SMC Spotlight No.1 | Darren Keith, Multi-faceted Producer, Writer, Musician, Actor, Comedian behind ‘DK The Gig’

by Candice Anne Marshall

In the early spring 2017, I received a friend request and private message on Facebook, and much like how I discovered the magic of Fashion Art Rock band Palaye Royale, the request was simple: ‘Please check out my trainer for my show ‘DK The Gig’”. Now, it must be said that I don’t always ‘check out’ everything that is sent to me. If I did that, I would spend the whole day watching videos and not getting any work done. To be frank, not everything that is sent to me is something I would post on our site anyway. It simply MUST cut the mustard in terms of quality, content, originality, and, of course, pure talent. With this said, entering into the (like-minded, I must add) comedic mind of Philadelphia born and based Darren Keith, was like having front row seats at the premiere of a Robin Williams film: it’s funny, unpredictable, thoroughly entertaining, and leaves you always wanting more. I am referring to his trailer for his upcoming series ‘DK The Gig’, and if you saw it on his socials or even ours and it lead you to this testimonial, then you are in the right place. After the first few seconds of the trailer, I was sold and I confess, I was laughing so hard, I almost fainted. Not even joking!

We were lucky enough to capture a few moments with Darren for this exclusive ‘behind-the-scenes’ glimpse into the creative mind of this comedy genius to discover that he is not only the funny man behind the script for this series, he is also the Producer, Actor, Musician, and Director! The series focuses on the life of a Musician whose career has dead-ended leading him to the stage set in his friends’ restaurant (based in Philadelphia), not exactly the place he imagined himself. The comedic value in this film is portrayed by Keiths’ very blatant and obvious unwillingness to appreciate this ‘courtesy spot’ (expressed in his sarcastic demeanor and over inflated ego), apparent right from the get-go in the series trailer. To quote the Facebook page for this series: “”DK the gig” Is a comedy series about a Musician whose ego is much larger than the Restaurant Stage He Performs On.’ If this is your first time discovering ‘DK The Gig’, we encourage you to check out the trailer (below) and THEN read on!

Keith has a stellar cast lined up for the filming of this series such as: Charlene Amoia (How I Met Your Mother, Glee, Dexter, House, Bones, NCIS, The Young And The Restless), Stephen Graybill (HBO’s Big Little Lies, Law And Order, All My Children, As The World Turns), Brooke Totman (MADtv, The Benefits Of Gusbandry, King Of Queens), Joseph Arthur (Grammy Nominated Singer/Songwriter), Pete Donnelly (The Figgs, NRBQ, Shelby Lynne), Fred Berman (Amos Lee), Four-time Emmy Nominated TV Producer Jill Gould (JillGo Productions), and Barry Markowitz (who has filmed such acclaimed movies as Oscar-winner Crazy Heart, Sling Blade, All The Pretty Horses, The Apostle, as well as Rob Reiner’s last 3 movies – See Barrys’ Profile below). After perusing the files of each of these individuals, I am certain that this series is a recipe for success and the high caliber individuals involved are the ingredients to what will be a masterpiece.

Indiegogo Campaign

At present, Keith has begun an Indiegogo campaign to get the series into production. He is also scouting potential investors or Networks for the series and in all honesty, if I had my own network, THIS is the series I would place my bets on. There are a lot of shows on TV and Netflix today that don’t capture my attention past the pilot episode. It takes a lot for me to be engaged enough to ‘want more’ and this series, I predict, will go the distance in the right hands. I had the chance to speak at length on the phone with Darren where we went a little further in depth on the current status of this project and there was one thing we both agreed on: we are anxious to get the production started so it can be shared with the world! This comes with your active participation SMC friends and family – if you ‘like’ what you see and want to see more like I do, click on the link on our right-side menu on the SMC Spotlight and let’s get this show (literally) in the road! For any inquiries about this series via my brilliant network of friends, please contact Darren Keith direct (located in the socials below).

Editors Note: One thing I know about the Starlight Music Chronicles family is this: we are a collective of artists and creative like-minded individuals who understand the meaning of ‘true support’. I am confident that after reading and watching this special feature on our site, there will be financial backing and very possibly, a spot on a network for this series. I am THAT confident this series has what it takes to put a smile to peoples’ faces, bring humor to this often dark world, and to become a household name.

DK The Gig. Don’t forget it folks. You heard it here first.

SMC Spotlight Exclusive Interview | Darren Keith, Producer, Writer, Musician, Actor of ‘DK The Gig’

SMC – Hello Darren! Welcome to the SMC Spotlight! Let’s begin with getting into your background – you are a Musician and an Actor/Creator of your series ‘DK The Gig’ now. Tell us about you. I want to know more about your early career to where you are today and what lead you here where you are now the Producer of your own series.

DK – Hello, Candice! Well…I was born and raised in Philadelphia. I started playing music professionally at 15 and have been a freelance/session drummer for most of my life, playing for countless local, national and international bands and artists. I have even done the singer/ songwriter thing from time to time as well. I’ve lived in NYC, LA, Austin (twice), and even Branson, Missouri. And even though I’ve done a lot of things musically that I’m really proud of, I’ve always had a love/hate relationship with music and the drums, and have even totally stopped playing many times over the course of my career, sometimes for very long periods of time.

Regarding what led me to what I’m doing now…the majority of the time I was a musician, for 25 years or more, I had this consuming thought that maybe I wasn’t meant to be a musician, but should have been doing something with my sense of humor instead…and that thought gnawed away at me for most of my adult life. Then something happened to me a few years ago, which made me confront this unrealized dream that I had been carrying around for all those years, and I knew it was time to either do something about it or to finally let it go, knowing full-well that meant taking it to the grave with me.

So, with no background, training, experience or connections in any facet of this process, I wrote ‘DK The Gig’s’ Pilot episode and started the long journey of figuring out how to do something like this, at the level I wanted to do it at, when you’re starting point is at zero. And when I say zero, I mean that I had never written a script (I didn’t even know how to format a script), had never acted, and had never produced anything…actually, I really didn’t even know what a producer did…and now I was a producer!

So, skip to a few years later and I finally release ‘DK The Gig’s’ Pilot episode, and the response was incredible. It was then that I really started thinking about the future of the show…not that I hadn’t thought of it before, but up until that point, the Pilot episode signified a life achievement for me…I wasn’t thinking that it had to be this or that so it could be shopped to a Network, or that it had to have an arc, etc…the main purpose it served was making people laugh and most importantly, proving to myself that after all those many years, the voice inside my head that told me I could do it…was right.

SMC – Who are some of the people you have played with in your music career?

DK – I have played with, either live or on recordings, with Isle Of Q, Joseph Arthur, Liz Longley, Tony Orlando (yes…that Tony Orlando), Kurt Neumann (of the Bo Deans), Clarence Spady, Paul Simon bassist Bakithi Kumalo, Pete Donnelly, and Zakk Wylde.

SMC – You have quite the stellar cast lined up for your series. Wow! How did you acquire this stellar line-up?

DK – Thanks…I’m really excited about all the amazing people involved with the show. The first person I contacted was Barry Markowitz. Barry’s a legendary Cinematographer….he’s filmed so many incredible movies, like Crazy Heart, Sling Blade, All The Pretty Horses and The Apostle, as well as Rob Reiner’s last 3 movies. About 20 minutes after emailing him the link to the Pilot, my phone rings and it’s Barry. He says “I just watched the Pilot…it’s not just good…it’s fucking great”. He must have watched it twice because he knew the episode every which way and was reciting lines back to me. We talked for almost an hour, really hit it off, and he told me he wanted to be involved moving forward and shoot the new episodes. So…we were off and running.

After I found my wonderful Producer, Jill Gould, we started casting and were lucky enough to find all these amazing people, both actors and musicians, who loved the show and wanted to be involved, and they’re truly all great, like the actors Charlene Amoia (How I Met Your Mother, Glee, Dexter, House, Bones, NCIS, The Young And The Restless), Stephen Graybill (HBO’s Big Little Lies, Law And Order, All My Children, As The World Turns) and Brooke Totman (MADtv, The Benefits Of Gusbandry, King Of Queens), as well as musicians Joseph Arthur (Grammy-nominated singer/songwriter), Pete Donnelly (The Figgs, NRBQ, Shelby Lynne) and Fred Berman (Amos Lee). And we’re not even finished casting all the parts yet…there’s still more people coming on board.

SMC – We have shared your enthusiasm for this remarkable series on the SMC socials but we definitely want to get more involved in some way by way of supporting your series from this moment going forward by keeping you current in our SMC Spotlight Numbered Series. We usually like to chronicle the journey of many of our star profiles. What are your thoughts on that?

DK – I think it’s great. And I’m sure everyone really appreciates what you are doing. 🙂

SMC – How many episodes do you have planned for this series?

DK – Well, it depends on the budget we end up with, but I really want to shoot at least 4 of these episodes, which are all somewhere in the 15 to 20 minute range, and that will be DK the gig’s “First Season”. Most web series I’ve seen shoot a lot of really short episodes, but I’m insane, so of course I’m doing much longer episodes that cost a fortune, and without a Network financing it. And it’s because I really want to develop these story lines and characters….to create this universe and drop people right into the middle of it. And I think it would do the scripts and story lines a huge disservice if I try to chop them up into shorter pieces.

SMC – Do you have a network in mind for the series to be shown on?

DK – If I had a dollar for every time someone told me this show should be on a Network…I wouldn’t need a Network! I’m not kidding though…I can’t tell you how many times people have told me that ‘DK The Gig’ should be on HBO…or NETFLIX…or AMAZON, HULU, etc….and there’s many things I like about all of them. The most important things I’ll be looking for in finding the show a good home is finding who is the most organic fit for it, and who will be the most committed to preserving the show’s integrity and making it a priority.

I LOVE this! The true perils of a man who just wants to play his music…and its f*cking funny!

– Steve Lukather (Toto/Guitar Legend)

SMC – If you could choose which network to have the show aired on, which would that be?

DK – I am a totally food-obsessed person, so I think when all is said and done, it’s going to come down to which Network takes me to the better restaurant. And yes…once you put food in front of me, all that “integrity” shit goes right out the window.

SMC – We connected on Facebook. You had sent me a friend request a while back, then somehow, we disconnected and then I remembered your promo reel and I think I was tweeting with someone about you…or maybe it was you who tweeted with me. Regardless, your video cracked me up. I think I hit replay about 10 times! Have you always had this great comedic sense of humor?

DK – Thanks. As far back as I can remember. I always knew I was funny, and have always been able to make people laugh…really laugh…whether it was friends, family, or total strangers. There have been so many times when someone has told me about something funny that I did or said that stuck with them…even if it was 20 years earlier…and sometimes I remember, and sometimes I don’t. Those are just some of the reasons that made me finally do this.

SMC – Would you say that living in New York has lent the authenticity to your performance as a comedian who delivers his humor with a punch? I heard New Yorkers can be tough!

