SMC Spotlight No.1 | Rochelle Vincente Von K World Premiere ‘Deal Me In’ Music Video

Every once in a while a comet lights up our Starlight Music Chronicles (SMC) sky and today, that comet goes by the name of Rochelle Vincente Von K. The Viennese born, Los Angeles-based multi talented Artist has roots rich in music,fashion (modeling), dance, and film and with the world premiere launch of her brand-new music video ‘Deal Me In’ exclusively to SMC, this is one comet whose light we are certain will not go out anytime soon.

The video, directed by Stephen David Brooks (see SMC Spotlight here) is an opulent and extremely creative film from this prolific visionary. Scenes from the video were all shot in and around the Los Angeles area. The video also features New Zealand Actor Jamie Spear as Vincente Von K’s boyfriend who played the role of ‘heartbreaker’ exceptionally well. The song itself is intense with an almost ‘celestial’ undertone in its instrumentation combined with alluring vocals and an intense story line in the lyrics. It doesn’t surprise me that Vincente Von K has created a masterpiece here: she has a history gilded in accomplishment and achievement not only in music (see full discography here), but also with the success of Lover Raw Chocolate (see here), her company which focuses on the super food ingredient. We have included a link for your convenience in the right sidebar menu for purchase! Her clients are The Academy Awards, Costume Designers Guild Awards, The Supper Club, NYC Fashion Week and HBO’s Real Time with Bill Maher to name a few. And this is just scratching the surface!

I have spent some time getting to know Rochelle in the last few weeks while planning the world premiere launch of her video on the SMC platform and I have to say that this is one of the most focused, personable, and lovely souls that I have encountered. In fact, she asked for SMC to postpone the launch of her video until today (was originally slated to launch October 3rd, 2017) out of respect for the tragedy in Las Vegas (only days ago), and the sudden passing of industry peer Tom Petty. Indeed, a comet passes our planet every so often, but I can assure you that this unique comet will not only light up our world, she will leave a lasting impression in it through her exquisite works of art wherever her magical trail is seen.

We welcome her into the SMC Family and look forward to following her career through our SMC Spotlight Numbered Series. To find out more about Rochelle Vincente Von K, be sure to check out her socials at the end of this interview below.

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(l-r) Director Stephen David Brooks, Rochelle Vincente Von K, and Actor, Jamie Spear. Photo courtesy of: Rochelle Vincente Von K

World Premiere ‘Deal Me In’ Music Video exclusive interview!

SMC – Hello Rochelle and welcome to the Starlight Music Chronicles (SMC) Spotlight! Can you tell us how you heard about SMC?

Rochelle – Hi SMC, thanks so much for your support! I heard about you through the incredibly talented director Stephen David Brooks.

SMC – We are thrilled to have been the Music Platform for the World Premiere of your new video ‘Deal Me In’! Before we get into this, let’s get a little career history from you in terms of where your career began to this moment in time…

Rochelle – Erm, where to begin… I started when I was 9 … and each phase moved into the next … so I guess I’ll start with my last phase before I moved to LA?! I was based in London & Brighton and was one half of electronic duo Product.01, we worked with many including Ursula 1000, Dr Luke, Stephen Hague, Bassnectar, Dubstar, Dave Clarke, Chicks On Speed, Adam Freeland, Si Begg, Princess Superstar, Larry Tee, Kromeangels, Alter Ego, Tiga, Husky Rescue and Katie Melua to name some.

We performed plenty of live shows, to 40000+ people, and including touring with Freeland, Dubstar, The Lightening Seeds, and playing alongside Tiga, Fatboy Slim, Dubfire, Eric Morillo, Bobby Gillespie (Primal Scream), Wilson Pickett, The Commitments, Mark Moore , Spektrum, Gregor Tresor, General Midi, Larry Tee, Princess Superstar, Arthur Baker, Chris Coco, Lee Coombs, Caged Baby, John Acquaviva, Kid Alex, Lee Coombs, Einmusik, Si Begg, Andy Barlow (Lamb), Beardyman, Kromeangels, Simian Mobile Disco, DJ Mehdi … as well as performances for Radio One, XFM, MTV, Tate Britain & London Fashion Week. We toured Brazil, Japan, China, UK and Europe predominately, thou did do some shows in Montreal and New York City. Never got to the West Coast, but had plenty of radio and DJ support.

My new band based out of LA, with Ryan Carnes on drums and Simrin Phull on guitar, has played The Roxy, Hard Rock Café, The House Of Blues, The Satellite and Coachella.

SMC – Stephen David Brooks is the genius behind the filming of this video. Can you tell us how you two connected?

Rochelle – He did an amazing job, didn’t he? We met through a mutual friend and felt an instant connection. We knew we wanted to work together right away and were contemplating either a short film or music video, hence the birth of our ‘Deal Me In’ collaboration.

SMC – Would you work with Stephen again?

Rochelle – Hell yes, I hope we work together again very soon! The thing that is refreshing with Stephen is he understands the creative process in that no matter how prepared you come, shit will inevitably happen, so nothing phases him. And when that shit flies, he knows how to duck and keep things moving forward. I also love how he works spontaneously and honestly. Artists can be oversensitive and it gets in the way of the process. With Stephen, I found it easy for us to be unfiltered with each other because we both wanted the same end result so I trusted him. We used what was in front of us to the best of our ability. You have to understand we worked with ZERO budget. So, it was pure raw energy from everyone who graciously gave their time and contributed. We were all there because we wanted to create something together.

Still from the Music Video for ‘Deal Me In’ featuring (l-r) Ryan Carnes (Drummer), Rochelle Vincente Von K, and Simrin Phull (Guitarist).
Photo courtesy of: Rochelle Vincente Von K

SMC – Can you tell us what the premise of ‘Deal Me In’ is about?

