It didn’t work either.

I remember the next moments very clearly. As I walked away from camera towards Melinda the world slowed down and I was hit with a horrible realization: This is my moment. I want to be a director and I can’t get a performance out of an Academy Award Nominated actress? What the hell am I going to do…?

Then just as I reached Melinda it hit me like a bolt of the blue. I said, “You’re the wicked witch of the West.” Her eyes lit up. I knew she got it. I hurried back to camera and called action. Take 3 was perfect. “Ah ha” I thought. I can do this…

SMC – We would definitely like to begin a well-documented and chronicled SMC Spotlight Numbered Series on your career journey – what are your thoughts on this?

Stephen – Let’s do it!

SMC – Okay, final question:

Can you tell us what the next 6-12 months look like for you in terms of wrapping up current projects and new ones?

Stephen – FLYTRAP is in the rear-view mirror so all my energy will be projected forward. I’ll be moving one of my film projects from the development to the production stage. I just don’t know which one yet…Such is showbiz…

SMC – Thank you Stephen!

Stephen – Thank you!

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The Fontaines | SPOTLIGHT Series No.4 | ‘Two Bodies’ Exclusive Interview

In February 2017, Los Angeles-based Iconic Band ‘The Fontaines’ dropped their single ‘Evaporate’ on iTunes and are once again waking up the Music Industry demonstrating their incredible talent and consistently accelerating career toward the next level of fabulous. In fact, this is a band whose notoriety has been duly noted by the ‘who’s who’ in the industry such as Famous Radio Hosts Rodney Bingenheimer (KROQ – Rodney on the Roq in Los Angeles) and Mike Rogers (WhatTheFunday Inter FM Radio in Japan). The Fontaines had their (unreleased yet – we are waiting!) upcoming new single ‘Mercury’ spun on Bingenheimers’ last show ever on June 5th alongside the likes of Siouxsie and the Banshees, The Bangles, The Jesus and Mary Chain, The Moon Kids (another SMC fave), Elvis Costello, Van Halen, and Blondie. Bingenheimer is the legend responsible for discovering and spinning many of these bands (including Bowie!) in the early stages of their careers so THAT’S our indication of just how cool these cats are. See why we call them Iconic?

Today, the band has released their newest single ‘Two Bodies’ to iTunes following the succession of their single ‘Vacant’ (April 2017, reviewed on The Chronicles here) just in time for summer. The song is yet another result of this bands’ ability to create something we all want to hear 365 days of the year and can be summed up in one word: Extraordinary. Let’s break that down to the effervescent sexy, seductive, and lilting vocals of Charlotte Fontaine who carries off lyrics that are equally as suggestive and powerful ‘Two bodies in motion…’. This wickedly talented frontwoman of the band has a style that has engraved The Fontaines’ sound into music history and into the hands of iconic radio and media platforms worldwide. In fact, the bands’ website goes by the address THATFONTAINESSOUND.com, a truly unique sound created with the epic guitar riffs of Hank Fontaine and Daniel Zuker (Bassist) complete with a beat that makes you move your feet by Drummer Chrystian Kaplan.

We are always awaiting the release of new music, and it looks like the wait will be not much longer – their upcoming single ‘Mercury’ will launch by the end of summer 2017. Following the successful launch of last Junes ‘ii’ EP and with the hint of a new full-length album on the horizon, we can’t wait! Even if your first listen of this iconic band is today, prepare yourself for something one of a kind and completely addictive also known as: The Fontaines.

We took a moment to chat with Charlotte Fontaine in an exclusive interview below:

SMC SPOTLIGHT! Exclusive Interview | The Fontaines ‘Two Bodies’ June 6th, 2017

SMC – Here we are again with another Numbered Series on our SMC SPOTLIGHT platform. This is number four for The Fontaines! Can you tell us what your connection to SMC and your experience to date with our media platform?

