John Ferriter | Exclusive Interview: The Tearaways ‘Esquire’ & The Alternative | Series No.1

by Candice Anne Marshall

Earlier this month, my friend Mr. Mike Rogers (WhatTheFunday InterFM897 Radio) introduced me to his friend and peer, Los Angeles-based Mr. John Ferriter. As I always do when meeting an industry peer, I began doing my research and quickly discovered that John is a man of many talents. He is the mastermind behind highly successful television shows like ‘The Biggest Loser’, ‘On Air With Ryan Seacrest’, and ‘Project Runway’ to name a few. His career span includes working as a Talent Agent with The William Morris Agency, Octagon, and later, his own venture, The Alternative.

Ferriter has worked with the entertainment industries most notable individuals like Piers Morgan (also a close friend of his), Garth Brooks, Ryan Seacrest, Jimmy Kimmel, Carson Daly (to name a few), and some of his earlier clients include supermodel Claudia Schiffer and Jerry Garcia. In addition to managing his impressive client roster with The Alternative, John’s current projects include landing deals for world famous DJ Rodney Bingenheimer known as The Mayor of the Sunset Strip in L.A. (more on that later) and his own successful Music career with The Tearaways (more on that later too).

After initial introductions (thanks Mike!), John and I arranged for an in-depth interview covering his career span, music, and personal life. ‘Nothing is off limits’ was his response to my inquiry on sensitive subject matter. In fact, he even divulged on the future of Rodney Bingenheimers’ career (under his wing at The Alternative), his thoughts on his career change from The William Morris Agency to The Alternative, and the extreme passion for his art (a night owl like me – often creatives don’t sleep much). This is one of the most candid and entertaining interviews I have had to date where we cover many insightful, relevant, and interesting topics.

This is the first installment in our SMC SPOTLIGHT Numbered Series where we will continue to track and follow John’s career. So, if you feel left like you’re left wanting more at the end of this feature, know that this is just the first chapter in our journey with the entertainment industry legend known as Mr. John Ferriter. Enjoy!

Note: Following the interview below, I’ve included my review of the new Tearaways album ‘Esquire’ track by track complete with summary.

John Ferriter
Photo by: Colin Mathew

SMC SPOTLIGHT Exclusive Interview | John Ferriter June 20, 2017

SMC – Hello John! Welcome to the Starlight Music Chronicles (SMC) SPOTLIGHT! Let’s get right into it – you have quite an extensive career so we will break it down into sections here. Before we do that, can you tell us how you came to know Mike Rogers?

John – I actually met Mike Rogers in the early 80’s when he was the lead singer for a Punk Rock band called The Rotters. He was in the band with Phester Swollen and he was singing a song called “Sit On My Face Stevie Nix”. It was a classic and I played it on my radio show on KCSB many, many times.

Television Producer/Talent Representative

SMC – I was watching a YouTube video on your website ‘The Alternative’ where you are interviewed by Hollywood Immersive. In it, you spoke about working with The William Morris Agency. Can you tell us which accomplishments you feel were your greatest while working there?

John – In my 19 years at William Morris, there were many highs and many lows. The best part of the job was that I never experienced the same day twice.  Conversely most days felt like a broken play, so you learned to think on your feet and improvise. But the greatest accomplishments were when you made the seemingly impossible become possible and when you saw the moments where clients were able to realize their dreams.

SMC – You are behind many well-known television shows such as ‘The Biggest Loser’, ‘Project Runway’, and ‘On Air with Ryan Seacrest’ to name a few. Can you tell us what your process is in terms of ‘packaging’ these shows?

John – When packaging shows, I always tried to bring together proprietary elements that couldn’t be replicated anywhere else. That’s why I’ve always been so partial to talent.  There is only one Ryan Seacrest. There is only one Garth Brooks, one Dick Clark, one Piers Morgan, one Dr. Drew, One Carrie Keagan, so when you have an opportunity to build shows around really talented people with great concepts and you target the marketplace accordingly you can meet with a greater degree of success.

SMC – Can you tell us of a time when you felt there was a client that was unprepared, or not ready for the kind of work you expected of them?