Rochelle – It’s that age-old question of why do we sometimes fall in love with the very person that’s wrong for us? I know that for me, for example, I don’t like or play games. I’ve never been attracted to that, so I’m not addicted to weird behavior in men! I want straight shooters, I always look for the good in any person until proven otherwise, and yet why is it that I attract complex men? Is it because all men are complex and it comes out in different ways? Or are we destined to love certain people because it’s fate or some past life karmic pattern? I don’t know the answer to that… but ‘Deal Me In’ explores that, and also how when a man destroys the beautiful opportunity to love, he doesn’t just hurt me, he hurts himself even more. We can’t run from ourselves.

SMC – The song is brilliant and the video even more so! Aside from the teasers we shared in the last 8 days, can you tell us of a memorable story from behind-the-scenes?

Rochelle – Thanks so much. Written from the heart… created from the heart by all involved. I’m bummed that I don’t have more behind the scenes footage of my band but we needed my phone for music playback on the theater shoot! I’ve got some pretty wild stories, but I won’t share those just yet out of respect for other people’s privacy ha ha! But to share something, when we were shooting on Sunset Blvd, we needed a crowd so we went down on a Friday night and it happened to be a long weekend where literally everyone was out of town… we had zero crowd… so we waited around until one o’clock am when the Roxy was emptying out from The Buzzcocks show, and had literally 5 minutes before there was zero crowd again so had to move like ninjas!

Then at the Ahrya Theatre we had limited time because the City of Beverly Hills doesn’t let you park on the street after 3am! I was in the loos at 2am doing my makeup and getting on my last costume for the black wig scene, then my nails kept popping off and my guitarist Sim was helping me find them and glue them back on while I was trying to handle my cape. Stephen was very calm and also trying to help! By 2.30 am we were finally ready to shoot and we had literally 20 minutes to shoot the last scene and be at our cars by 3am. No pressure at all. 4 takes and we were done!

SMC – What has been the media anticipation been like for the release of this single?

Rochelle – It’s surprised me regarding how much demand this music video has had prior to its release!

SMC – Can you tell us who your ‘go-to’ team was for the creation of this video?

Rochelle – Stephen and I did pretty much everything together. We fed off each other’s ideas and made all the big decisions together. The initial plan for this video was very different to what it ended up being. It kept evolving into a different direction, even while we were shooting it, but we knew the feeling we wanted from it. Like I said, because Stephen is a true artist he understands the process on many levels and that’s where his experience and professionalism shines through… so, this allowed much creativity to flow without resistance and attachments to previous outdated decisions that ended up being mere spring boards to fresh ideas. And then of course on shoot days we had creative input from my band mates Ryan Carnes, Simrin Phull, actor Jamie Spear, our behind the scenes photographer Inge Christie and assistant Erica Boslego. But we really didn’t have a lot of time to faff about at any given moment because we were either on sunset times, theatre times, or street parking times!

Still from the Music Video for ‘Deal Me In’ featuring Actor Jamie Spear
Photo courtesy of: Rochelle Vincente Von K

SMC – Your ‘boyfriend’ in the video Jamie Spear did a fantastic job as well! Was this your first time working with him?

Rochelle – Yes, it was our first time working together. We had our own secret back stories a lot like we all do in life, and then Stephen would pull us aside individually and say something to create a certain feeling. There were certainly times where Jamie would give me a confused look and I wasn’t able to explain that it was Stephens direction. At the very end of the last shoot we revealed what our back stories were to each other and it was interesting because it really did add a depth and suddenly certain things finally made sense!

SMC – What is your overall summation of this video?

Rochelle – A journey within and a journey without!

Still from the Music Video for ‘Deal Me In’ featuring Rochelle Vincente Von K and directed by Stephen David Brooks.
Photo courtesy of: Rochelle Vincente Von K

Music Career

SMC – Let’s go way back to 2006 when your album ‘Bullet Ride’ under the moniker ‘Product.01’ launched until this very moment with the new release of ‘Deal Me In’ – can you tell us how you feel you have evolved as a Musician?

Rochelle – Mainly I think the process has gotten faster. I’m much more able to be present and take on whatever is happening with trust. I no longer over think things… I’m much more impulsive. I understand that as long as I’m tuned in, there’s a reason why things are coming out as they are, and eventually it will make sense! You just have to keep going with it.

SMC – Do you write all your own lyrics?

Rochelle – Yes, I write all my own lyrics and melodies. And depending on how a song began, whether I started it or a producer sent me a music link, I do my own chords and arrangements.

SMC – Who is your creative team when recording your music?

Rochelle – It changes depending on the project I’m working on, but for this it was Marc Adamo from Product.01. He’s one of the best electronic music producers in the world. By far! He’s been my partner in crime for many years, and while the journey isn’t always smooth, the result is always exactly right.

SMC – What instruments are you proficient in?

Rochelle – I can play piano enough to write songs! I am also pretty good with programming and mixing, but I prefer to collaborate, to me it’s much more interesting. Like sex. Better with two!

SMC – I had a listen to your song ‘One Starry Night’ (see below) – beautiful song! Can you tell us a little about what the theme is behind the lyrics in that song?

Rochelle – Funny you should mention it as my ‘One Starry Night’ character makes a cameo in ‘Deal Me In’, in case you didn’t notice the blue wig & cage shoulder pad! ‘One Starry Night’ is about love at first sight… when you meet someone and feel their soul when you look in their eyes. You just KNOW. But then you second guess yourself because how is this possible? So instant? So easy? And you let it go, and then spend many years regretting that moment you let it go, only to find yourself praying for a second chance. Knowing you were right all along and won’t make that mistake again. And that no one has since come close to that feeling.

SMC – Your single ‘Blazing’ and the video is brilliant! Who was the creative team behind this video?

Rochelle – Ah yes thanks … and it was shortlisted for two Grammy nominations, under ‘Music Video of the Year’ and ‘Record of the Year’.