Charlotte – I’ve said it before, and I’ll say it again-Candice’s support of our music has been incredible and so encouraging. It’s because of people like Candice that I continue making music.

SMC – We were so thrilled to see you on the roster for the great Rodney Bingenheimer’s last show on KROQ (Los Angeles). So many legends have been on his show – can you tell us how you met with Rodney and what your thoughts are on ‘The Mayor of the Sunset Strip’?

Charlotte – Rodney’s a legend! I can’t believe he played us twice on his final KROQ show. What an absolute honor.

SMC – If you could give a shout-out to Rodney here, what would you like to say?

Charlotte – Thank you for playing us and for the sugar free cookies.

SMC – When can we expect to see your single ‘Mercury’ (as played on Rodney Bingeheimers last show on KROQ) hit iTunes? I am already wanting it on my playlist! (laughs)

Charlotte – Mercury’s gonna be released by the end of the summer!

SMC – Now let’s get into some discussion on your single ‘Two Bodies’ released today: I see that there seems to be a trend with the releases and I recall the last time we spoke, that another album was imminent…will ‘Vacant’, ‘Evaporate’, and now ‘Two Bodies’ be on the album?

Charlotte – We actually will be putting out two EP’s that were recorded a while ago that do not include any of these new singles.

SMC – One thing I have learned about The Fontaines is that you are never predictable. Can you tell us what kind of feedback you have received from industry peers in terms of your individuality as a band?

Charlotte – Thank you! I think that unpredictability is a sign of growing, which is all I ever want to be doing as a musician and as a person.

SMC – That was so nice to see you had included Rodney in your ‘Two Bodies’ video! Speaking of the video (and all your videos for that matter), can you tell us what the inspiration is behind this video?

Charlotte – The biggest inspiration for our “Two Bodies” video was a lack of budget! We shot it in a warehouse that’s being converted to our friend Zach’s new recording studio (Big Bad Sound LA), and on Hank’s iPhone. I love how dramatic the video turned out.

SMC – I have also noticed a trend on your YouTube channel: the ‘Trashy Version’ of your upcoming releases. I had a chuckle when I saw that. Can you tell us what the trend is there in giving these videos that title?

Charlotte – We decided to shoot some acoustic type performances one day but our camera guy bailed last minute. So, I took out my iPhone and started shooting us selfie-style. Thus began the “trashy” series.

SMC – I have mentioned before that I feel your music and brand speaks for itself. Some of the greatest Musicians really don’t have to sell themselves short or be aggressive and pushy with their Music. What are your thoughts on that?

Charlotte – Living in LA gives you the opportunity to perform any night of the week, for entirely different groups of people. Plus, you can go to Canter’s deli and meet Rodney Bingenheimer.

SMC – What are your thoughts on the kind of music that comes from the east coast – is there a bit of a different vibe that westerners create in their music as opposed to what is produced in the east?

Charlotte – I honestly haven’t experienced their music scene half as much as the one here on the west coast, so I can’t quite say.

SMC – Since we last spoke, ‘Evaporate’ was the topic for discussion. You have also released ‘Vacant’, a brilliant song! Can you tell me what was the inspiration behind this song? Was it a personal experience?

Charlotte – “Vacant” is about creepy guys at the bar who you can tell a million times “I’m not interested” or “I have a boyfriend” or “I’m married to my cat” and they’ll still keep pursuing you.

SMC – The video for ‘Vacant’ was pretty on point. (laughs) On a serious note: whose idea was it for the theme?

Charlotte – The girl featured in the video, our friend Fiona, actually directed it and came up with the entire concept. I think her work is brilliant and so unique.

SMC – When it comes to the creation of your music, do you find that you all have that ‘ah-ha’ moment when you begin to produce and record it?

Charlotte – With every song there’s either an “a-ha” moment or a “this is awful! we gotta drop this!” moment. Funny thing is when two different people experience different ones with the same song…

SMC – We are looking at doing a Social Media takeover for SMC in the near future. You are SMC Royalty in our opinion and want to have you hosted on our Social Media for a full day. Tell us of the kind of creative things you would like to do if we are able to facilitate this?