John – Many clients are unprepared in general and unprepared for success. As an Artist, your life can change in an instant, so I tell them to act like they’ve already had success.  But too many are unprepared. See it and Realize it and it can happen if they are willing to work for it.

SMC – While with The William Morris Agency, can you tell us which project made you feel exceptionally proud?

John – At William Morris I was proud of all my projects. That being said, all of the work I did with Garth Brooks, Piers Morgan, Dick Clark, Ryan Seacrest, Nancy O’Dell, The Spice Girls, Hanson were quite fulfilling. I sold “Blue Collar Comedy”, “Biggest Loser”, “Keeping Up with the Kardashians”, “The Man Show”, “Project Runway”, “Biggest Loser” and about 300 other projects while at WMA. I was very proud of the Tsunami Benefit we put together in seven days that generated millions for the victim. I packaged the first Radio Music Awards and it’s now been cloned 50 times. I feel good about that.

SMC – Your transition into your own Agency ‘The Alternative’ followed working with The William Morris Agency and Octagon, can you tell us how that came about and why?

John – I was unceremoniously locked out of WME after the WMA and Endeavor merger because I was the only board member who voted against the merger. It was a bad deal and I voted to support the rank and file. The new boss used it against me. I don’t think I ever would have left the agency but I was given no choice. I signed a five-year deal with Octagon, a division of the Public Company Interpublic Group, and built a successful entertainment division. I sold and produced the Arsenio Hall Show, Garth Brooks last network series, was nominated for an Emmy for producing the Teen Bullying series “It Gets Better”, won an award from Planned Parenthood for Best Documentary for “I’m Positive” and launched a couple of docu-series. I realized that representing people and working at a Public Company are in direct conflict and I opened to launch my own Management Production shingle, THE ALTERNATIVE, when my five-year deal with Octagon expired.  No regrets at all.

SMC – Can you tell us which of your clients with The Alternative you have enjoyed working with the most and why?

John – Wow, at the Alternative I love them all! Seriously, Piers Morgan, Glenn Weiss, Nancy O’Dell, Mike Wolfe, Clem Burke, Rodney Bingenheimer, Carrie Keagan, Brian Copeland, Mark Walberg, The Beach Boys, JoJo Wright, Ari Afsar, The Tearaways, Millie Courtney, Paige Davis, Mark McGrath, The Calling, The Fulcos…. How much time do you have? It’s a privilege to work with such talent people.

SMC – You gave advice in your interview with Hollywood Immersive about how individuals should appear in their first meetings with your agency in terms of professionalism. Can you share some more insight on that with our readers?

John – Well just blow me away in the first 120 seconds. I don’t look for clients. I look for partners who are or who want to be stars. Shy doesn’t play, so make an instant impression. Also, don’t bring your problems into the room.

SMC – I saw in the ‘About’ section of your website, it states: ‘WE ARE PLEASED TO INTRODUCE AND WORK WITH THE MOST NOTABLE ENTERTAINERS IN THE INDUSTRY. WE DO THIS WITH EXPERIENCE, INSIGHT AND PASSION.’ Can you tell us what determines who is a ‘notable’ in the industry? What are your standards?

John – Great people, great projects, great attitudes. That’s where we start. I also like category leaders. But I look for people who will listen and who want it all. My standards are really about the character of the person, not that the person is a character.

SMC – You have just taken the famous Mayor of the Sunset Strip ‘Rodney Bingenheimer’ under your wing, can you tell us how that came about? When will you be able to reveal what projects/deals you have coming up for him? (can you tell we are excited about this?)

John – I have listened to Rodney on the Roq since 1978. I met him over the years, have loved what he has done for so many, many people. Clem Burke (Rock and Roll Hall of Fame Drummer for Blondie, and the man who has played with us the last year) introduced me to a different side of Rodney. I learned Rodney was a deeply sensitive caring person who loves music and musicians. I heard Kroq was dropping his show (new management decision) so I called Rodney and offered to manage him for free and told him I would get him on the air within a month.  We just closed a great deal for Rodney to continue his show, Sunday nights in primetime on Sirius Radio on Little Steven’s Underground Garage Channel 21. One of my proudest deals ever because Rodney deserves to be National and I want everyone to experience what has made me happy for 39 years.