The majority of it was shot at a stunning crazy Mexican themed house in Calabasas where they film Ancient Aliens. Jeff Skeirik was the director, and Nazim Chambi was my guitarist. Nazim’s makeup didn’t quite go to plan! I was in Malibu and Nazim was in Hollywood getting ready before arrival at the house, and my awesome makeup artist Rebeca Teresa is experienced, but unfortunately even thou I had specified, we didn’t get the makeup artist that knew how to do Sugar Skull makeup on Nazim, so Rebeca was Facetiming with his makeup artist and it was insane, she had no clue even with basic instructions, all the while Rebeca was trying to get me ready in time as we only had the house to film for a short period of time. That was very stressful! But Nazim took his bad makeup with grace! Thankfully it worked because of his natural good looks. And Jeff was a trooper, he had the pressure of making sure all the shots were complete in time, there was a lot we really needed to ensure it made sense! Then I wasn’t planning it but that night I ended up at a party in full costume, which was pretty wild!

The dance sequence was shot Downtown, I did the choreography and auditioned the dancers, Jonny D and Isaac Uhlenberg. They were inspiring to work with. We only had 2 short rehearsals and then that shoot day ran very smooth!

Jeff edited the video himself, another incredibly talented director!

SMC – Can you tell us what the next 6 months look like for you in terms of promoting your new single?

Rochelle – Now that everything is digital it’s not really like that anymore over a 6-month period. Things are quite instant these days… but the plan is for my band – Ryan Carnes and Simrin Phull, to play live shows, and I have another stripped-down mix of ‘Deal Me In’ that we are going to release soon also.

SMC – Will there be an EP or full-length album in the near future?

Rochelle – We have two more singles coming out, ‘OutLaws’ & ‘Valley Of Fire’, and then the album ‘Three Is The New Four’ will follow.

SMC – What about the music industry appeals to you and why?

Rochelle – Nothing at all appeals to me about the music industry, but I have a deep passion for music so it’s just a part of it. On one hand everyone loves artists who break out and do something different and yet the music industry no longer supports artists like that, nor does the music press. Even independent journalists I know rarely do, thou they think they do! Now everyone just wants to be ‘liked’… Truth is they tend to want someone commercial with their songs written, produced, recorded and a million built in ready fans! That’s not exactly A&R! It used to be the complete opposite, the more underground, the cooler it was and the more people wanted to be a part of something new and special.

I think commercial music has always had its place, and I enjoy it too, but when it’s the only option it’s a bit creatively void, right? Then you have these famous artists who were lucky enough to have thousands if not millions invested to build them and develop their skills, who go on about giving away their music for free. Yes, we have to move with the times, but let’s not forget they had a shit load invested in them to get them where they are, so that they can give away their music free, and still make money in order to continue making music!

I’m also not a fan of these contrived pop show contests, or what I call musical fast food! For starters let’s be real, these shows are really about boosting the judges’ careers, in case you haven’t noticed! And because to me the very point of being an artist is to be creatively free and have your own opinion and voice that. Music is not a democracy and it’s not about approval. Anyone can train a monkey to copy something and do it well.

Music is an expression. An exploration. It’s not fixed. It changes all the time if it’s true. And while I love to explore remakes of other people’s songs and have successfully done so in the past, it shouldn’t be the main focus. I applaud people who try something different and shout that out. That takes real guts. Real spirit. That’s creative evolution.

SMC – I will get into some questions about your earlier careers but I would like to ask first which career you find most fulfillment in and why?

Rochelle – Which bit? The singing and songwriting, acting, dancing or my raw chocolate superfood company Lover Raw Chocolate? I love all of it and find they are extensions of each other. To be a good actor you need to work on voice and movement so that you have a natural vocal and physical range, to connect with a song you need to connect with emotion and movement, and to nourish the body for these things you need to fuel the body with something that gives it the best opportunity to thrive, so that you aren’t bogged down and can focus on being creative and channeling that energy.

SMC – Can you tell us which social media platform your music fans can find you most active on?

Rochelle – Facebook & Instagram are my 2 main ones. I barely use Twitter… I’m not the most technically savvy but I do try!

SMC – What do you feel is the most important thing an Artist can do for themselves to promote their work?

Rochelle – These days I have no idea, it’s so random. A talking dog can go viral. I can’t compete with that! I can try, ha ha. But probably just being who you are, sharing that, and praying a hell of a lot!

SMC – Which song of yours is your most personal favorite and why?

Rochelle – They are all really personal and touch me in different ways. Some are fun, some are deep. With our current global state, my next single is probably the one that’s most relevant to us all … it’s called ‘Outlaws’…

“when freedom is outlawed, only outlaws will be free, when freedom is outlawed, only some of us will see” … “insanity passed as logic, violence the tool of change…” … “epidemic if cronyism, we police our empire ….” … “in the eyes of progress, we bury hearts under ground” …. “evil described as virtue, slavery sold as liberty, we have broken from reality, broken from reality…”… that kinda thing!

SMC – I also saw on your website that there are some collaborations as well – which one is your favorite or most memorable?

Rochelle – I loved them all, all so different… memorable? I would say working with Stephen Hague because he’s such a legend (New Order, Pet Shop Boys, Siouxsie & the Banshees, Tom Jones, Dusty Springfield, The Pretenders, Peter Gabriel, Robbie Williams, etc., etc.) and learning his song writing tricks was priceless. It really did change my process and the way I approach songwriting to this day, and also gave me the confidence to know I am on the right track with my own techniques.

I would take the train from Brighton to Hastings on those cold miserable days and he would light up my world. I loved his studio, on a beautiful property overlooking the sea. It was inspiring and deep.

SMC – Are you looking at doing another collaboration in the near future?

Rochelle – Most definitely! I have some producers lined up and I’m really excited, there’s still so much I haven’t explored as an artist. I am taking a new direction with the new music.

Earlier Career History

SMC – I read in an interview that you were a dancer. What kind of dance did you take up?