Charlotte – Royalty! I can’t wait to tell our mom we’re royalty. We’d love to take over the social media for starlight for a day!

SMC – Can you tell us what other cool gigs you have coming up for the summer months?

Charlotte – We’re playing a festival in August called “Musikfest” in Bethlehem, PA, and we’re booking some east coast shows around that!

SMC – You also released another video to your YouTube channel last week ‘F Buddy Holly (Voice Memo)’ which is soooo pleasing to the ears. Can you tell us if this song will also be included on the new album?

Charlotte – ‘F Buddy Holly’ was just a voice memo we recorded onto my phone one random day last year with our friend Scott from the band Street Joy, so we just put it up on YouTube for fun.

SMC – Can you tell me a little bit about the title of the song and what it means ‘F Buddy Holly’?

Charlotte – “F Buddy Holly” was just us censoring ourselves. It’s just a pun. I recall listening to a lot of Buddy Holly that day. But that’s me every day…

SMC –Ha ha! I thought as much. I really like that you have registered your social media and website as ‘That Fontaine’s Sound’, yet another unique little nuance we have come to know and love. What do you think are some of the most important things a band can do for themselves in terms of brand awareness and marketing their sound?

Charlotte – Biggest advice I have is to come up with a band name and spell it in the most unusual way possible… the amount of trouble we and friends of ours have gone through with other people under the same name…

SMC – Can you tell us who your go-to is in terms of Media platforms and collaborations in getting your new music out?

Charlotte – Right now I’m on a YouTube kick. I’m posting vlogs of our everyday life on their once a week as well as releasing new songs or “trashy versions” of songs on there.

SMC – Where do you think the music world is headed in terms of Radio? Many are saying that Spotify playlists are the way of the future. You have been listed on our Playlists ‘SMC SPOTLIGHT ARTISTS’ and ‘SMC EDITORS FAVORITES’. I also see that you have close to 18,000 monthly listeners! What do you think the benefits are for being placed in Spotify playlists?

Charlotte – Spotify has been incredible for us. At one point when “Evaporate” first came out we had 37,000 monthly listeners… Their playlists are just a convenient way for people to hear new music, all of my friends go there for new tunes.

SMC – How long have you been on Spotify?

Charlotte- Probably about a year?

SMC – We are really beginning to push our Spotify playlists for the Artists that we support and are quite happy with the response we have gotten from industry peers. We are even thinking of compiling a Christmas playlist as well in the month of November. What do you feel the public wants in terms of a great playlist?

Charlotte – The public probably wants what I want from a playlist-high energy, then maybe some slow jams, and a build back up to some fun hits at the end!

SMC – Finish this sentence: If I were not a part of The Fontaines, I would be ______________.

Charlotte – If I weren’t part of The Fontaines I would…still be going to Fontaines shows (winks).

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Band Members

Charlotte Fontaine (Vocalist)

Hank Fontaine (Backup Vocalist, Guitarist)

Daniel Zuker (Bassist)

Chrystian Kaplan (Drummer)

Biography

The Fontaines are a brother-sister duo based in Los Angeles, California.  Charlotte Fontaine (vocals) and Hank Fontaine (guitar) began writing new-wave influenced rock songs after growing up all over the world as kids.  The siblings are backed by Chrystian Kaplan (drums) and Daniel Zuker (bass) live and in the studio.

In 2016 The Fontaines performed at music festivals including Savannah Stopover, Canadian Music Week, Broke LA, and Make Music Pasadena.  In June, the band released their new EP, “ii,” which has gotten airplay on KROQ in Los Angeles.  The band is currently finishing up their debut full-length album, set for release in 2017.

The Fontaines Social Media Links (click to view)

Website

Facebook

Twitter

Instagram

Spotify

iTunes

YouTube

Bandcamp