SMC – I have worked with some smaller newspapers and have a passion for Journalism in all its forms. One of your clients is Piers Morgan and I have to say, I admire that you have taken individuals not only from the entertainment industry, but also those who are behind the broadcasting of major world events. Can you tell us how this relationship began?

John – My relationship with Piers began over a bottle of inexpensive French Bordeaux at a party at Lady Caroline Michel’s flat in London and he’s become one of my closest and most trusted friends. I also shared the most expensive French Bordeaux with him the night we signed the big CNN contract. I’d take a bullet for him. We’re that close, and he’s that good.

SMC – You also have worked with Garth Brooks. Can you tell us what your best or most memorable experience was in working with him?

John – I love Garth Brooks. Greatest country artist of all time and up in the top three with Paul McCartney and John Lennon in my opinion. My greatest experience with Garth was in Vegas when I was producing his One Man Show Thanksgiving CBS Special with him. I suggested he put his Cowboy Hat back on for one of the numbers and he refused. Right before the show, he looked at me and said “ok, I will do it. If it doesn’t work, it’s your fault. If it does, I’m taking all the credit.”  It did, and after the crowd went crazy he looked my way and winked at me. He’s simply the best.

SMC – Can you tell us of a time where you were in complete awe of an industry peer/client?

John – Every day I am in awe of people in the business. Too many stories to tell, but I am in awe of any person who can balance a successful family, marriage and career. I’m envious.

SMC – At the end of the day we are all human. Can you tell us of an experience with a client or industry peer that made you see them in a different light aside from their celebrity status?

John – I’ve seen so many human sides. Clients who go through divorces who have to walk onto a set and smile like there’s no tomorrow while I know their heart is breaking. Many come to mind.

SMC – Have you ever had a real friendship develop with any of your clients?

John – I’ve had many friendships with clients. Piers Morgan, Glenn Weiss, Nancy O’Dell, James Ray, many, many, many. I’ve also had close friendships break up when clients look at me as their servant. Live by the sword, die by the sword.

SMC – In terms of your clients, what do you feel are the key factors in being successful in the entertainment industry?

John – Success in the industry – if you are a woman, know where you want to go and look fabulous when you get there! (Thank you, Leeza Gibbons, for that!). In general – success comes via hard work and preparation. Also, you need to trust your team. Without trust there will be failure.

The Tearaways
Photo – Collin Mathew Photography Liverpool

The Tearaways

SMC – Let’s begin with your connection to Rodney. Rodney is a legend and a true pioneer in the music industry in terms of discovering the ‘who’s who’ (such as Bowie, Blondie, etc.) I am aware that you have your own music career, The Tearaways as well. Can you tell us how supportive Rodney has been of your music?

John – Rodney Bingenheimer has always been a supporter. He started playing “Girls Who Love Cars” off of the Earle Mankey Sessions: Vol. IV CD and then he jumped on a number of other songs. He has gotten behind “Name That Tune”, “John Wayne”, “Bash”, “That’s Rock!”, “Do You Remember Rock and Roll Radio”, “I Love My Life”, “We Don’t Talk We Text” many, many tunes. Our new Christmas song “Helluva Christmas” will be on his new Christmas CD. What can I say, the man’s a tastemaker!

SMC – Your new album ‘Esquire’ is a ton of fun! There are a lot of vintage rock influences woven throughout the lyrics and even in the instrumentation. Can you tell us what it was like to collaborate with some of the industry’s most notable such as Clem Burke?

John – Esquire” is a label of love. John Finseth (founder of the Tearaways in 1981 at 17) and I wrote about thirty songs along with Greg Brallier and we just tried to create a record that we would want to listen to over and over. Clem came in after I met him with the Empty Hearts and played about thirty shows with us last summer and fall and this winter. He came up and started recording and we watched it grow into something special. We also did some work with Jeffrey Foskett from the Beach Boys on Name That Tune (the theme to the new game show). We’ve been friends for years, and fans of Jeffrey’s and that was a thrill.

SMC – Which is your personal favorite song off this album and why?