DK – I only lived in NYC for about 8 months when I was around 20, so I don’t think NYC plays much of a role in my life at all, even though it is still one of my favorite cities. I live in Philly, which is very similar in many ways and very close…so that is probably what you’re detecting.

This is great…

– Dave Abbruzzese (Pearl Jam)

SMC – When did the concept of ‘DK The Gig’ begin?

DK – I would always think of funny things…and since I have probably played a few thousand gigs in my life, I would think of a lot of these things while in that environment, so it seemed like a very natural progression for my first show to be about a musician.

SMC – You have some pretty amazing ‘bells and whistles’ included in your Indiegogo campaign! Can you tell us which ones you are looking forward to delivering on? I saw a ‘Birthday Party’, ‘Associate Producer’, and the ‘You Want It All’ packages which are all great!

DK – Thanks! Well, I originally wanted to offer my body for a PERK at one of the higher donation levels, but INDIEGOGO’s legal department got involved, so I’m sorry, people! Actually, it’s fine, because the shipping fee on that would have made it a bit cost-prohibitive anyway.

Yes…I have some great perks. For one PERK, I take you out for your birthday (even if it isn’t…we’ll just say it is so we can get that candle on your dessert)…and for another PERK, you can actually be an EXTRA on the set for a day and have that very unique and amazing experience of being on the real set of a series. I also have DK the gig Shirts, Mugs, and a lot of drum-related PERKS too. And of course, you can donate without taking a PERK at all.

SMC – I would LOVE to sit on set and do a behind-the-scenes take on this show. Legit. I bet you all had a blast even filming the promo video for this series. How do you keep a straight face?

DK – You just hope that you don’t break and ruin an otherwise great take. But if it happens, it happens….just have fun with it.

SMC – Ideally, when would you like to film the first season and have it aired?

DK – As soon as we reach our goal and raise the money we need to film, we’ll coordinate everyone’s schedule and shoot. I can’t wait for everyone to see these episodes…but the quality is paramount to me, so I always take my time and do things the right way, even though I want it to be out as soon as possible.

DK the gig is so damn funny, smart and a little raunchy. It’s real. I know guys like this!

– David Uosikkinen (The Hooters/Sessions)

SMC – Who has been most supportive of this project so far? Who would you like to give a shout out to?

DK – My family and my good friends…they are as supportive as you could hope for and have been amazing. And, I have to say that I have some really awesome and die-hard fans who have been so supportive of everything I’m doing, and they know who they are…and I appreciate every one of them.

SMC – In terms of your own personal perseverance, what keeps you going when there are challenges? We all have them and we all deal with them differently. I am always curious how everyone in the industry powers through….

DK – The self-belief and confidence I have in myself and my abilities, the love and support I have from those that are important to me, and all the kind words and support I have received through the years from those who enjoy what I do creatively….those are the things that always keep me afloat.

SMC – I would like to keep people in the loop as to the progress of your series – what kinds of ways can we lend our support? I have a good feeling this is going to be a pretty amazing series!

DK – Thank you…the response to the show has really been unbelievable and it’s nice to hear so many people tell me they think this show is going to be big (see industry quotes below). The best possible way everyone can help right now is by donating to our INDIEGOGO campaign, and then by sharing and spreading the word about the show and our crowdfunding.

While we’re talking about the INDIEGOGO campaign, one of the things I would really want your readers to know is just how expensive these episodes are to make. I came from the music world and have been involved in not only live shows, but in the recording of many CDs, both as a sideman and on my own…and nothing could have prepared me for the unbelievable difference in budgets between music and doing something in the TV/Film/Digital Content world. Making any type of video at this level costs infinitely more money than making a CD does. The difference is staggering. So…to do what we’re doing will easily cost somewhere around $70,000 or $80,000. And that’s why every single donation to our INDIEGOGO campaign matters. Even if someone can only afford to give $5.00, that donation helps towards the goal.

Well crafted and hilarious insight into the life of a musician.

– Derek Sivers (Founder, CDbaby)

SMC – I was happy to see as I was typing this interview out that you just made one of your milestones on the fundraising process of this series. I know it’s often quite the task trying to get people to see the vision you do, but – you have marketed this project very well. What areas do you think there are strengths or areas of improvement you would like to tackle for this project?

DK – Creatively, I am 100% confident in the quality of this project. The only area of improvement I would hope for is on the marketing/social media/PR side, simply because I am not a big social media person, and given how important that is today, it’s something that I’d like to see grow with this project. If there’s any heavy social media people out there who want to be involved with the show, reach out.

SMC – What makes a person wake up one day and say, ‘I want to make a series’? I mean, there must be some form of love for the art of film making and acting. You are wearing a lot of hats for this project!

DK – Well, that “waking up one day and creating a series” took me about 25-30 years! Yes…I created the show, wrote it all myself, play the lead character “DK”, composed all of the music, am an executive producer, and even did some editing. And besides the music component, I had never done any of these things before and had to teach myself everything. I had no idea how to edit…I didn’t even know how to import media files…so I taught myself how to do it, did the final edit on the Pilot, and then made that TRAILER that you saw that everyone has loved. It’s really been crazy.

SMC – I am telling you, I think anyone who doesn’t know about this project should! I think there are a lot of people out there who have deep pockets and I think they should dig deep. I don’t say this about too many people or projects these days because there aren’t many who impress me. That’s a fact. I am very selective who we choose to be on the SMC Spotlight or a part of Starlight Music Chronicles as part of our team. What drives you to do your best and keep going?

DK – First of all, I want to thank you for all the kind words…it means a lot. Given my unusual and unconventional situation and all that I’ve been through to arrive at this point, I appreciate it all and am trying to enjoy this journey as much as possible. I am incredibly passionate about this and have always considered myself an extremely creative being…and to me, there is nothing better than being able to make people laugh. Along with family and friends, those are the things that drive me.

SMC – What are the top five things that are important to you in the quest to get this project completed?

DK – I just want to bring these new episodes to life at the highest level possible and have everyone get to see the full scope of the show…I think everything else will fall into place from there.

SMC – What are deal-breakers for you in terms of getting this series completed? Meaning: what would you NOT do to get this film completed?

DK – Well, obviously I really want to have this series completed and would do just about anything except share my doughnuts…because I loves my doughnuts. The President of Netflix could sit down in front of me and say “I’m prepared to offer you eight-figures and commit to five seasons of DK the gig…and the only thing you have to do is give me half of that Strawberry and Basil doughnut”…and I would be like “How about five-figures, a two-season commitment, and I eat this whole doughnut?”

SMC – Have you filmed anything beyond the promo video as of yet? Is there a pilot episode you have already gotten filmed?

DK – Yes…I filmed a Pilot that I released in 2016…and the Trailer you saw was made with footage from it…but given that so much has changed with the show since I released it, and in light of these amazing new people that are now involved, I thought it was best to take it down and just use the Trailer until the new episodes are released.

SMC – What is the best compliment you have received from an industry peer for this project?

DK – Well…there have been quite a few that stand out to me…but honestly, I have to say that I appreciate all of them. Especially when you do something as personal as this is to me, it means a lot when it resonates with people and they communicate that to you, whether it’s a peer or someone you don’t know who saw it on YouTube.

SMC – How long does it take for you to write the script for even one episode?

DK – With the way I write, it’s impossible to tell. I don’t even attempt to sit down and write an episode straight through or try to finish them as quickly as possible. I like to write something, then put it aside and let it be for awhile…could be days, weeks, or even months…and then come back to it with fresh eyes. We get so emotionally attached to what we create that it’s easy, and often unavoidable, to lose perspective and objectivity. And since we’re incapable of seeing our own work through someone else’s eyes, which would allow us to have a different perspective and objectivity, the way I try to achieve that to some degree is through time and distance. The more you distance yourself from a creative work, the more disassociated and objective of a lens you’ll be able to view it through. And I think that really helps, whether that creative work is a song or a script.

Love it…

– John “JR” Robinson (Drum Legend)

SMC – I am new to this kind of area of the entertainment industry, but it absolutely fascinates me. Pardon my ignorance for asking this question, but I would like to know – do you have the whole seasons scripts complete? Or are you working on these as the episodes are filmed?

DK – I already have way more scripts than we’re going to be shooting, which is a good position to be in. If HBO picked up this show today and said we needed 10 episodes to start shooting tomorrow, we’d be good.

SMC – Who has mentored you or inspired you to create this project?

DK – Actually, no one…I had to teach myself everything, every step of the way. I have had no formal education, mentor, or experience doing anything like this. I have made a few really good friends along the way who I turn to if I have a question about something…but that’s it.As far as inspiration, without question, no one inspires me more than Barry Manilow. Not his music…but his hair. Actually, I get all the inspiration I need from doughnuts. And who hasn’t? I guarantee that if you could get close enough to the Mona Lisa, you’d find traces of chocolate frosting on it.

SMC – You and I have spoken in chat about how it benefits many to bring this project together – what are your thoughts on the people who have really ‘stepped up’ for you with this project?

DK – If people are helping you crystallize your vision, why not let them benefit in some way from their investment in you? There’s nothing better than having people involved that are emotionally invested and who truly care about what you’re doing and want to see it succeed. You have to seek alignment…whether it’s how your personality aligns with someone, or how your aesthetic sensibilities align…whatever it may be, you should seek out those with whom you most organically align. You may not always find them, and it often makes the process take longer, but it’s worth it.

SMC – Okay, final question: what are five things you can tell us about this project that have made you really proud of it?

DK – I have to say that I’m really proud of it all. Once again, to consider what I’ve done, coming from literally knowing nothing and having zero experience just a few years ago, to getting a pilot made, making the trailer myself, evolving the show the way I have and getting all these amazing people that are now involved….there’s a lot that I’m proud of.

SMC – Thank-you Darren! I look forward to seeing you on the tube with this because that’s where it’s going!

DK – You’re welcome, Candice…it’s my pleasure. Your support and enthusiasm for what I’m doing has been awesome, so thank you… 😉

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Social Media Links for ‘DK The Gig’ or Darren Keith (click to view)

Website

Facebook

Twitter

Instagram

Indiegogo Campaign

YouTube

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The Indiegogo Campaign ‘DK The Gig’ Synopsis

*All content below is from the Indiegogo Campaign which can be (found here)

Hello people…it’s Darren Keith here and I want to welcome you to the new INDIEGOGO campaign for my comedy series DK the gig, which is about a musician whose ego is much larger than the restaurant stage on which he performs. This is a true passion project…I created the show, wrote it, play the lead character “DK”, composed all the music, am an executive producer, and even did some of the editing. I have been a professional drummer and singer/songwriter for most of my life and have played with countless local and national artists/bands, but creating DK the gig fulfilled a lifelong dream for me, which was to do something professionally with my sense of humor. Now, only a few years after officially starting this journey and writing my first script, I am about to shoot DK the gig’s first season of episodes with all these incredible people that are involved.

THE AWESOME AND EXCITING NEWS!