Rochelle – Long story short, when I was 11 I was working on a TV commercial and Tony Bartuccio was the choreographer for the job. He was the number one Choreographer in Australia at the time and asked me to come and train with him at his studio. Within six months of doing one class a week I started working for him on live shows and TV. I picked up dance quickly, but he was also hardcore so that made me have to learn fast. The other dancers had all started when they were two – four years old, so I was rather late ha ha. And because I was working with them, there was a lot of pressure on me to be at their level even thou I didn’t have their backgrounds, was a lot younger, and many of them were already incredible choreographers and performers in their own right, touring with Billy Idol, Kylie Minogue or whoever! I started with jazz dance and expanded from that into ballet, tap, acrobatic dance, and then learnt Karate, got to brown belt but stopped as I was doing so much TV and was concerned I’d have a broken nose before a job!! I also started teaching dance at a popular gym in Melbourne when I was 16 (Ann Peacock was one of my students – the Prime Ministers daughter!) and did choreography for shows around Melbourne. But then my music took off and something had to give.

I continued dance in London with one of Michael Jacksons’ choreographers, joined a Hip Hop dance group in Brighton, and now do Hip Hop in LA!

SMC – I also read that you have worked with Femi Taylor (‘Oola’ from Return of the Jedi). Can you tell us how that came about and what the outcome was?

Rochelle – Femi and I were models for a rather large fashion parade at the Tennis Centre stadium (where they host the Australian Open), and she came up to me after the show, asked if I sing… I said “in the shower” and she said “good because I’m going to London to visit family for Christmas, will you please audition?” Honestly, I showed up thinking there’s no way! Bizarrely got the gig but it was only for one month. The other girl in the band was horrible to me. I’m a sister and love empowered women. And I was terrified. I needed guidance. I had never sung in front of anyone! I had 3 days to learn the entire repertoire including two feature songs that I had to sing, and a rap!!!! And I was working on two of those days so only had evenings. All I remember is my best friend at the time Portia (De Rossi) and I walking up and down her street in the city (as I used to stay with her when we had modeling jobs together) going over and over the songs together all night. She was unbelievable, held my hand thru the whole process. I would have died without her! Then when it was show time, it was a full house, my idol Scott Carnes from ‘Kids In The Kitchen’ was standing in the front row right in front of me. I was about to faint. Anyhow I think I got thru it. He’s a lifelong friend now.

When Femi returned from London I of course left the band, as I was always a replacement, and then after one show they called me, said that they miss me, and will I come back? They sacked that horrible other vocalist and Femi and I ended up working together for 2 years. So that is how my singing career began! Femi and I also did a lot of TV work together as vocalists, we were often booked together. And she is still my best friend to this day.

SMC – You have modeled and also won Miss Junior Victoria as well. Tell us how that came about.

Rochelle – Wow where did you find that?!! You clearly dug deep! When I was 9 I told mum I needed purpose in life and wanted to contribute to the world and maybe I can start by dusting shelves at the local shop?! Mum had heard of a modelling school and thought I’d be better off doing something where I’m making more per hour than dusting! But only if I liked it. She was never pushy, only encouraging. Well I just followed that journey and yes ended up winning Miss Junior Victoria, which was very surreal, as it was massive. Then I joined the best adult agency as a child model, and would be confused when I was sent to these auditions with the big girls, almost didn’t want to go in. 90% of the time I got the jobs I went for. The other kids’ mums hated it when I entered the audition room lol, and the big girls were awesome and really looked after me. I did Vogue, Elle, Dolly, Harpers Bizarre, and all of them really. I worked with some legendary Photographers and was also on Daniela Federici’s first ever photography business card. (She did Anna Nicole Smiths Guess campaign, and went on to shoot the famous Douglas family portrait, Prince, Sharon Stone and pretty much every Hollywood star). I remember that shoot well, she made me climb a church wall! I worked with her for many years. She has a work ethic few could match. I learnt a lot, that has stayed with me.

SMC – Can you tell us which acting gigs you have done as well?

Rochelle – It started in Melbourne, as an extension of modeling at a big agency you got sent in for various film auditions, plus at the dance studio Caroline Gilmore (a well-known Australian actress) was head of the acting department and also sent us in for things.

I worked on lots of TV including ‘Chances’ with Jeromy Sims, a film called ‘The Hunting’ with Guy Pearce, John Savage and Kerry Armstrong… I featured in Paul Norton’s ‘Southern Sky’ music video as his girlfriend (loved swimming in those shark infested waters with the shark patrol on sight, comforting!), which was selected for the Sydney Olympics Opening, and ended up in a lot of music video duke boxes (!) … and when I moved to England got involved with the short film scene thru Junk TV. We won awards for our short films and then I was funded by the British Film Council to direct my own short ‘I Make My Pictures For What Hollywood Spends On Lipstick’, a film about Maya Deren, the pioneer of film funding!

SMC – Which career did/do you find most fulfilling for you personally?

Rochelle – I love them all. I see them all as different limbs to the same body. Creative energy is just that, it’s just where you put your focus.

SMC – Can you describe ‘a day in the life of Rochelle’ to us?

Rochelle – Hmmm, it’s so different every single day. My one constant is my beautiful rescue dog Maya. I have no routine, it depends on what I am working on.

SMC – Which Artist (can be any: musician, actor, etc.) would you like to work with and why?

Rochelle – David Bowie. I hear from mutual friends who have worked with him that he was a very funny man. I like a sense of humor on the job, British sense of humor even better … even if it’s just once coming up for air after some deep creative moments.

Living, I would love to work with Martin Scorsese. And music wise Trentemoller. Please Lord!

SMC – Can you tell us of a time in your career (choose any) that stands out for you as most memorable?