John – My favorite song is one of five – “BASH” is just an old-fashioned romp and puts me in a good mood whenever I hear it. Hey we mention, Bash, IPO, The Rave-Ups, The 3 O’clock, Chesterfield Kings…. I mean, come on! “That’s Rock!” Is an autobiography of our early Santa Barbara days, “Much Too Old To Feel This Young” was inspired by Garth Brooks and his song “Much too Young to feel this damn old”, “I’m Just Trying to be nice” is the quintessential breakup song (it’s not you…. it’s really you!”) and “If I Had It” (just great vocals by Fin and Greg). I do the first ever Tearaway rap/Meatloaf rip off bit as well).

SMC – The album art is dynamic! David Russo is the brilliance behind the artwork on it and he has quite an impressive roster of accomplishments also. Can you tell us how he came up with the theme for it?

John – I met David through a mutual friend. Loved him and his work. We conversed for a couple of years and I just called and asked if we could use the vibe and characters from “What A Great Life” (WAGL) which he created. He said yes. The cover and design were all David.  I love it!!!!

SMC – When you are songwriting, where do you go to for inspiration?

John – As a songwriter I just look for inspiration. I have my favorites, but it starts with an idea and a melody for me. But it’s important to me that everyone be able to hum our songs. Mike Rogers told me that Japanese audience hum the Tearaways’ songs. That makes me feel really good.

SMC – The albums’ credits include this phrase: ‘A lot of sacrifice went into making this record so we hope you enjoy it and appreciate the spirit within which it is presented to the world’. We often hear how much has been put into the work by the Artists we support. Can you tell us what YOUR meaning behind that phrase is?

John – We loved making the record. We love the songs. We collaborated, we fought, we compromised but at the end of each song we high fived, hugged each other and shook hands. Being in a band is like being married to five of your ex-wives at the same time. But it’s as great high as I’ve ever experienced when it works. So, we are saying… “We love this, we hope you do to, and if you don’t love it we aren’t going to quit anytime soon!

SMC – I especially had deep appreciation for this phrase (also on the album credits): ‘When you’ve topped 40 in age, you can never be in the top 40 on the Pop Charts, but you can always be Top 40 in Life.’ With that being said, what would you say is an accomplishment that you are all proud of (aside from the album, of course)?

John- I am proud that a bunch of guys in their fifties can still rock, and sing and play with passion and that we all have our hair and none of us are grossly out of shape. I’m 57, but I feel 27! And playing with Clem makes me feel invincible. Fin is 53 but has the stamina of a 16-year-old in the studio. It’s a thrill to do this, while still having a very time intensive day job.

SMC – What has been the media response to your music in terms of Radio and Entertainment websites and blogs?

John – Knock on wood, the response to our music has been very strong. I just hope more people hear it. But we are gaining fans daily and that’s an amazing feeling.

SMC – What has the support been like among your peers? Family?

John – Our families have been wonderful and wonderfully supportive for the most part.  Unfortunately, my wife left me during the recording of this record. We will write about that on the next record! But hey, sometimes Bad things have to happen for the right things to happen.So, love is out there somewhere!!

SMC – Are there any tour plans for the remainder of 2017? Any festivals you will be attending during the summer months?

John – Yes. We are playing in Ireland and England in August and September. Also, a lot of California dates in September and October and November. We have two new Christmas songs that are done and we will push them hard this fall and winter. We played the Malibu Guitar Festival for the second year in a row. It was great. We would love to play more festivals!!

SMC – Where do you find your fanbase is the most concentrated in terms of countries and age groups?

John – Our fan base is early twenties to Sixties. More women than men. California, the UK, some Scandinavian countries and Australia. Slowly but surely, by the time we’re 80, look out!!

SMC – Can you tell us a bit about your songwriting process?

John – I write constantly. If I come up with an idea I write it down. I then usually write late at night or early in the morning. If I start a song I finish it. Then I bring it to the guys. But I also love to co-write with others and help them elevate their ideas and concepts. Lyrics are easy for me. Melodies are easy. I need help with arrangements.

SMC – What instrument do you create your music on?

John – I write almost exclusively on Guitar. I recently wrote two songs that started on my trusty old Hofner Club bass (A Little Bit of Love and King of “F” Mountain).

SMC – You have all played impressive venues in the USA and England, can you tell us which is your favorite and why?