Legendary Cinematographer Barry Markowitz (who has filmed such acclaimed movies as Oscar-winner Crazy Heart, Sling Blade, All The Pretty Horses, The Apostle, as well as Rob Reiner’s last 3 movies) is filming DK the gig’s new episodes!!! Barry loved the DK the gig Pilot episode and said he wanted to be involved with the project moving forward and shoot it’s FIRST SEASON of episodes, which is incredible.

OUR AMAZING NEW CAST!!!

We are so lucky to have these incredibly talented actors, actresses and musicians (and we’re not even done! More will be coming on board in the next few months) for the new episodes:

CHARLENE AMOIA (How I Met Your Mother, Glee, Dexter, House, Bones, NCIS, The Young And The Restless)

STEPHEN GRAYBILL (HBO’s Big Little Lies, Law And Order, All My Children, As The World Turns)

BROOKE TOTMAN (MADtv, The Benefits Of Gusbandry, King Of Queens)

JOSEPH ARTHUR (Grammy Nominated Singer/Songwriter)

PETE DONNELLY (The Figgs, NRBQ, Shelby Lynne)

FRED BERMAN (Amos Lee)

And I have a wonderful new producer, Jill Gould, who is helping me make this show as good as we all know it can be.

OUR GOAL:

We are going to film DK the gig’s “FIRST SEASON” of episodes, and to do that we need your help. Some incredible things have happened since my first INDIEGOGO campaign that have made this production much bigger and significantly more expensive than it previously was, which is why we are here once again. It’s been estimated that this will cost over $70,000 or $80,000, and with your help, our hope is to raise at least $30,000 of it here on INDIEGOGO. As soon as we reach our goal, we can begin the work, which includes pre-production (scheduling, rehearsals, recording the music, etc), shooting the episodes, post-production(editing, sound, etc), PR, and then releasing the episodes online for everyone to see.

HOW YOU CAN HELP

So, here’s the part where you come in. It is so difficult and expensive to do what we’re doing without a major network financing it. It will cost a FORTUNE…and as I said earlier, well over $70,000 or 80,000, which has to pay for the cast, flights and hotels for the cast, location fees, equipment rentals, post-production (editing, sound, etc.), production insurance, hard drives, recording sessions…the list goes on and on. So many people think that DK the gig has a very bright future and will eventually get picked up by someone like HBO, Amazon, Netflix, etc., so it’s extremely important to me that everything is done right, and we present the show in the best possible way to make sure that happens. You can help us accomplish that right now by making a donation, however large or small, because EVERY DOLLAR COUNTS. And please don’t forget to help spread the word about this INDIEGOGO campaign.

THANK YOU SO MUCH….WE CANNOT WAIT FOR YOU TO SEE THE NEW EPISODES!!!

Darren Keith

About Darren (as per the Indiegogo Campaign)

My name is Darren Keith. Before creating DK the gig, I was a professional drummer and singer/songwriter for most of my life and have played with countless local and national artists and bands. DK the gig was inspired by the 25-plus-year dream I had (while being a musician) to do something professionally with my sense of humor. It was something that gnawed at me for well over 2 decades, so to be at this exciting stage right now is very profound for me. This is the epitome of a passion project….I created DK the gig, wrote it, play the lead character DK, composed all of the music, am the executive producer, and even did some of the editing.

SMC Spotlight No.1 | Mike Rogers ‘Ghostroads: A Japanese Rock & Roll Ghost Story’ Exclusive!

By Candice Anne Marshall

When we talk about Halloween, we are encompassing all it entails: witches, black cats, vampires, monsters, and…. ghosts. This leads into today’s epic launch which I personally have been beyond excited to finally be able to share. Here’s why…

In October of 2015, I promoted a video for fashion art rock band Palaye Royale for their song ‘White’ off their upcoming ‘Boom Boom Room Side A’ album. The video content included an intro from InterFM897 Japans ‘WhatTheFunday’ radio show for the band. The show was hosted in part by Mr. Mike Rogers and after tagging it in our SMC post, Mike and I connected. What a ride it’s been too! In the two years that I have known Mike, we have conversed, collaborated, shared mutual likes of the Artists we support, laughed, and networked like crazy. This has led to some of the most prominent stories on the SMC Spotlight platform with notables such as Mr. John Ferriter, The Tearaways, Stephen David Brooks, Chris Craker (Karma Sound Studios), and The Fontaines. This is just scratching the surface too.

There is so much that goes into the background of someone as interesting as Mike Rogers and this goes beyond his vast connections: it is the fact that he speaks candidly, honestly, and humorously in his own blog ‘Marketing Japan’ (see here). This is something this world really needs: honest and factual journalism and the fact that Mike is willing to write a truthful account of his experience with ‘Sex PistolsJohn Lydon aka: ‘Johnny Rotten’ in ‘I Interviewed Johnny Rotten – The True Story’ was, in my opinion, deserving of a massive applause. It isn’t often these days that many are willing to write responsible journalism, and Mike is. That bodes well in my books! Enough that I have formally invited Mike to be supported on the SMC Spotlight website and he has agreed. If you look to the right of this feature (desktop) or below it (mobile or tablet), you will see that his blog has been added to our roster with ‘The Chronicles’, ‘Little Black Book Club’, and ‘SMC Artist of the Year’. Take a moment to read it, there’s a lot to learn from someone who has the background he has…

Which leads me into Mike’s background: he’s been a Musician (The Rotters), General Manager of a major Japanese broadcasting station (TV Tokyo owned InterFM), produced smash hit programs and several of Japan’s highest rated and most famous radio programs, and most recently, Wrote and produced full-length motion picture “Ghostroads – A Japanese Rock and Roll Ghost Story“. This bringing me to the purpose of launching his first ever SMC Spotlight fittingly, today, Halloween day. This is a film, is a truly entertaining thrill ride from start to finish and has earned some serious awards and nods at prestigious Film Festivals worldwide including the Raindance Film Festival. The story line is both humorous and steeped in truths: ‘what would you do for fame?’ being the tagline. It is reflective of an individual who has not only seen the best and the worst of the entertainment industry, he has lived them.

The vibrancy and quality of this film, featuring brilliant music by some of Japans most famous bands (The Neatbeats, The Privates, The 50 Kaitenz) show Mikes serious credibility in his role of Director and Producer. I recommend anyone who is looking for something to take them away from their day to day grind or the negativity of what’s going on in the world today and turn their attention to this film. It is quickly becoming an iconic rock and roll (and dare I say, Halloween) music cult classic which I can easily put up there with the likes of The Rocky Horror Picture Show. I know what you are thinking: ‘Did she just say that?’ Yes, yes I did because undoubtedly, in my mind, it’s something you will want to watch every year!

Editor’s Note: Mike, I am personally congratulating you on your accomplishment with this film. I realize and can appreciate how much strategy, planning, and hard work goes into these kinds of projects from start to finish. So, I will say to you this: I am very picky with the kinds of art I will lend my praise to – it must be exceptional. With ‘Ghostroads’, you have created a masterpiece and I look forward to supporting you on your future projects going forward. This film, honestly, gets a five out of five Starlight Music Chronicles star rating. Congrats!

Mike Rogers on the red carpet in London
Photo Courtesy: Mike Rogers

SMC Spotlight Exclusive Interview | Mike Rogers ‘Ghostroads: A Japanese Rock and Roll Ghost Story’

SMC – Hello Mike! This Spotlight has been a very long time coming my friend! Let’s begin with a little bit of a back story on who you are and how you evolved into your career today. Can you tell us what new readers to our site will want to know about Mike Rogers?

Mike – OK. You can ask me anything. Like about the time I was the driver (and booze runner) for Burt Reynolds on the set of the film Boogie Nights in 1997. Or how about the time when Justin Beiber, in a foaming-at-the-mouth rage, tried to stab me in the shoulder with a butter knife at Mick Jagger’s pool party because a drunk and topless Selena Gomez was riding on my shoulders and screaming at him and singing “I’m so over you!”… I have lots of those!

Ghostroads Film Festival award accomplishments
Photo Courtesy: Mike Rogers
Official Ghostroads Movie Poster with awards
Photo Courtesy: Mike Rogers

Ghostroads

SMC – I am going to get right into this interview with your film ‘Ghostroads: A Japanese Rock and Roll Ghost Story’, which has been getting some major traction on the film festival circuit. Which awards, or accomplishments have you won or been acknowledge for to date?

Mike – Well, the biggest thing so far is getting selected at Raindance Film Festival in London. Raindance is one of the most famous and respected film festivals in the world, so even though we didn’t win any big high-falutin’ awards, just being selected at Raindance is incredible. Many film makers try all their lives and never get into a festival like Raindance. I have to thank my “Cinema Sensei,” Stephen David Brooks, (see Stephen David Brooks interview here) who actually, has become one of my very best friends, for all the coaching and advice. Without him, we’d have never gotten into that festival. That’s not bullshit, it’s true. And a big thanks to John Ferriter for introducing me to Stephen. John Ferriter is tops too (and plays lead tambourine for the rock band, The Tearaways), as your readers already know! (see John Ferriter interview here)

We’ve been in several other festivals as “also-ran” but, actually, we’ve only won one award so far. It was for “2nd Place” in the “Best Foreign Feature Category.” I think the official award title for second-place is “The Film That Sucks Less Than the Others” award…. Or something like that.

SMC – I have personally seen this film and can NOT say enough good about it. There are no films like it on the market today which not only have appealed to foreign culture in Japan and the UK, but has also been getting attention in North America as well. (which is where we are based) What is the greatest compliment you have received on this film so far?

Mike – Hmmm? That’s a hard one. I figured out that, naturally, when someone is making their first movie, no one expects much… So, I’ve gotten remarks like, “Wow! That was better than I expected.” Or, “I’ve seen other films that friends made and they were all bad. This was really good!” Or, from my wife’s mom and dad, scratching their heads after watching the film and asking, “What was that all about?”

I guess the best compliment was from the top program director of Raindance who wrote, “Congratulations on a truly great film.” That blew my mind… I can’t imagine a higher compliment than that. I cried the night when I read that comment from her.

SMC – The synopsis of this film is basically selling your soul to the Devil (Ghost) for instant fame. We see this all the time in our industry. Is this a personal experience you have had or seen happen?

Mike – Yes. You guys are going to think I am nuts, so you can skip over this next part if you wish, but I have seen this personally. Now, I am not a religious person and I follow no organized religion, but I personally know people who made deals (by prayer to somebody) for fame… (As Bobby Dylan says, “It may be heaven, or it may be hell, but you gotta serve somebody.”)

I also saw and heard bad things that happened to them and their families…. I don’t know why these bad things happened to them. Was it because of the deal? Was it bad karma? I don’t know….

But, entertain me for a second here. What is “fame”?

If you make a deal with a Manager, Agent, label, or Publisher or, yes, even the Devil for “fame” then you’d have to damn well know and write down what exactly “fame” means. You know that guy in town whose always drunk and getting into fights down by the billiard hall? Yeah. Everyone knows who he is.

He’s famous, isn’t he?