Rochelle – Being booked to support James Brown on his Australian National Tour with the band I was in ‘Relax With Max’, and then the record label doing the dirty on us the day before was a memorable one! That’s a long story, sigh! We won the court case but honestly, it really didn’t matter at that stage! (facepalm)

And a defining moment when I feared I had gotten off track in life… needing a break, I had taken a one-way ticket and small suitcase from Australia to Europe, and eventually landed in Munich working with Warner Chappell, but didn’t like the music they wanted me to do, it was super cheesy and I could have done that many years ago, why go on a massive journey only to cave? So, I continued on to where they import the music I do from, London. In London I had an incident where I was physically attacked by the Minister at a church I had gone to, I was only there to enjoy the gospel singing. That’s a very long story but after I came forward many other women did also, and as it turned out this guy had been on the run from New Zealand and hiding at the church! Fooled everyone, who had initially thought I was lying! Until other women came forward!

I moved down to Brighton and lived in a squat for a month or so, upstairs was pretty nice and downstairs it had no floors, just dirt and wooden planks to balance on, it was winter and damp with no heating, and I had to sleep in all my clothes and a coat and was still shivering. I really understood that scene in ‘Withnail & I’ with the Deep Heat rubbed on them to keep warm! Dude! And the Brits have this weird thing where they share bath water????!!!! (I was always the first ha ha)… showers were not a thing in old houses at that time. Eeek.

Needless to say, I had run out of money and found a job at Virgin Cinemas. My intuition was very set on me working there.

Within a month, one of the ushers at Virgin knew a guy who was looking for a vocalist for his band, so I gave him my demo not thinking too much of it. When the usher next came in he told me I must quit my job because they wanted to put me on their National UK Tour that week. I didn’t believe him because we hadn’t met, but he convinced me so I quit my job, went to London to meet the band and discovered it was only an audition!!!! Thankfully, I got the gig and was at dinner with EMI that very evening to celebrate.

A week later I was doing our first show with Dubstar live to Radio One with the legendary John Peel (who went on to support all my music endeavors), then MTV, then TFI Friday, Shepherds Bush Empire (that’s where I met Stephen Hague for the first time) and then onto a massive tour with The Lightening Seeds right when they had their football hit ‘Three Lions’, and ‘Perfect World’ had just came out as well.

In one week, I went from being a popcorn chick, to signing autographs and working with the British music industry elite.

Plus skip forward, the first signing Product.01 had was a record label in Munich called Compost Records, who knew the Warner crowd where I started in Europe.

And that my friend, is how life rolls!!

SMC – Okay, final question: What does the term ‘success’ mean to you?

Rochelle – Success to me is doing what you are passionate about without creative compromise, and being supported for that.

Thank-you Rochelle!

Rochelle – Thank You Candice!!! You dig deep!

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Rochelle Vincente Von K
Photo courtesy of: Rochelle Vincente Von K

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SMC Spotlight Series No.1 | Stephen David Brooks ‘Flytrap’ Director & Writer Exclusive Interview

By Candice Anne Marshall

There’s a new King in town and he is known as Los Angeles-based Writer/Director/Special FX mastermind Stephen David Brooks. I mean this quite literally. After watching the 2-hour sci-for thriller ‘Flytrap‘, a film that was well received on the film festival circuit, I am convinced that Brooks is the next creative film genius of our time. I spoke at length with Brooks a few days ago about some of his upcoming projects, his views on the film industry and his time working with horror book Novelist Stephen King. This is truly one of the most unique individuals I have met thus far, and it is apparent in this most recent film – its script is inventive, dynamic in visuals, and strong in composition. It comes as no surprise to me either that King elected Brooks to be the screenplay writer for his film adaptation of the book ‘The Mangler’. This earned him a place on King’s short list of “King Approved” Screenwriters.

‘Flytrap’ is full of humorous, chilling, and edge-of-your-seat dramatic performances delivered by Jeremy Crutchley, Ina-Alice Kopp, complete with epic creepiness by ‘whistle blowing’ Jonah Blechman. Overall musical score is by Simon Boswell with dance sequence and end titles by The Tearaways which add a unique balance between paranoia (the synopsis) and normalcy. The film is directed by Brooks and produced by Tamara Sayiner (Ellen Degeneres Show) and is a true reflection of this sophisticated and audacious film prodigy. I can not even compare him to any other because there absolutely is no comparison – Brooks walks to the beat of his own unique drum and it is this that will make his films a truly memorable work of art.

You can catch the thriller on most major media platforms since it has already circulated the Film Festival scene throughout 2016 earning Brooks several prestigious awards. Stephens films have screened & won audience & Jury awards at: ECU The European Independent Film Festival, The Chelsea Film Festival, Worldfest Houston, Dances With Films, The Monaco Independent Film Festival, The Idyllwild Festival of Cinema, Ramsgate International Film & Television Festival, Festival du Film de Strasbourg, and The Los Angeles Independent Film Festival.

In speaking about future projects, the idea of SMC being involved in a ‘behind-the-scenes’ editorial came up and Brooks was all for it, ‘Do that for my next film, sounds fantastic!’ We look forward to continuing our journey by documenting his career through our SMC Spotlight series and we begin with our exclusive interview today.

Enjoy this Director’s reel below and ‘Flytrap’ preview, sit back, grab a coffee and enjoy. We guarantee this IS the beginnings of a genius at work!

By Candice Anne Marshall

SMC – Hello Stephen! Welcome to the SMC Spotlight! We were thrilled when our friend Mr. Mike Rogers connected us. This interview has been a long time coming and we are so excited to dig into the questions here. First, can you tell us what your connection is to Mike?

Stephen – Happy to be here. I met Mike through John Ferriter. Mike was playing some Tearaways songs on his Japanese radio show and had questions about film festival strategies and sales for his film Ghost Roads. So, John turned him on to me. 

SMC – Mike also informed me that you are a multi-award winner at some of the most prestigious film festivals! Can you tell us which was most memorable for you and why?

Stephen – I have four festivals that stand out, each with a unique set of wonderful memories. ECU The European Independent Film Festival in Paris, The Chelsea Film Festival in the heart of New York City, the F.A.S.H. festival in Los Angeles, and the charming Ramsgate International Film and Television Festival in Ramsgate UK. ECU screened my first feature HEADS N TAILZ so I have a special place in my heart for festival founder Scott Hillier and everyone there. That’s why I chose ECU to be the site for the World Premiere of my second feature film FLYTRAP. The people running it are top notch film lovers and are very supportive of independent filmmakers. Plus, the festival is in Paris in early April. Nice time to be in Paris!