John – My favorite venue is the Cavern in Liverpool. Because it’s the Cavern and the Beatles played there. The staff at the Cavern is World class. In Dublin, I love “Whelan’s”. In Santa Barbara, I love “Soho”. I’ve always loved “Molly Malone’s” and “The Troubadour in Los Angeles. I’ve always wanted to play “The Roxy”. But I will play anywhere with a stage and a great PA.

SMC – What is the reception like when you play live? Which were your most memorable live performances?

John – We played to 40,000 people in Liverpool one year. We opened with a Ramones song and they went nuts. It was magic.  People really seem to like the band know. We also played a show in Long Beach at the Petroleum Club to about 20 people and I loved it. Old people got up and danced. It was cool.

SMC – Can you tell us what your experience was like working with Earle Mankey?

John – I’ve worked with Earle Mankey going back to 1988. He is a collaborator, a great producer, engineer and I am thankful to call him a friend. He’s talented and compassionate. So, I feel good when I work with him. Earle been berry, berry good to The Tearaways!

SMC – Tom Hanks and Piers Morgan are huge fans of your art – can you tell us what their responses are to the new album?

John – Tom Hanks booked the Tearaways a number of times before I rejoined the band. Piers has been an ardent supporter coming to shows and tweeting in support of us. Piers does the voice of “James Bond” in our song “James Bond”. That’s cool!

SMC – I read in your band bio that ‘Recent TV appearances include NBC, CBS, FOX, ABC, Tribune and The Arsenio Hall Show’…wow! Which experience was most memorable?

John – Any TV is memorable. Love it all. They can see us, they can hear us too! I’m in!

SMC – Will there be more creating in the next few years for The Tearaways?

John – We released “Esquire” May 29th, we have the next record in the can. We have two new Christmas songs and we will perform on the Hollywood Christmas Parade. Lots of Tearaway action coming to you!

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Personal Life

SMC – Aside from being a successful Television Producer, Artist and Talent Representative, what other characteristics or hobbies do you have?

John – I love animals. I love dogs. I help with dog rescues. I like all animals, but I love dogs. They are loyal, smart, they trust us, they are loyal. My goal in life is to be the person my dog thinks I am.

SMC – Who has been the most supportive of your career(s) other than family?

John – I have some friends and associates who have really supported us. It takes an infrastructure of love and support to make a band work. We’ve been blessed.

SMC – Can you recall an interview that was most memorable to you and why?

John – I loved my Hollywood Immersive” interviews and my talk/interview at UCSB a couple of years ago.

SMC – Can you list at least 5 talents/hobbies aside from your music career we don’t know about?

John – I play Tennis. I read avidly. I listen to music avidly. I love TV. It’s not the boob tube, it’s the Groove Tube to me. I love Tea. I really love Tea. I also love the News. I’m a news junkie.

SMC – Can you tell us what a normal day in your life would be like? Many of our readers idolize a celebrities’ life, but they don’t often know what goes on behind the scenes and how tough the industry can be….

John – I don’t have a normal day. I get up and all hell breaks loose. Every day since August 21st, 1991. I like it!

SMC – What kinds of pressures are there for you personally in keeping to a schedule in terms of your career(s)?

John – Many pressures. The industry kills relationships. If you are with someone who isn’t in the industry they don’t understand why you are a slave to your clients. If they are in the industry, they are jealous of your clients. Next, I will be a monk. Also, the hours put a strain on fitness. I work hard now to stay in shape. I want to live longer.

SMC – What kinds of charities or organizations do you personally support and why?

John – I support many dog rescues, but It’s a Dog’s Life in particular. I support a lot of AIDS Charities, Autism Charities, the SPCA and the like. Animals need our help. So, I go there first.

SMC – Can you tell us of a time where you were involved in a project and it just didn’t ‘feel right’? How did you handle it?

John – This happens every day unfortunately. Recently someone was disrespectful to my partner Jamie. He screamed “Do you know who I am?” I said “Yes, the guy that I just dropped.” I have no tolerance for Temporary people who make permanent decisions.

SMC – What does the term ‘truly successful’ mean to you?

John – Knowing that you’ve done things to change people’s lives forever in positive things. I call it Psychic Income!

SMC – Final question – if there was one thing in your life you could go back and ‘do over’ again, what would it be and why/why not?