There are conceited jerks I’ve met who played infield for a famous professional baseball team here in Japan… They were “famous.” But what is famous? You don’t know their names. I don’t know their names. The average person walking on the street wouldn’t recognize them if they saw them. But they are “famous.”

There are many levels of fame. I think that “famous,” I mean, really “famous,” means that anywhere in the world where you walked, many people would recognize you; that’s famous.

So, being in some rock band, having a hit on the charts, being a radio DJ, etc. etc. That’s not really famous…. Michael Jackson? David Bowie? Adolf Hitler? Winston Churchill? Donald Trump? Yeah… People would recognize them. They are famous.

Is this a good thing?

That’s about all I can say on this subject… I could write a book about things I’ve seen involving this person – these people – who I know made a deal for fame….

But the devil doesn’t exist, right?

As for me, I believe in these things much like the great American writer, Samuel Clemens who was also known as Mark Twain; once said, “I do not believe in ghosts, but I sure am afraid of them.”

The old saying goes, “You’d better be careful of what you wish for.”

Scene from the film ‘Ghostroads: A Japaneze Rock & Roll Ghost Story
Photo Courtesy: Mike Rogers

SMC – From start to finish, what was the length of time spent getting this film made?

Mike – I almost died in a hospital in Sept 2014. It was there where I decided to make a film before I died and wrote the first idea on a napkin. The film was completed in May 2017. So almost 2 1/2 years from conception to finish.

SMC – Tell us about the selection of brilliant talent you have in this film – I can see that you carefully chose some pretty stellar talent from Japan!

Mike – I chose the bands, the Neatbeats, the Privates, the 50 Kaitenz, because those three are my favorite Japanese bands of all-time. Foreigners don’t usually know good Japanese bands because the only Japanese acts that people know outside of Japan are released on major labels. Take Baby Metal (please!) these big money labels create these acts and sell them… It’s OK, I get it. When I was a kid, I liked the Monkees too… But, I am astounded at how I sometimes talk to foreigners (who are over 12 years old) who like stuff like Baby Metal.

The Neatbeats, the Privates, the 50 Kaitenz, are the real thing. They are DIY indies acts. They have all been offered deals with majors, but they do things the indies way… Why? Because everyone knows, major labels have a way of screwing up good indies acts. It is common knowledge, isn’t it?

Also, I chose those bands because they are easy to explain to a foreign audience in just a few words. The Neatbeats are the ‘Japanese Beatles,’ the Privates are the ‘Japanese Buzzcocks,’ the 50 Kaitenz are the ‘Japanese Ramones.” Simple is always best, especially when making a sales presentation… And, in life, nearly everything is a “sales presentation.”

The other actors and actresses in the movie I found because I have always been impressed by European films and off-beat movies that have strong and unforgettable characters – unlike American films which always have people who look like fashion models in them with perfect teeth. In a nutshell, in my movies, I want many to look like the circus act on the cover of the classic album by the Doors, “Strange Days.” I want people who look like freaks – because we are all freaks somewhere deep down inside – and I want strange people because, as the song goes, “People are strange.” We are all strange.

In fact, if you really stop to think about it, the more you get to know people, the stranger they become.

Besides the strangers, I also have one of Japan’s top sex symbol girls in the film, Mina Shirakawa, and Miwa Rock who is one of Japan’s most famous burlesque dancers.

So, there’s something for everybody.

Scene from the film ‘Ghostroads: A Japaneze Rock & Roll Ghost Story
Photo Courtesy: Mike Rogers

SMC – You also have a cameo in this film as the narrator. Is this your first role in a movie?

Mike – Oh no. I had been in many famous Japanese TV dramas in the eighties; with lots of Japan’s most famous stars! In Ghostroads, I only narrate in the trailer. That’s my voice in the trailer saying, “A struggling Japanese rocker finds a haunted amp with a ghost who promises fame.” (see at end of this interview). I am in the actual movie several times though. You know the scene where the girl throws a beer can out the window of the car? I’m driving.

In fact, that girl is/was one of Japan’s most famous actresses. She has been a big star since the 1980s. She was a sex symbol and starred in literally hundreds of movies and TV shows and commercials galore. Everyone in Japan knows who she is. But she only appears for a split second, so only a few people have spotted her so far… It’s like, well, imagine getting Lindsay Wagner out of retirement and cameo in your film? Or getting Lillian Gish to appear in Whales of August?…. That’s what it is like having this former super-star in the film.

Also, when the story teller is showing the high school yearbook and mentioning about how some jerk acts like your friend, but he steals your girlfriend and you hate that guy forever? That’s my high school senior year photo he is looking at.

SMC – Can you tell me the behind-the-scenes story while making this film?

Mike – I tried to run this film as a business with a profit motive. I am reminded of an anecdote about a very famous businessman and industrialist named John D. Rockefeller. One time, newspaper reporters were interviewing Rockefeller and they attacked him as not being especially knowledgeable about trains or the steel industry. Rockefeller responded by saying, “Perhaps I am not an expert on these subjects, but I am smart enough to hire people around me who are experts.” I never forget that.

As one of the most important jobs of any Producer (be they the manager or founder of a business, or whatever) is to get people around you who are better than you are. It is also wise for any business owner or producer to hire people who are smarter than they are. The smartest management hire smart people so that these smart people tell them what to do. Of course! What’s the point of hiring people who are smarter or more talented than we are if we are going to tell them what to do?

So, when I started out this film, and a big reason it came out so well is that, my #1 priority was not protection of my position, but the success of the project. So, I went out and got a director who was better than me; he had a much better eye for design and composition. He was a true artist. I also hired a cameraman who is really top class and stubborn as hell; he’s stubborn because he’s great at what he does. Of course, my partner, Ken Nishikawa, is a genius at editing and musical styling. Ken is one of the top in his field in Japan and the best editor I’ve ever met. So, with every job, I tried to get people better than me to do specific tasks. I think that is the core reason the film looks the way it does and has enjoyed the success it has; I could have never done this without that great team.

So, we had an Italian director; an American cameraman; a Japanese editor and actors and actresses; Darrell Harris from Nebraska (as a ghost) and me. It was often chaos at the shoots.

Oh, by the way, a guy named Yuji Wada, was our lighting “sensei.” Yuji is a famous Hollywood lighting director. You all know the Bill Murray film, “Lost in Translation”? Yuji does all the lighting for Sophie Coppola’s films. Yuji was my friend and next-door neighbor for ten years… I asked him to help and one day he came and showed us how to do the lighting. I like to think I am a fast learner and I am good at copying people, so when Yuji showed us how to light scenes, we merely mimicked what he showed us. That’s why the film has the lighting it does. Of course, if Yuji could have done it for us himself, we’d be talking about winning an Academy Award, but, beggars can’t be choosers.

Because I am a radio show host and producer, I also am a professional talker; so, I went out to Phillips Electronics (technology company) and convinced them to just give me a thousand dollars (USD) of high tech lighting equipment for absolutely free in trade for putting their name in the credits. When I went there to ask for these high-tech lights I was surprised they eagerly said, “Yes!” so quickly. I actually said to them, “Wait! What? OK? Don’t I have to grovel or something?”

The point is that if you are making a record or a movie, you need to be flamboyant and you need to overcome insecurities and your own fears. Asking for something doesn’t cost anything and there is no risk; all they can do is say, ‘No!’ But you have to have a professional presentation prepared and you must have confidence.

I was prepared for the meeting with Phillips. I had a great trailer, printed synopsis and staff and actors and actresses lists. I had mentally prepared and I knew in my heart that them giving me those lights was a good deal for them too! I know now that they were very happy with the film. I was happy to save a few thousand dollars on lighting.

SMC – You are the Producer/Writer/Director for this film. Do you feel that you had greater creative control of this film by wearing all three hats?

Mike – Yes. I always had the veto over everything… I do realize that I did fail in one thing though; during shooting, we often had a problem with important staff being constantly late. Other issues occurred with arguments over absurd things with the staff. Much later, when the editor and I finished the film and I had informed the editor that we had been accepted at Raindance, the world-famous festival, and I had sold the right for sales and distribution of the film – along with a healthy advance – to a very famous Japanese major film company, my partner, Ken, was almost speechless.

He said to me, “None of us ever thought, in our wildest dreams, that we’d come this far with this movie. In fact, the director and the cameraman were convinced we didn’t even have enough footage for a proper feature film! For a trailer? Maybe. But not a film. Only, you, Mike. You were the only one who believed from the start to the finish that this could happen.”

When he told me this, I wasn’t especially happy because I realized that I had failed in an important part of the project; I had failed to properly explain to the staff what we were going to do. I had failed to get them to realize the vision and the dream. I then understood why the director was always late; why the cameraman would complain about ridiculous things; they didn’t believe that this would become a proper film; they didn’t believe it would be entered in festivals and win awards (hell, they didn’t even believe it would be completed). They never believed for a second that the film would be sold to a Japanese major film studio. So, this was my failure; I didn’t get them to understand the dream and the vision.

We did this well, with people who had no belief or confidence? Imagine how much better it could have been if they believed and became better than themselves? I will always regret this shortcoming of mine.

But, even in the bible Jesus talks about this: I guess it doesn’t matter what others believe. It only matters what I believe. I believed we could do this and be successful.

Though, that the film has done this well and is so successful is nothing short of a miracle. Next film, will astound people even more. I really believe that too.

Scene from the film ‘Ghostroads: A Japaneze Rock & Roll Ghost Story
Photo Courtesy: Mike Rogers

SMC – While doing my research, I came across a video of you wearing a sandwich board shaking a rattle for the Raindance viewing of your film. Great Stuff! What kind of reaction did you get from that?

Mike – When I was in London at the theater, some friends told me that they had been to some film screenings and, in a theater that seats 200 people, there would only be three to eight people in paid attendance!

I couldn’t believe it!

I was shocked. I thought about my wife. What would she say if I had spent three years of my life making a movie, spent another $2000 going 6000 miles to the other side of the earth only to have it viewed by four people (including me?)

So, with that, I decided what my mission was: I had decided to sell out our screenings or, if I couldn’t, to at least give it the good old samurai try (try or die trying!)

I decided that since we couldn’t hang posters at the theater, I’d take my biggest poster and make a sandwich sign. Then I’d stand in front of the theater wearing the sign every day.

I went to an art shop and bought the supplies for making the sandwich sign. I then went home and constructed it with more loving care than mom making Christmas dinner. The next morning, I went back to the theater with my sandwich sign and put it on and I stood there; in the heat and the sun… I would stand in front of the theater with my sign for four and a half or five hours every day.

I wondered why other filmmakers are so self-conscious and embarrassed that they refuse to promote their own films in this way? Nobody really cares what we do. Nobody watches us as much as we like to think they do.

I was a curiosity to the other people at the film festival. Many ridiculed me, some laughed; others just gawked. A few said that I was an inspiration and wondered why other filmmakers didn’t promote their films this way… One time two young filmmakers walked past me, laughed and pointed at me, and one said, “That’s what we should be doing. I wonder how much that costs?”