SMC – Your credentials as a Director/Writer are astounding. I have read that you have also worked with Horror Novelist Stephen King – can you tell us how that came about?

Stephen – That was my first professional writing job. I was hired to adapt Stephen King’s short story THE MANGLER. And Stephen King had script approval. So…no pressure.

I had supervised Visual Effects for director Tobe Hooper. He and I had a great working relationship so when he and his producers obtained the rights to Stephen King’s short story he called me to see if I’d like to pitch him my take on the adaptation. Tobe loved my pitch and called Stephen King. Next morning, I get a call from Tobe informing me Stephen King loved the pitch as well. So, I was hired to write the first draft. Six months and 44 drafts later we were in Johannesburg South Africa shooting. I went along as the Screenwriter/2nd Unit Director/Visual Effects Supervisor.

Brooks (right) on the set of Stephen King’s ‘The Mangler’ with Ted Levine (left, Silence of the Lambs)
Photo Courtesy: Stephen David Brooks

SMC -What was your experience working with King like? Can you tell us of one that is most memorable?

Stephen – It was actually a dream working with him. He understands the psychological aspects of horror better than anyone. We went back and forth on dozens of drafts of the script until he gave it his stamp of approval. He’s a perfectionist but one who knows exactly what he wants. Brilliant mind.

The most memorable moment happened when Stephen King screened the film. The short story is 5 pages long so I had to add a lot of detail that needed to be Stephen Kingesque but wasn’t actually in the original work. As he was watching the film he kept asking “Was that me?” and oftentimes Tobe would say “No man. That was Brooks.” No higher complement than that. Stephen King couldn’t tell what I wrote from what he wrote.

SMC – You then went on to seek your own adventures in Directing and writing – can you tell us what kinds of themes and stories you gravitate toward most?

Stephen – I gravitate towards characters who are out of their depth, in a situation they couldn’t have imagined and when we first meet them, have no idea how to extricate themselves.  Then again, I think that’s the basis of all drama. That sense of being out of our depth and unsure how to proceed to make things right. We’re all imperfect creatures and exploring that imperfection through drama is how we discover who we are as human beings.

SMC – As a writer myself, I know that we writers are a very eclectic group and our imaginations are pretty intense at times – tell me, are you also an insomniac too? Most of us are…. if so, what keeps you up?

Stephen – I have never had insomnia. I can sleep anywhere. On a plane. On a train. In a moving car. And some of my best ideas have come to me in dreams.

SMC – You and I have tried so often to connect by phone to no avail – our schedules are intense! Can you tell us what project you are working on at present?

Stephen – Well I’m quite superstitious about announcing anything too soon. Waiting for all the pieces to be forced into place. Let’s just say one film is intended to be an iconic holiday classic, like LOVE, ACTUALLY and IT’S A WONDERFUL LIFE. This film has a heart. A big heart. Another film will bring a beloved character back to the big screen. And another is the beginning of a Young Adult mega franchise…When I can say more I’ll let you know.

SMC – Before we get into discussion on your film ‘Flytrap’, can you tell us what it’s really like being among some of the world’s greatest screenwriters in Hollywood? Have you collaborated with any?

Stephen – I know some of those writing greats but have not collaborated with any of them. We screenwriters tend to be solo creatures.

SMC – Your bio on your website says that you have been ‘mentored by Oscar winners John Dykstra & Richard Edlund’ (Star Wars) – can you tell us what that experience was like and what the most important thing you absorbed in your experience being mentored by them?

Stephen – John Dykstra taught me to always have a backup plan for any specific shot or scene. He was so right! Things oftentimes go wrong during the intensity of production and having a ready backup plan has saved the day more than once.

Richard really taught me how to view dailies with a critical eye. That man sees absolutely everything. It’s astounding.

I also had a third mentor in my Visual Effects days…Harrison Ellenshaw. Harrison taught me another valuable lesson…one I have dubbed “The Harrison Ellenshaw Rule.” That is…everything will change. Go with the flow. Filmmaking is as much about reading the tea leaves as it is turning adversity into an advantage.

And in the end. IT. WILL. ALL. CHANGE. Sage advice.

SMC – What, in your opinion, makes a film ‘great’?

Stephen – For me it all comes from the characters. Do they have identifiable problems? Do they deal with those problems in a realistic way? Are the characters driving the story? Are there some larger more universal thematic issues being explored? Is the film well executed? If the answer to all those is “yes” then you probably have a great film. Ultimately, it’s the test of time. If we’re still watching a film 50 years later. It must be great.

Brooks speaking at the European Independent Film Festival
Photo Courtesy: Stephen David Brooks

SMC – I see you have also shot music videos as well. Can you tell us which projects you have worked on past or present that are most memorable and why?

Stephen – Back in my Visual Effects days I worked on an Ozzie Osbourne video. “No More Tears.” That was a blast. Ozzie, what a character.

I directed a couple of videos for The Tearaways: ”Bash” and “Hello Isla Vista.” I loved capturing the exuberance of The Tearaways sound.

I’m now working with Rochelle Vincente Von K on a new video for her song “Deal Me In.” Rochelle is an Austrian Australian recording artist from London now based in LA. Very exciting stuff. We’re exploring an amplified cinematic visual style not usually seen in music videos.

SMC – What do you think makes your art stand out among the rest in your field?

Stephen – I’m just true to my point of view. I trust my gut. I have a very specific idea how the universe works and I use that as my guiding light when creating.

I don’t over think what I’m doing. Rather I feel my way through it. When I’m writing I can feel when a situation, or line of dialog is right. When directing Actors, I can feel when a moment is right. All I can say is…Everything I do is very “me” as those who know me well can attest. My sensibility. My sense of humor. My sense of irony.