John – I would have gotten up on stage at the Goleta Community Center and I would have sung “Sit On my Face Stevie Nix” with Mike Rogers.

SMC – Thank you John!

John – Thank you!!!

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Album Review

Bash – Right out of the barn gates (complete with lampshade on the head and party animals in tow), ‘Bash’ is a thrill-ride throwback to sunny beach days with the convertible top rolled down. The single word to describe this song has already been occupied by its title – a true reflection of this super catchy piece infused with guitar riffs and smashing drums that deliver like a punchy, warm, attack.

If I Had It – Now this tune is smooth as silk: the intro grabs my attention immediately and leads into instrumentation that takes me back to the music I coveted as a young girl listening to dynamic classic Rock songs on the turntable. It’s fun from start to finish. You can audibly hear these guys having a blast in the recording process of this song and listening to it allows you to be a part of it, almost as if you are there. Listen LOUD.

Hello Isla Vita – This is the song you hear in those movies where the little country girl arrives in the big city: it’s awe-inspiring. The magnificence is heard in the thunderous drums and gentle vocals throughout marking this ballad as the song you want to listen to when you are looking for adventure on a Friday night. Keep it in your weekend playlist for sure.

I Quit My Job – The lyrics here are laced with honesty throughout and is a true ode to the beach boy days where songs were executed with that gentle feel-good vibe. I give credit to the vocals in this one which are mellow but powerful in their impact. I recommend this one for cruising one a warm sunny day.

That’s Rock – We pick up the pace again with this track that is strategically placed halfway through the album. After the ‘Hello Isla Vita’ and ‘I Quit My Job’ mellow vibe, ‘That’s Rock’ picks up the pace with a groovy beat topped with impressive vocals. This song brings the party right back into the album.

My Bad – Ohhhhhh where do I begin with this slick number? The lyrics are strong right off the get-go. The instrumentation flows very well throughout and supports the steady authoritative vocals heard throughout. I envision a ride down sunset strip on a motorcycle when I hear this number.

Much Too Old To Feel This Young – If you want to get to the heartbeat of this album, this song is the one. The gentle tones in the vocals on this one illuminates the heart and soul. The song is perfectly placed in terms of the track order in this album as it gives the listener a true taste of how this band demonstrates a 360 degree turn in their style and instrumental composition.

Good Luck Lovin – What a fun one. The party continues with the catchy lyrics in this tune which, I feel, is an ode to The Beatles Cavern Club era days. The vocals are on point and the instrumentation is super catchy.  I think this one would be fantastic to hear live!

Find Another Fool – is a slower ballad that has a very slight ‘Bon Jovi’ style in the vocals and mood. I am talking the ‘Living on a Prayer’ variety here. Backup vocals on this are a perfect fit throughout and make this a unique composition. I quite like this one a lot.

I’m Just Trying To Be Nice – Hello Sir Paul McCartney! This is a gorgeous number and probably, my favorite off this album. I mean it, this album definitely touches on the scope of all eras of classic Rock and ‘I’m Just Trying To Be Nice’ is captivating in its overall composition. They lyrics, vocals, instrumentation – all of it is completely on point. Classic British Rock and Pop influences play a primary role here.

Name That Tune – Back we go to California! This is a short ballad that fares well among the 1960’s groovy pool party crowd. Can you see it? Once you have heard the song, you’ll know what I mean. Definitely a must for a playlist suitable to this nature.

Any Better Than This – The final song on this album is like the bow on a present: a complete picture of the who, what, when, where, and why of The Tearaways: they have been there, done that and there’s no regrets. This is a very heart-warming number.

Summary

Here’s my description of this album in its entirety: These boys are no strangers to this industry and it’s apparent in their cultivated sound. Listening to ‘Esquire’ is the kind of experience where you walk away feeling closer to these incredibly talented Musicians. They have exposed their hearts and souls vividly and authentically to their fans, comparable to them inviting you into their homes, having a couple of beers and shooting the breeze. It’s a warm, familiar, and fun feeling that leaves you satisfied long after the visit. Who doesn’t walk away from something like that feeling fantastic. That’s The Tearaways sound. Well done gentlemen!

People, have you bought the album yet? Get on it! 