A few days later, I was informed that the World Premiere of my movie, “Ghostroads – a Japanese Rock n Roll Ghost Story” was sold out; one of the few films that were sold out!

People had laughed at me as Sandwich Man! But there also is an old saying, “He who laughs last, laughs best.” I laughed so hard I almost cried when I heard we had sold out the first night and the second night was nearly sold out. I felt redeemed.

I wrote all about it here (I think it’s a pretty funny story with an important lessons for filmmakers and musicians alike)

SMC – What was your experience like working with The Neatbeats for this film?

Mike – Before shooting started, I was very good friends with the Neatbeats and, especially their leader, Mr. Pan. But, as I mentioned above, there were all sorts of problems during shooting. The worst problem was important staff being constantly late. Being late like this is out of the question in Japan, so Mr. Pan would get angry with me about it.

You see, in Japan, for any mistake or screw-up, management will never blame the staff. I was the producer; I was captain of the ship, so if we hit an iceberg, it was my fault. This is the Japanese way. In the Japanese way of doing things, no matter what happens, the boss takes responsibility.

The top boss is always the person responsible for what goes on. The captain could never say to the crew and passengers, “That idiot navigator didn’t see the iceberg. So, we hit it.”

That would never happen in Japan.

I often had frank discussions with the critical person who was often late and told him the ways of the locals and so, he came to understand the cultural differences between his country and Japan. This is only an example of many issues that occurred with regularity.

But, in many cases, the damage was done. The leader of the Neatbeats, Mr. Pan would call me on the phone and start berating me in local-dialect Japanese (which was difficult to understand – but I knew he was mad). I know the way of the people of this country, so I know that it would be best to handle it the Japanese way: I had to take responsibility. I was, indeed, my fault. I could not blame the guilty party. Why? Because I hired him. It is my fault.

I would allow Mr. Pan to yell at me on the phone for 30 or 40 minutes straight and I would merely reply, “Yes. I know” or “Yes. I think so.” I would do this and not talk back until Mr. Pan grew weary of shouting at me and he’d finally calm down. I’d eventually tell him I would try to rectify the situation and then I would smooth things over.

That was my biggest job as producer: keeping the team together, keeping the peace and trying to keep the boat from capsizing.

I thank a famous producer in Japan named Motoyoshi Tai who showed me that the best way to handle pissed off people is to let them yell at you (agreeing with them) until they tire out and then promising that you’d do your best to remedy the situation.

I think many Americans would do themselves well to learn this way; getting into a hellacious fight and then people quitting mid-project is never a good result for anyone. A smart Producer knows how to handle it.

SMC –  What is one thing you wish you could do differently for this film if you had the opportunity?

Mike – As I mentioned above, I would have taken more time to explain to people what was going on and to get them to understand the vision. I think about it now, and I have made very famous programs and TV shows here in Japan, some of them with millions of viewers (10 million in 6 months on an internet TV show).  But I guess the staff didn’t know that or they didn’t understand or didn’t believe in what we were trying to accomplish.

Next time I will make sure everyone understands and is on board 120%. If they aren’t or they don’t “get it,” I will patiently keep trying to get them to understand. If they don’t, I will replace them.

SMC – What kind of competition is there in the film industry in Japan?

Mike – In Japan, in films, like music, the majors have total control. The difference is that, in Tokyo, there are 3000+ bars and clubs and so-called “Live Houses” where musicians can come and play and hone their craft every night of the week. Some can even break and become famous. There is no such a situation for independent filmmakers like that in Japan. I want to change that.

SMC – What do you find is the most difficult thing to do when promoting your own project?

Mike – In the case of Ghostroads, I had sold it off to a Japanese company before it was even completed, so I don’t really have any stories (besides frustration) at watching how other people handle things… I reckon the biggest problems was, is and will always be budget.

SMC – Can you tell us if there are any upcoming film festivals that this film will be a part of?

Mike – The next big festival is very soon in Europe, but I can’t announce it yet. It’s a big deal but everything seems so cloak and dagger. I’m hoping the win the Golden Tupperware Award (like Stephen David Brooks has) or, maybe I can get some 50% discount tickets on fries at Burger-O-Rama. We’ll see.

Fact: The Golden Tupperware Award is an extremely rare award, and few have ever seen one, even fewer own it.

Trivia: What’s really cool about the coveted Golden Tupperware Award for best film, actor or director is that, even though the base of the award is solid 24 carat gold, the top lid is still, to this day, made of pink plastic as engineers have yet to figure out how to make a solid gold lid malleable enough to snap into an out of an airtight fit. Once they do, the Golden Tupperware Award will truly become a proud member of the Tupperware family.

SMC – Ken Nishikawa is also the co-Director, Editor, Sound Designer, and Translator for this film. What was it like working with him?

Mike – Ken Nishikawa is the nicest guy anyone could ever hope to meet. I’m damned dead serious about that too. He never has a bad word about anyone and I have never heard anyone say anything unpleasant about Ken. No Kidding. I want to be like Ken when I grow up. Ken is a sort of legendary person too as he comes from a famous family. Really. His mom is very famous as she is one of the last true remaining geishas in Japan and Ken is almost done with a documentary about her. It is a wild story: Matsuchiyo – Life of a Geisha.

SMC – Once Ghostroads has circled the film festival circuit, will you be working on another film project?

Mike – I have already started working on another project now. Ghostroads is finishing its festival course. We got very lucky and had our World Premiere at Raindance. Entering smaller festivals (that aren’t famous) is meaningless for sales and promotion. I have a few more festivals coming up (that I signed up for months ago) but I will not be signing up for any new festivals. I will now focus on getting distribution and sales and letting some company handle the rest of the life of this film.

SMC – Who would you like to work with in the future in terms of film?

Mike – Alfred Hitchcock, Stanley Kubrick, Charles Chaplin, Orson Welles and Cecil B. DeMille. But, alas, none of those guys ever answer my emails, so I wrote to Stephen David Brooks instead. Now he and I going to try to make a movie together. I say “try,” and I think Stephen will agree with me, because whenever anyone can actually complete a movie, it is a miracle.

SMC – What advice would you give to someone new wanting to begin a film project?

Mike – Run it like you would any business. If your idea is good, then you should be able to find financing and investment partners. Blowing your parents money on a crap vanity project is no good for you or your parents.

The best advice I ever received from anyone was when Stephen David Brooks told me to read the bible of script writing: “Save the Cat” by Blake Snyder (here) and I recommend, “The Hero with a Thousand Faces”, The Collected Works of Joseph Campbell (here).

Mike Rogers (far left) interviews John Lydon (The Sex Pistols) recently.
Photo Courtesy: Mike Rogers

Career/History

SMC – You have (had) a show on WhatTheFunday at InterFM897 Radio in Japan which I believe is where we met via Palaye Royale – I believe it was after we did a Spotlight on the band for their single ‘White’ (see original post here). Can you tell us how long you have been with the station?

Mike – I can proudly say that I am the only DJ in Tokyo, that has been fired from every radio station in Tokyo at least once. You name it, they’ve canned me. But since FM radio in Tokyo is so lame, I wear that as a stinky badge of honor. I have been fired from InterFM three times now, but they keep hiring me back because I make the best shows. I have been with them since 1996.

I have a new show, The Mike Rogers Show, that starts on Nov. 5, 2017. It’s going to be like a BBC morning show on acid.

SMC – I love seeing the posts on your blog ‘Marketing Japan’ and would love to link it up to this feature as well as our site! You have some of the greatest stories, tips, and shared memories on there with some pretty fantastic people. Can you tell us some back stories that haven’t been shared on that platform?

Mike – I once had to fly to Canada and back on the same day, just so I could sleep with the editor of SMC just to get this interview. Hey! I need the promotion.

SMC – You recently did an interview with John Lydon while you were at Raindance Film Festival. WOW. This is the reason I asked you the previous question. I have to say I truly admire honesty. Way too many will write a fluff or ‘Pollyanna’ story about some of the behaviors of the ‘professionals’ in this music industry. I am happy to see you are not – you write it as you see it – for the facts. What kind of a response did you get from people after you posted that?

Mike – Oh? Mr. Rotten? That’s probably best if the readers go directly and read the entire details by themselves. The article is here: “I Interviewed Johnny Rotten – the True Story.

The festival people and the Theater Manager and staff were furious at John Lydon and his posse. But, I am not mad at the guy and he is still my hero. I totally understand his desire for respect and status. We all have it… So, just because he was drunk and rude to me (well, all of us) it would be childish of me to now say, “I don’t like Johnny Rotten because he was a right ass to me when we met.” Nothing he could do now erases what he did in the past. I just figure that he delivered what was expected of him that night in London. Nothing more. Nothing less.

SMC – I know that you have met a lot of music industry peers over the years. Tell us of a pleasant story that you have a great memory of?

Mike – I think the most formidable and imposing person I have ever met was Siouxsie Sioux. My radio show was so popular in the nineties that we presented her band and concerts, The Creatures, in Japan (the station didn’t present that the concert, my program did!) The Creatures had awesome shows. I think one of the best songs of the nineties was the Creatures’ “Second Floor”.

Siouxsie and her then husband Budgie came to the studio at InterFM. She was a dominating, imposing figure. We were all totally intimidated by her. She was a giant twenty-foot tall rock goddess made of marble, ice and ivory.

Into the studio she strode with Budgie right behind and as she sat on her chair, she looked me straight in the eye, lit a cigarette (she knows there’s no smoking in a radio studio), and said to me, “It’s alright if I smoke, isn’t it?”

We all froze. I didn’t know what to say. Wide-eyed, I gulped and stuttered, “Er, uh, the rules do not apply to the queen.”

After that, we then had a great time and a fantastic interview. She was the most awesome, fearsome musician I have ever met. Later on, we all got to hangout backstage with Siouxsie! How many people can say that?

SMC – Are there any charities or organizations that you support or are passionate about?

Mike – I have always supported Children With Incurable Diseases Charity in Japan. It is called, “Nanbyo.net.” “Nanbyo” means “incurable disease.” (Nanbyonet)

SMC – What do you think is lacking in the music industry today?

Mike – Musicians who have business sense as well as musical talent. People hate the business side of things, but a negative attitude towards an integral part of the business and success is self-defeating and short sighted. The most famous musicians knew this. Michael Jackson and David Bowie were astute businessmen.

SMC – Can you tell us your top indie bands that you like to support?

Mike – There are the rock bands from Japan that I like best (Some of these videos I made with Ken Nishikawa):

The Neatbeats

The Privates

The 50 Kaitenz

The Routes

Taffy

Su Ko D Koi

Moja

The Pats Pats

The Stephanies

The Stompin’ Riff Raffs

These are my favorite bands in Japan.

Oh, and my favorite new foreign band of the year are from Australia. A young band that plays their own instruments and rocks out? I’m in love!

Amyl & The Sniffers

SMC – You have delved in music yourself! I remember reading on your blog that an original record of yours sold for a hefty price too! Tell us about your history in music….