SMC – Let’s get into your film ‘Flytrap’ – I watched the trailer on your website – wow! It’s intense! Can you tell us where you conceived the storyline for this film?

Stephen – FLYTRAP came to me like all my ideas…BOOM. There it is. A complete concept just pops into my brain. There’s no method to it. The initial idea is pure inspiration. Then I have to craft the idea into a story and a script. That’s where the hard work comes in.

SMC – As for the Actors in your film, can you tell us whose performance most blew you away in terms of final result?

Stephen – I had worked with Jeremy Crutchley before. He was in THE MANGLER. So, I knew he’d be great. Although Ina-Alice Kopp and I knew each other we hadn’t worked together. But having discussed another project at some length I had a good idea what she could do. And she did not disappoint!

Billy ‘Sly’ Williams and I have worked together on three films. He is my Robert DeNiro. So, I knew he’d knock it out of the park.

The big surprise was Jonah Blechman’s portrayal of Gilligan. I had met him once. I thought he seemed perfect for the role but I didn’t really see his genius until the first day of shooting. His look. The creepy whistle thing he did. He absolutely blew me away.

Brooks (left) with Ina Alice Kopp (right) at the ‘Flytrap’ World Premiere
Photo Courtesy: Stephen David Brooks

SMC – Can you tell us where the public can see this film in the film festival circuit?

Stephen – We’re finished playing festivals. FLYTRAP is in wide distribution and can be seen on Amazon US, Amazon UK, Amazon Germany, Amazon Japan, Google Play, iTunes, and Fandango Now. And we recently sold the film to China so it will be available on various platforms there in the very near future.

SMC – Your bio states:

‘Stephen’s films have screened & won audience & Jury awards at: ECU The European Independent Film Festival, The Chelsea Film Festival, Worldfest Houston, Dances With Films, The Monaco Independent Film Festival, The Idyllwild Festival of Cinema, Ramsgate International Film & Television Festival, Festival du Film de Strasbourg, and The Los Angeles Independent Film Festival.’

Can you tell us which award ceremony/win stands out to you the most and which film it was for?

Stephen – I hate to pick and choose. Every festival award is a gift and a special moment. But the win at The Chelsea Film Festival was quite memorable. It was the end of the ceremony and they had given out all the awards. FLYTRAP was nominated but didn’t win. Fine you can’t win them all. And as everybody got up to leave the theater the lovely Ingrid Jean-Baptiste, founder of the festival, steps up to the podium and announces there is one more award. And the Special Jury Prize goes to FLYTRAP. I was floored. What a great moment!

SMC – I also noted that there’s some ‘Tearaways’ music included in this film. As you are aware, we recently interviewed John Ferriter for our SMC Spotlight. Can you tell us of your connection to John and what projects you have worked on together?

Stephen – Well that’s no coincidence! I went to high school with Greg Brallier of The Tearaways. So, I see most of their Southern California gigs. I had also seen John Ferriter’s band The Stingrays back in the day. So when John re-joined The Tearaways John and I re-connected.

I needed 3 songs for the dance sequence in FLYTRAP. John said he’d send me the new Tearaways CD’s The Earle Mankey Sessions Volume IV and VII. I got the CD’s at 8 am the next morning. Played them and found two absolutely perfect songs on Volume VII: “Keep Your Knickers On,” “I Love The Blues,” and then on Volume IV I found “The Last Goodbye.” I mean it is as if they were written for the film. They were thematically and rhythmically perfect.

Then I discovered the song “I Love My Life” on the Volume IV CD and realized it is the perfect end titles music. Sometimes when it’s meant to be it just works out. And this was the perfect marriage of film and music.

SMC – What do you feel is the most important thing to be ‘equipped with’ in terms of pitching an idea/concept to potential investors for your art?

Stephen – Passion. Period. Yes, you have to know the structure of a pitch and you have to have a compelling story. But if you don’t go into the pitch absolutely convinced it will be the best film/tv show ever then you’ll get nowhere. And you have at most 30 seconds to make an impression. If you fail in the first thirty you won’t last the next couple of minutes.

SMC – I saw that you shot this film in California in a matter of only 12 days! In my personal opinion, some of the greatest films or projects that I have seen have been produced in a very short time-frame. What are your thoughts on this?

Stephen – There is something to be said for working fast. I think the energy level you create on set having to shoot 10-12 pages a day shows up on the screen. There’s an intensity there that translates.

SMC – Can you tell me who your ‘dream team’ is or who you would like them to be?

Stephen – John Ferriter, Jamie Angelise and Rana Joy Glickman…I’m already working with them!

SMC – What do you want to aspire to?

Stephen – I’d love to make a cinema classic. A CASABLANCA. Or LAWRENCE OF ARABIA. A timeless story set against an epic struggle. Intimate and sweeping at the same time. I’ve got a few ideas…

SMC – Which of your other projects are you particularly fond of and why?

Stephen – My first feature HEADS N TAILZ stands out. I mean it was my first! And making a feature is infinitely more complicated than making a short. I’m very proud of that film. It did play festivals and win some awards. And there seems to be renewed interest in it…

I’m also proud of my short BINKY which I shot before FLYTRAP. It stars two of my actors from HEADS N TAILZ: Billy ‘Sly’ Williams and Lucy Jenner (Lucia Ballard). That film also won some awards including a Best Actress accolade for Lucia. BINKY is being distributed by Shorts.TV and can be seen online, via Amazon and iTunes as well as on select cable and satellite channels.

Last year I directed a short called IRIS. I didn’t write or cast the project which is a first for me. But it turned out really nicely. And has already won a Remi at Worldfest Houston. Other film festival screenings are in the future but we can’t announce anything specific just yet.

I recently directed a short called BURN BABY, BURN with the Irish sensation Emma Pyne. The film was an experiment in minimalism. Emma wrote it, produced it, and stars in it. I directed and shot it. No crew. We’ll be screening at a festival in LA this November…stay tuned.

Genius at work – Brooks on the set of his film ‘Headz n Tailz’
Photo Courtesy: Stephen David Brooks

SMC – If you had a chance to do anything in your career over again, what would that be and why?

Stephen – I don’t dwell on the past. I learn from it. Learn from my mistakes then move on. I’m always moving forward. Never looking backward.

SMC – What do you measure success in the film industry by?

Stephen – There are two parts to my answer. First, how your work effects the audience. You can make them feel bad or make them feel good. Make them feel afraid or make them feel loved. I’d rather go for the positive emotional response. Have them walk out of the theater feeling better about themselves and their fellow human beings. That’s success to me on a creative level.

On a professional level, success it’s all about box-office. If you make the industry a lot of money then you will earn the clout to get more projects off the ground. That’s a win/win for me.

And I don’t think the professional and creative definitions of success are mutually exclusive. You can have both.

SMC – What is the greatest compliment you have received to date from an industry peer?

Stephen – “I want to work with people who know what they’re doing. Like you.” Producer Rana Joy Glickman September 17th, 2015

SMC –  Let’s go way back: what was the pivotal point in your youth which lead to or was a result of where you are today in the film industry?

Stephen – When I was very young my parents took me to a re-release of Stanley Kubrick’s 2001: A Space Odyssey. I had seen films and TV shows before, of course, but that film made me keenly aware that there is a vision behind what is on screen. I started to make movies, read about movies, and think about movies. It became my obsession.

SMC – Where do you think there are difference between the music and film industries? What do you think there are similarities?

Stephen – Both are tough but I think the music business is much harder. Touring is brutal. Much more exhausting than being on location shooting a movie.

Artists in both industries are judged by the amount of money they make for the business interests. In that sense, both are quite similar.

SMC – What is a ‘deal breaker’ for you?

Stephen – That’s an interesting question. Showbiz is a full contact sport. Everyone gets knocked around and kicked to the carpet from time to time. That’s business as usual. For me I’d have to say a personal attack on my team or an attempt to subvert the team would be a possible deal breaker. I’ve been personally attacked but have a heavy-duty Teflon skin. So it doesn’t bother me. But to try to attack or attempt to influence me by attacking a member of my team? That’s way over the line.

We live and die by our working and personal relationships. It’s all about teams and allies. You have to defend them to the bitter end even if it means walking away from a project. There will always be another opportunity. But there will never be another core team. A truly broken relationship can never be repaired.

SMC – What five things impress you (this can be in relation to anything and includes the film industry)?

Stephen- Loyalty. When a person chooses an individual relationship over personal or professional gain…to me that’s golden. And in my experience very, very rare. Relationships are permanent. Or at least they should be. Professional gain is temporary and fleeting. The personal capital of a relationship is worth more than all the gold in the world.

Unfettered intelligence. By that I mean someone who can always view a situation with an open and analytical mind. Think outside the box and find a unique understanding of a problem. Every day something (or many things) will go wrong and it takes an unusually agile mind to keep everything on track.

The ability to say: “I was wrong.” You’d be amazed how many people there are inside and outside of the industry who simply will never admit a mistake. They’ll deflect. Blame others or simply double down on the error. I do say to people when I first start working with them “I don’t care if you make a mistake. We all make mistakes. Just let me know when and what happened and let’s find a solution.” For me the cover up is always worse than the crime.

I am impressed with anyone who can take criticism at face value and not take it personally. There is nothing absolute in the creative world. There are an infinite number of ways to tell a story or define a moment. And all of us, writers, directors, producers, actors, and musicians need to be able to accept a note or a comment and not become defensive about it.

I’m impressed by superstars who stay grounded. Very easy to be a movie star or rock & roll icon and lose yourself and your sense of humanity. Easy to lose themselves in their public persona. I’ve met both those who can and cannot handle stardom. The ones who can are rare gems.

SMC – What is the most positive experience you have had in your career where you felt like it was an ‘Ah Ha’ moment?

Stephen – My first 2nd Unit Directing job on SPONTANEOUS COMBUSTION. Usually 2nd Unit is just establishing shots of buildings, car drive-bys, shots that do not involve the principal actors. In the low budget world 2nd Unit also involves finishing scenes when the director has to move on to another location. Or shooting entire scenes when the schedule requires it.

This was my first opportunity to direct professional actors. And my first two actors where Academy Award Nominees…So, again, no pressure! I had to direct Melinda Dillon who was nominated for CLOSE ENCOUNTERS and Brad Dourif who was nominated for ONE FLEW OVER THE CUCKOO’S NEST.

First up was Melinda. She played a ghost-like character who came back from the dead. So, there was a supernatural element to the scene. I setup the shot. And we did Take 1. It didn’t work. So, I walk over to Melinda and made a suggestion. I don’t’ remember what I said. I walked back behind camera and did Take 2. It didn’t work either.

I remember the next moments very clearly. As I walked away from camera towards Melinda the world slowed down and I was hit with a horrible realization: This is my moment. I want to be a director and I can’t get a performance out of an Academy Award Nominated actress? What the hell am I going to do…?

Then just as I reached Melinda it hit me like a bolt of the blue. I said, “You’re the wicked witch of the West.” Her eyes lit up. I knew she got it. I hurried back to camera and called action. Take 3 was perfect. “Ah ha” I thought. I can do this…

SMC – We would definitely like to begin a well-documented and chronicled SMC Spotlight Numbered Series on your career journey – what are your thoughts on this?

Stephen – Let’s do it!

SMC – Okay, final question:

Can you tell us what the next 6-12 months look like for you in terms of wrapping up current projects and new ones?

Stephen – FLYTRAP is in the rear-view mirror so all my energy will be projected forward. I’ll be moving one of my film projects from the development to the production stage. I just don’t know which one yet…Such is showbiz…

SMC – Thank you Stephen!

Stephen – Thank you!

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