Mike – When I was young, I was in a “One-Hit Wonder” Punk Rock Band. The band’s name was “The Rotters.” We played with the Dead Kennedys, Fear, Black Flag, the Germs, Angry Samoans and a bunch of other 1978~79 Los Angeles Punk Band’s whose names I can’t remember. I’ve written about it here: I Was a Teenage Punk Rocker – Why Dedication Beats Fanaticism Anyday! Even for Punk Rock or Success in Any Field!

After that band broke up, I floundered in a few other bands, but never really did anything that was as exciting as the Rotters… I thought. The band I was in after the Rotters? The Wuffy Dogs? I am told that the single we made is now the “Holy Grail” of late 1970s L.A. Punk singles and sells for nearly $1800. Why? I’m guessing it’s because that band had two former Rotters, the guy who would later become the drummer for M.I.A., and the original guitarist for Berlin (who got kicked out of Berlin because he wanted screaming guitars and Berlin wanted to make pop tunes like, “Take My Breath Away.”)

SMC – What was the turning point in going from a music career to film and where you are today with radio?

Mike – After my band broke up, I wanted to stay in Los Angeles. As a suburban boy, I found L.A. exciting as hell. So, one day, I asked Rodney Bingenheimer (Rodney on the Roq – KROQ Los Angeles) if I could be his assistant. I told him I didn’t need to be paid. He said “OK” and so I was an unpaid Gofer for the World-Famous KROQ’s Rodney on the Roq for about 16 months between mid-1980 – 1981. I would clean up and organize albums that were scattered about in some rooms and also carry records for Rodney to and from his car. The best part of the job was answering the door at KROQ for Rodney and greeting guests who came to be on his show. Through that I got to meet Clem Burke of Blondie, the Ramones, and a bunch of other super famous punk stars whose names escape me at the moment. I used to get stoned with Dee Dee Ramone! I wrote about that here: “Belinda Carlisle Naked, The Ramones, Rodney Bingenheimer and Me – Another True Story

The first time I got to meet Phil Spector was Christmas of 1980 and when he arrived at the door, he didn’t look like a Punk (he looked like my dad!) so I was rude to him (like an idiot!) I didn’t find out until much later who he was!… Doh!

I used to go with Rodney to that all-night diner he lives at (Canter’s Deli) too after almost every show. There I met lots of people who were famous or to become extremely famous later…

I never told people in Japan about that because they wouldn’t believe me. But, one day, Rodney came to Japan and I got to be his tour guide and take care of him for 5 days in Tokyo, so I could pay back, a little bit, all he did for me. (I wrote about that here)

So, had I not been Rodney’s assistant, I probably would have never become a radio DJ.

SMC – I like to ask this question because it means different things to different people: What does ‘Success’ mean to you?

Mike – Being able to live and eat and have a happy family doing what you like. Diana Ross once said, “Show business is not success, it is survival.” So, if you can survive and be happy doing what you want, then that is success.

SMC – Which social media platform are you most active on and why?

Mike – I do Facebook, Twitter, Instagram and I blog. As far as Social Media is concerned, I think one must focus. Social Media is like going to parties. If you are doing too much and too many Social Media (going to too many parties at once), you can’t spend time at any party getting to know people well. I think it’s better to go to a few parties and be able to spend time and talk with friends than having to rush around to a dozen parties, just say, “Hi!” and then leave.

SMC – What are the top attributes you look for when aligning yourself with industry peers for future projects or even simply to network? We all have certain ‘deal-breakers’ when it comes to a certain type of person…

Mike – I like honest people. There are so many dishonest people, it astounds me. And these people are quite easy to pick out as they contradict themselves constantly (though it seems they don’t realize it). I have a bad memory for names and tasks I have to do so I always take notes and I always try to tell the truth. Why? Because, once again, as Mark Twain says, “If you tell the truth you don’t have to remember anything.”

It’s too much trouble lying and then having to remember what you told to who. So, it’s just better to tell the truth.

People who lie habitually, about shit that doesn’t matter, fail to realize it when they contradict themselves. They are their own worst enemy.

May I recommend two very important books?

The Road Less Traveled” and the sequel, “People of the Lie” by F. Scott Peck. Both discuss telling the truth all the time and the second discusses how some people will go to extreme lengths, even kill, in order to protect the lie. The last few chapters of “People of the Lie” are frightening.

SMC – Okay, final question: What in project you would love to get involved in or work on in future?

Mike – Now I am franchising one of the world’s most famous film festivals and bringing it into Japan. I cannot mention the name of the film festival because I have signed a confidentiality agreement. We are now setting up a consortium of some of Japan’s most famous corporations to support this project. It’s going to be huge news all over the world. We will be able to announce it later this year. Think Big!

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Social Media & Media Links for Mike Rogers (click to view)

Mike Rogers Twitter

WhatTheFunday Facebook

Robot55 Facebook

Ghostroads Trailer

Instagram

Confessions of a Sandwich Man

Sochi International Film Festival and Awards

Matsuchiyo – Life of a Geisha

I Interviewed Johnny Rotten – the True Story

The Creatures’ “Second Floor”

“Belinda Carlisle Naked, The Ramones, Rodney Bingenheimer and Me – Another True Story”

Nanbyonet

The Neatbeats

The Privates

The 50 Kaitenz

The Routes

Taffy

Su Ko D Koi

Moja

The Pats Pats

The Stephanies

The Stompin’ Riff Raffs

Amyl & The Sniffers

I Was a Teenage Punk Rocker – Why Dedication Beats Fanaticism Anyday! Even for Punk Rock or Success in Any Field!

Save the Cat by Blake Snyder

The Hero with a Thousand Faces (The Collected Works of Joseph Campbell)

The Road Less Traveled by F. Scott Peck

People of the Lie by F. Scott Peck

 

SMC Spotlight No. 5 | Palaye Royale ‘SMC Exclusive’ Headline Tour Review & Vlog

Indeed, 2017 has been a whirlwind Musicians life for Canadian-born, Los Angeles-based, Fashion Art Rock Band, Palaye Royale. We have been following and documenting the bands career since early 2014 and in that time, we saw them achieve what might seem the impossible for an indie band (see our timeline/history of the bands’ accomplishments below). By late 2016, the band had toured over 225 shows in almost every state, drove close to 100,000 miles, and hugged over 150,000 fans. It goes without saying that this kind of traction doesn’t go unnoticed in the music industry among their peers. Earlier this year the band toured with Andy Black (Black Veil Brides) and is currently touring with Rock Band Sleeping With Sirens on their ‘Gossip’ album tour (which launches September 22nd, 2017), and they plan on hopping the pond to England for their first ever Headline date at London’s Camden Assembly in November (see poster below – tickets can be purchased here). No doubt, this news has their European fanbase scurrying to find a method of transportation to get to them. We don’t even have to ‘suppose’ this is what will happen, we are certain it’s what will be.

Breaking records and making waves is nothing new to Palaye Royale. Well actually, making records is what they’re into these days and with so many accomplishments under their belt since January of this year, I am not surprised. This band is why Starlight Music Chronicles has incepted the very concept of a Spotlight Number Series: they are a trailblazing band who are constantly evolving, creating, touring, and making waves. We have chosen this for many reasons, the main one being: Palaye Royale (comprised of Frontman Remington Leith, Guitarist & Organist Sebastian Danzig, and Drummer Emerson Barrett) have become a permanent fixture in the SMC Family.

The bands loyal fan following, known as Soldiers of the Royal Council, have organized mass street teams globally and the band themselves spend considerable time engaging and responding to this fanbase via social media and their exclusive online fan group. It was this kind of interaction which landed them as first place winners in MTV’s Musical March Madness in 2014 as fans continuously leant their support throughout the competition. They were the first ever Indie band to win this award beating out well-known Artists such as: Coldplay, Fallout Boy, Linkin Park, and Tokio Hotel.

Palaye Royale marched right into 2017 without blinking an eye and have covered thousands of miles more and spearheading their own western Canada headline tour which landed them at northern British Columbia’s Grizfest Music Festival (where many high caliber bands such as Hedley, Theory of a Deadman, Down With Webster, and The Road Hammers have played), then on to their Edmonton and Calgary, Alberta shows before heading home to prep for their current tour. All shows were sold out once again with the support of their Canadian street teams getting the word out on social media, physical posters strewn about the cities, and support from Starlight Music Chronicles (SMC).

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CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Palaye Royale North American Headline Tour 2017

In late July 2017, SMC was contacted by the bands’ management team for the purpose of coordinating local press in the Edmonton area for the event. We also acted as exclusive ‘behind-the-scenes’ media support for the VIP acoustic performance and meet and greet. This included support teams from The Edmonton Muse and Ron Palmer Photography who expressed interest in media coverage for the show.

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

The band landed in Edmonton on August 8th, 2017 at the Mercury Room. Opening act Desperado Pilots gave a stellar performance before handing the stage over to the band. Indeed, many fans who came to see Desperado Pilots were also made ‘Soldiers of the Royal Council’ that evening after Palaye Royale’s outstanding performance.

VIP Acoustic Performance

The VIP acoustic set prior to the show was the jewel in this already beautiful crown. A select audience of approximately 20+ watched the band perform three acoustic sets off their newest album: Boom Boom Room Side A. Fans sang along to ‘Ma Cherie’ on pointe causing Remington Leith to pause, smile, and comment: ‘They know the words.’ There was also an insightful question and answer period woven between sets followed by a photo op with the fans prior to the show. (see below).

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

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Palaye Royale at their live performance at the Mercury Room in Edmonton.
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Live Performance

Now here’s where we saw the magic: after prepping backstage, like the majestic kings they are, the band skillfully dominated the stage for an hour-long thrill ride that left fans begging for more. It was the classic ‘Rock and Roll-CBGB-style’, performance too: bras were being tossed onto the stage, fans clambered over one another just to touch them, and the room was beset with copious writhing, fist-pumping, dancing, and singing.

Drummer, Emerson Barret at the bands live performance at the Mercury Room in Edmonton. CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Guitarist, Sebastian Danzig at the bands live performance at the Mercury Room in Edmonton.
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

The band brought it full boar with heart pounding beats by Emerson Barret (that boy can play!), exquisite guitar riffs by Sebastian Danzig (love those Gretsch guitars too, by the way!) and a theatrical and engaging performance by frontman, Remington Leith. He even did his signature ‘hanging upside-down from the rafters’ move after wrapping up the show with ‘Get Higher’ a song that has previously been placed for a television commercial spot with Samsung Galaxy. (see more on the Samsung Galaxy commercial details below in the bands’ history timeline)

Remington Leith
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Sebastian Danzig
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Emerson Barrett
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Following the performance, the band met in a private room with fans for photo ops. While the SMC team waited for the line to dwindle (an hour and a half later), we listened to the feedback from fans and media. Ron Palmer Photography commented that the band was energetic and sounded fantastic. Tania Ribeiro with The Edmonton Muse commented ‘I am so glad I came to this! What a great show!’ Comments from eager fans were ‘I drove all the way from Calgary to see them!’ (even though the band was heading to Calgary next!), and ‘This is the best birthday present I could ever get!’ The Edmonton Palaye Royale Street Team members also made an appearance and were avidly singing and dancing along with the crowd. One member said it was her first time seeing the band live (this was their third appearance in Edmonton), and she has since become an instant fan, actively following our posts about Palaye Royale on social media.

Remington Leith
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Emerson Barrett
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Remington Leith & Fan
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale’s Sebastian Danzig shreds on his Gretsch Guitar
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Sebastian Danzig
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Remington Leith
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Palaye Royale
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Remington Leith & Fan
CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.
Sebastian Danzig CONDITIONS OF USE: Photos remain ©Ron Palmer Photography 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Here’s my summation of this event:

For four years now, Palaye Royale has impressed me with every accomplishment that they have made. Witnessing (in person) their unique sound (see my Boom Boom Room Side A review below), image, and live performance is something magical comparative to Charlie Bucket finding that last golden ticket in the Willy Wonka chocolate bar: it’s a one in a million chance you will ever find something this special in this lifetime ever again. If you are anywhere near the last remaining concert dates for their current tour, we recommend that you go. This includes all our avid followers in London too! It won’t be long before this band headlines every one of their tours at sold out venues globally.

Check out the bands’ socials below and follow their journey so you can stay tapped in on upcoming tour dates, video releases, and new music coming soon!

The band packs up and heads out to their next gig! CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Boom Boom Room Side A | Album Review

Our review of ‘Boom Boom Room: Side A’, a 15-track album which includes their song ‘White’ and has been featured on our Starlight Music Chronicles Facebook page over 2 years ago, in an ode to the band and their journey thus far. It also includes ‘Get Higher’ as a bonus track which has become the band’s iconic signature from their early recording days.

Late December, 2015, the band was signed to Sumerian Records (see link) and since, the label has supported the successful launch of their album along with videos for ‘Don’t Feel Quite Right’, ‘Mr. Doctor Man’ and ‘Live Like We Want To’. The album, created with Producer James Iha (Smashing Pumpkins) was recorded in a vintage studio in Los Angeles, California, and is absolute genius. Prior to this, the band had been performing the new music featured in the album long before it’s recordings to gauge fans reactions.

The success of Boom Boom Room: Side A isn’t just in the hundreds of live performances this band has made getting the sound out to their fans, the countless meetings and interactions with their fans, or even the exquisite Neoclassical Architecture Art on the album cover and insert by Emerson Barrett…. it’s the sound that this band creates when they are together: it’s pure classic Rock and Roll magic!

The album kicks off with ‘Don’t Feel Quite Right’, ‘How Do You Do’, and ‘My Youth Generation’- sounds that give serious kick. Just like the vintage motorcycle Remington Leith rides, this is an all-out-on-the-highway-speeding-at-full-boar sound that is generated. There is no mistaking this is something that only the magic of these three brothers can create as a team who have come to know one another’s strengths and they are put to the test in the creation of these three numbers. However, the insanely incredible guitar riffs Sebastian Danzig pulls off at the start of ‘Mr. Doctor Man’ and throughout the song is second to none: it’s a MUST HEAR at loud decibels! In conjunction with strong lyrics and vocals by Remington Leith supported by powerful drum playing by Emerson Barrett, this song is probably one of my favorite off this album. Check it into your iPod playlist right away.

Going further into the album, ‘Sick Boy Soldier’ and ‘Live Like We Want To’ are some seriously killer tracks that continue the epic Palaye Royale sounds we have come to know and appreciate: Full of energy and cleverly written lyrics. ‘Ma Chérie’ is a deeply emotional song about love and loss featuring fellow industry peer Kellin Quinn (Sleeping With Sirens) combined with Leith’s powerful accomplished vocals delivering a cleverly executed number that is upbeat and extremely catchy.

The pièce de ré·sis·tance on this album comes in the form of ‘Too Many People’. The lyrics are suited to our current period in time where we have all suffered epic loss both in the Music Industry and our own personal lives making them truly relatable. There’s no mistaking that 2016 had been a year of endings (in numerology, the year added up equals to 9 which literally is the number representing endings and new beginnings) and ‘Too Many People’ is the antidote to the grieving many of us are going through: it goes to the heart and heals the soul.

The balance of the album with ‘Where Is The Boom?’, ‘Clockwork’, ‘Warhol’, and ‘Rag Doll’ are consistent in their output and strong lyrics but the ‘All My Friends’ finale is true ode to who Palaye Royale are as a band in their sonic and physical make-up: classical sounding, deeply emotional, dramatic, completely original, all-out chaos, and heart pounding energy. This song is another fave on our playlist and will bode well among new fans and classic rock and roll lovers when the band makes their mark in Edmonton at the Starlite Room February 26th, 2017.

To sum Boom Boom Room Side A up: this is a band of brothers whose ability and ingenuity in creating music that is both original and unheard of (in this era of ‘complacent’ rock and roll) results in a magical and biographical journey for the ears. I am confident that this is a band who has been through as much as they have, are rising to the top of their game, and will truly stand the test of time.

If you are new to this band and have never heard their sound before, we recommend you spend a weekend immersed in the comfort of your living room and watch episodes of live concert footage and behind-the-scenes on their YouTube Channel (see here) as well as the Sumerian Records YouTube channel where their recent music videos are posted (see here).

CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

Palaye Royale Historical Timeline

I have personally written several articles on different Website platforms for Palaye Royale and have followed their journey quite closely since February of 2014 when they messaged me via Twitter to ‘check out’ their video for ‘Get Higher’. I didn’t realize at the time (and after 48 consecutive hours of research later) that I had been reeled into what I call the ‘Palaye Royale Vortex’. Anyone who has heard them knows this as: ‘We NEED to know more! HEAR more! SEE more!’ And so it went, with every accomplishment, SMC has been documenting the way.

The band broke ground early 2015 when they hopped aboard the High School Nation Spring Tour from April and well into the end of May by performing in front of tens of thousands of people. At the same time, their single ‘Get Higher’ was (and still is) released and getting into high radio rotation across the USA and Canada which also secured the video a spot on MUCH Canada rotation. *Notable: Prior to the High School Nation Tour, Palaye Royale did live pre-production, an ‘old school’ style of music creation much like the Rolling Stones. In fact, World famous DJ Rodney Bingenheimer (previously at KROQ 106.7 FM Radio based out of Los Angeles, CA) has been so smitten with the band’s music, he has sought them out, connecting immediately, and taken it upon himself to spin their unreleased song ‘White’ causing their Twitter fan base to go into a frenzy wanting to get their hands on a copy.

CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

It goes without saying that true fans of Palaye Royale would know this band has been insanely busy since launching their album ‘Boom Boom Room’ on June 24th of 2016. Shortly following the album release,the band began touring Vans Warped Tour 2016 and continued back to back touring up until present day. This is a band that has legitimately worked very hard for their art and with the recording of ‘Boom Boom Room: Side B’ now imminent, we are certain that their hard work and dedication is going to pay off. In fact, on November 15th, 2016, they headed into new territory touring with Andy Black (Andy Biersack: founder and lead vocalist for the American rock band Black Veil Brides) beginning February 2017 in Canadian cities such as Edmonton, Calgary, and Saskatoon.

Merch includes custom art by Emerson Barret
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

This is a truly innovative band whose creativity never stops and the world is waking up and taking serious note of their accomplishments and with credentials to the Sid and Nancy: Sad Vacation film by Danny Garcia (a Documentary on Sid Vicious and Nancy Spungen – see here) under their belts (Death Is A Party, Invite All Your Friends is the song featured in the film), a Jewelry line launched by Remington Leith on ‘Never Take It Off’ (https://www.facebook.com/NeverTakeItOff/) , a live performance at LA Fashion Week with Emerson Barrett’s art being shown next to Banksy (See here) and the sale of one of a kind custom Neoclassical Architecture designed Vans Shoes also by Emerson Barrett, it seems there is no limit. In addition, the band has performed hundreds of exclusive and intimate acoustic shows prior to their stage performances at ALOFT hotels and many other exclusive locations in their tour travels.

In 2017, the band launched their own newspaper ‘The Royal Times’, continued to tour western Canada, and even made an appearance on the 2017 Alternative Press Televised Awards Show. Fans continue to accumulate as the band continues to venture into new territory, winning over the hearts of new music seekers young and old everywhere they leave their mark.

Tour life has been challenging and this band has endured a lot: bus catching fire, tire blow-outs, transmissions cratering, brakes shot on a 20-year-old passenger bus known affectionately as ‘The Pirate Ship’, cooking in Wal Mart parking lots, roasting in the hot summer heat changing in cramped quarters (their trailer) and bunked up with half a dozen of their band mates all for the labor of love known as the ‘Rock and Roll Battlefield’ simply to bring their art to their adoring masses. When we look at the numbers of fans that have resulted from these sacrifices to perform live, (known as Soldiers of the Royal Council) the numbers have gone insane. They have a whopping 195,000+ twitter following, 115,000+ on Facebook, and 47,000+ on Instagram and its progressively growing every day.

Why? Because they. Never. Stop.

Palaye Royale at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

-Earlier Accomplishment History-

Palaye Royale has accomplished an MTV Music Award (after winning first place in MTV Musical March Madness in early April of 2014 beating out bands like Coldplay, Fall Out Boys, Linking Park, and Tokio Hotel, clearly demonstrating their artistry is also of the same high caliber. Even more interesting is that they are the FIRST EVER Independent band in the history of MTV to ever accomplish this feat and were consequently invited to appear on the red carpet at the MTV Movie awards in the same month. They have also performed on the Ernie Ball Stage at Vans Warped Tour as well as The Hard Rock Rising in Las Vegas. All of the above are fan voted accomplishments, all within a few months span.

The band was also featured in a Global Samsung Galaxy Note commercial alongside their single ‘Get Higher’. The Samsung campaign started in Londons’ ‘Picadilly Circus’ on the Teletrons for its visual content. Subsequently, due to the overwhelming response from viewers at the International Consumer Electronics Show CES in Las Vegas, Nevada the campaign continued for a further 18 months. Clearly, this isn’t any ordinary band and the strategic plans that they have charted out for the future of their success is absolutely remarkable.

Palaye Royale were also winners of Bongo Boy TV’s (BBTV) Indie Music Video Contest this last Spring being selected out of 1.2 million independent artists via Reverbnation.  Their music video ‘Get Higher’ featured on The Bongo Boy Rock n’ Roll TV Show aired in two episodes: premiering in April 2015 with National rotation coast to coast and in New York City on April 4th 2015. BBTV distribute their TV show series on 3 TV channels with cable companies like NBCUniversal Comcast, Cablevision, Time Warner, FiOS, AT&T U-Verse, Suddenlink, Charter Cable and RCN Network Television.

(l-r) Remington Leith and Sebastian Danzig at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

On July 1st, 2015, Palaye Royale performed at the World-famous Hollywood Rock and Roll Hotel: Sunset Marquis right off of the Sunset Strip in Los Angeles, California before a private audience of 300 prominent Industry Dignitaries and the Canadian Consulate for the Canada Day SOCAN Friends and Family event.  Once again, the band made music history in a venue which has been a platform for actors, comedians, writers, artists, filmmakers, fashion designers, supermodels, restaurateurs, billionaire entrepreneurs, for the past 50 years.

Sebastian Danzig at the bands’ VIP Acoustic show backstage CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

On July 15th, 2015, Palaye Royale performed on the CBGB Stage originating from the famous club in New York at the Bowery which was shipped to the YouTube Space LA where the live recording of their new song ‘Live Like We Want To’ took place. (Cool side note: the club is now the home to John Varvatos’ flagship store since 2007 following the clubs closure in 2006) So what does this mean? It’s a pretty huge deal: The CBGB Stage originated as a biker club in 1973 featuring Country, Bluegrass and Blues Musicians (thus the acronym CBGB) and towards the early 1980’s became a famed venue known for hosting punk rock Musicians Blondie, The Ramones, Television, Patti Smith Group, and Talking Heads. By being asked by YouTube Space LA to perform on the original stage specifically brought to Los Angeles and having Palaye Royale create yet another major historical music maneuver does not surprise me one bit given their accomplished history.

Palaye Royale performing at their VIP Acoustic show backstage
CONDITIONS OF USE: Photos remain ©Starlight Music Chronicles 2017 Strictly no re-use, cropping, editing or publishing without prior written consent.

In addition to all of the focus on the bands accomplishments as a whole, Drummer Emerson Barrett (under the alias: Dr. Strangebomb) has been featuring his unique and exquisite art in Galleries and Art shows throughout Los Angeles. The attention to the tiniest details in his creations has fans and collectors across the Globe fascinated by his ‘Revolutionary Art’ concepts and principles.

Palaye Royale are at present working on new music and collaborations which will only create more of a stir globally and it is exciting to see what will come next as they head towards new accomplishments and unique historical music feats. It can only be anticipated given their successes. Let’s face it folks, there will never be another band in the history of music who will have paved a path so unique such as Palaye Royale and with all their hard work, dedication, and accomplishments under their belt, I am confident saying this IS the Band of the Century and the Century has only just begun!

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The *EXCLUSIVE* behind the scenes video glimpses of Palaye Royale at their Headline Tour show in Edmonton, Alberta, Canada on August 8th, 2017 including their VIP acoustic show are available on our Vimeo channel which can be accessed through this feature.

This is an official Starlight Music Chronicles Press Exclusive behind the scenes. More on the band can be found at:

Palaye Royale Social Media Links:

Website

Facebook

Instagram

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Palaye Royale | SPOTLIGHT Series No.1 Canadian Music Week

by Candice Anne Marshall

Breaking records and making waves is nothing new to Canadian Born, Las Vegas based Fashion Art Rock Band Palaye Royale. Well actually, making records is what they’re into these days and with so many accomplishments under their belt since January of this year, I am not surprised. This is why Starlight Music Chronicles has chosen to run a Spotlight Number Series on this trailblazing band which will follow their career chronologically. We have chosen this for many reasons, the main one being: Palaye Royale (comprised of Frontman Remington Leith, Guitarist & Organist Sebastian Danzig, and Drummer Emerson Barrett) is quite literally, The Band of the Century for all that they have accomplished to date. (see History at the end of this article)

On June 19th, 2015, Guitarist Sebastian Danzig stated on Twitter:

Pre-production for Palaye Royales’ debut album begins in one-hundred hours. Release date will be this year.

Later, on June 23rd, The Band stated on their Twitter:

We are signing to a record label that allows us to keep the pure intention of our art alive choosing our vision over the industry

So suffice to say, the bands progression has been on a faster Carnival merry-go-round these days. Actually, I think twist-and-turn Roller Coaster Thrill Ride at the best Theme Park in the world would be a better summation.
I have personally written several articles on different Website platforms for Palaye Royale (now based out of Los Angeles, California) and have followed their journey quite closely since February of 2014 when they messaged me via Twitter to check out their video for Get Higher. I didn’t realize at the time (and after 48 consecutive hours of research later) that I had been reeled into what I call the Palaye Royale Vortex which anyone who has heard them knows as: We NEED to know more! HEAR more! SEE more! And so it went..following their victory with the MTV Musical March Madness competition in the spring of 2014 where they became the first ever unsigned band in the history of MTV to ever accomplish this feat beating out other high caliber bands like Coldplay, Fallout Boy, Linkin Park and Tokyo Hotel to where they are at this moment in time.

The band broke ground early this year when they hopped aboard the High School Nation Spring 2015 Tour (www.highschoolnation.org) from April and well into the end of May by performing in front of tens of thousands of people. At the same time, their single Get Higher was (and still is daily) released and getting into high radio rotation across the USA and Canada which also secured the video a spot on MUCH Canada rotation. *Notable: Prior to the High School Nation Tour, Palaye Royale did live pre-production, an old school style of music creation much like the Stones.

At the moment, the band is recording their next album which will launch later this year and will surely have their loyal Twitter fan base of 189,000+ (also known as Soldiers of the Royal Council) in a tailspin. Dedicated fans have driven throughout various Provinces and States in the USA and Canada just to see the band perform some of their new music live. Frontman Remington Leith shared in an interview with me earlier this year that it was a unique way to see what the fans would like to see on the album and to gauge their response

This test (also known as The Boom Boom Room where their Iconic imprint had already begun: *Reference article I’ve written for Indie Habit & Indie Music Bus earlier this year: Palaye Royale Presents The Boom Boom Room in Hollywoodland. (posted on Indie Habit) certainly left a huge impact and quick response time from three high caliber Agencies scrambling to sign with the band after their smashing performance in Toronto, Canada at the Hard Rock Cafe during Canadian Music Week. Before their Plane had even landed back in Las Vegas to continue with the High School Nation Tour after their 48 hour whirlwind tour for the CMW showcase, they had struck a deal with Ralph James with the Agency Group. *See: Palaye Royale United Talent Agency.

*Noteworthy: Ralph James has a long list of high caliber talent signed with The Agency Group such as: Billy Talent, Mariannas Trench, Dallas Smith, Down With Webster, Platinum Blonde, Nickelback, Walk Off the Earth, 54-40, and Barenaked Ladies to name a few (his list is long!) Already the band has plans to be on three tours this fall following the album release and away they go!

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EXCLUSIVE PHOTO JOURNEY | PALAYE ROYALE | CANADIAN MUSIC WEEK

I have had the privilege to get an *Exclusive* behind the scenes glimpse at Canadian Music Week (CMW) with The Band and realized just how devoted to their art they are. Here’s how it went down:

Palaye Royale completed a full set along with an acoustic show in Las Vegas for The High School Nation tour on Friday, May 8th, 2015 (not to mention they had already been touring for a few weeks) and then began preparing for the journey to Toronto, Canada for CMW at 5pm the same day . This meant: packing up their instruments, merchandise, tour luggage and placing it all on the tour equipment trucks, THEN meandering their way to the airport for a midnight flight and landing on Canadian Soil at about 7am on May 9th with possibly only an hours to rest on the plane.

They were then picked up by limousine van and driven to their hotel in downtown Toronto, dropping their belongings (instruments, luggage, etc) off and heading straight into press conferences, setting up for sound check (for their performance at midnight) and reconnected with family for breakfast. (See Photos in Chronological order from Black & White Waiting at Las Vegas Airport through to meeting with family, Canadian Actress Angela Asher, and finally, onto Yonge Street to the Hard Rock Cafe for their Showcase)

A quick jaunt back to the hotel room for an hours rest in the late afternoon and the band was back up again for more interviews, live radio broadcasts (See: Canadian Musician | Featuring Palaye Royale at Canadian Music Week) , and then off to their showcase! This is where they met Mr Ralph James and connected with two other agencies before packing up their equipment at 3am, heading back to Las Vegas for an 11am flight to be ready for their Monday Morning continuation with the High School Nation Tour!

By Sunday evening they struck a deal with Ralph James and became officially signed with The Agency Group by May 11th of 2015.

Wow, right? People need to realize, this is not your ordinary carnival ride, This is Palaye Royale. Its fast, its intense, its tiring, its elation, its full on effort, its been victories and defeats (mainly victories, but it cant be the music industry without a little disappointment here and there right?) its consistency and determination.

This is their world, and they wouldn’t have it any other way.

-Earlier accomplishments/History-

Let’s recap what has evolved in the last year and a half: Palaye Royale has accomplished an MTV Music Award (after winning first place in MTV Musical March Madness in early April of 2014 beating out bands like Coldplay, Fall Out Boys, Linkin Park, and Tokio Hotel, clearly demonstrating their artistry is also of the same high caliber. Even more interesting is that they are the FIRST EVER Independent band in the history of MTV to ever accomplish this feat and were consequently invited to appear on the red carpet at the MTV Movie awards in the same month. They have also performed on the Ernie Ball Stage at Vans Warped Tour as well as The Hard Rock Rising in Las Vegas. All of the above are fan voted accomplishments, all within a few months span.

Palaye Royale was also featured in a Global Samsung Galaxy Note commercial (see above) alongside their single ‘Get Higher’ (See below) The Samsung campaign started in Londons’ ‘Picadilly Circus’ on the Teletrons for its visual content. Subsequently, due to the overwhelming response from viewers at the International Consumer Electronics Show CES in Las Vegas, Nevada the campaign continued for a further 18 months. Clearly, this isn’t any ordinary band and the strategic plans that they have charted out for the future of their success is absolutely remarkable.

Palaye Royale were also winners of Bongo Boy TV’s Indie Music Video Contest Spring 2015 and were selected out of 1.2 million independent artists via Reverbnation.  Palaye Royale had their music videos featured on The Bongo Boy Rock n’ Roll TV Show this Spring in two episodes. Their music video Get Higher premiered in April 2015 with National rotation coast to coast and also in New York City on April 4th 2015. BBTV distribute their TV show series on 32 TV channels with cable companies like NBCUniversal Comcast, Cablevision, Time Warner, FiOS, AT&T U-Verse, Suddenlink, Charter Cable and RCN Network Television.

CA Marshall

Editor | Starlight Music Chronicles

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Most Recently and Noteworthy: Palaye Royale has become Members of SOCAN and will be performing at Socan Family & Friends Canada Day Party in Association with the Consulate General of Canada in Los Angeles, California at the Sunset Marquis Hotel in an Acoustic Set. Stay tuned this will become a Spotlight Series in conjunction with Starlight Music Chronicles taking note on every step of the way of this epic journey for Palaye Royale.

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Palaye Royale Social Media Links

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Band Booking Agent | Ralph James at United Talent Agnecy:

e. RalphJames@theagencygroup.com | Tel: 1.416.368.5599