Check out their live performance on Brian Copeland below:

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John Ferriter Social Media Links (click to view)

The Alternative Website

Twitter

The Tearaways Social Media (click to view)

Website

Facebook

Twitter

Instagram

Spotify

YouTube

iTunes

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The Tearaways Album Art by David Russo Photo Supplied by John Ferriter
The Tearaways Album Art by David Russo Photo Supplied by John Ferriter

The Tearaways Album Credits

THE TEARAWAYS –  “DW Hofner, Martin Gibson, Ludwig Rickenbacker, Marshall Gretsch, Earle Hammond & Vox Fender, esq.”

BASH

IF I HAD IT

HELLO ISLA VISTA

I QUIT MY JOB

THAT’S ROCK!

MY BAD

MUCH TOO OLD TO FEEL THIS YOUNG

GOOD LUCK LOVIN’

FIND ANOTHER FOOL

I’M JUST TRYING TO BE NICE

NAME THAT TUNE

ANY BETTER THAN THIS

Produced by Earle Mankey/John Finseth/John Ferriter

all songs John Ferriter/John Finseth/Greg Brallier/Clem Burke c. 2016/2017

Feretic Music, ASCAP / Magma Music ASCAP / Clem Burke Music ASCAP

except “BASH” – John Ferriter/John Finseth/Greg Brallier/Clem Burke/David Hekhouse c. 2016

Feretic Music, ASCAP / Magma Music ASCAP / Clem Burke Music ASCAP

except “NAME THAT TUNE” – John Ferriter/John Finseth/Jeffrey Foskett/Ralph Rubenstein/Clem Burke c. 2014

Feretic Music, ASCAP / Magma Music, ASCAP/Fos Q Music, ASCAP/Clem Burke Music, ASCAP

“I’M JUST TRYING TO BE NICE” – John Ferriter/John Finseth/Greg Brallier/John Ordazzo c. 2016

Feretic Music, ASCAP / Magma Music, ASCAP

“Whatever Happened To Rock And Roll Radio” by Dee Dee Ramone, Johnny Ramone, Joey Ramone c. 1979

“MUCH TOO OLD TO FEEL THIS YOUNG” c. 2015

“FIND ANOTHER FOOL” c. 2015

“ANY BETTER THAN THIS” c. 2012

John Ferriter/John Finseth/Greg Brallier

Feretic Music, ASCAP / Magma Music, ASCAP

THE TEARAWAYS

John Finseth – Guitar, Bass, Keys, Percussion & Vocals

Greg Brallier – guitar & vocals

David Hekhouse – guitar & vocals

John Ferriter – bass, guitar & vocals

with Clem Burke – drums & percussion

Additional instruments – Joel Mankey – horns, woodwinds, cool noises

The Tearaways are endorsed by Hofner Guitars

The Tearaways use Vintage Vox Amps, Vintage Fender Amps, Marshall Amps,  Hi-Watt Amps, Ampeg Amps, Hofner Basses & Guitars, Gibson Guitars, Rickenbacker Guitars, Fender Guitars, Martin Guitars, Gretsch Guitars, Silvertone Guitars, DW Drums, Gretsch Drums, Vox, Korg & Hammond organs, Human hand-claps, just about anything else in the studio that you can shake or hit

CD design and original artwork for the Tearaways by David Russo (WAGL =. WHAT A GREAT LIFE)

CD photographs courtesy of Collin Mathew Photography Liverpool, Ian Hanson Photography Liverpool, Joanne A. Calitri Beat artist Santa Barbara California and Martyn Daniel Still Image – we thank you all for your amazing work and friendship

A lot of sacrifice went into making this record so we hope you enjoy it and appreciate the spirit within which it is presented to the world.  Special thanks go out to our families and friends for their loyalty, love and support. All of our former bandmates for tolerating us and inspiring us to play and to all others who have inspired us in some way.

And a very special thanks to Earle & Jeri Mankey, John Ordazzo, Piers Morgan, Jamie Gruttemeyer, Rodney Bingenheimer from Rodney on the Roq, KROQ, KTYD, Alan Goldman, Patricia Kramer, Lin Aubochon, Billy Butler BBC Merseyside,  Mike Rogers WhatTheFunDay, Radio365 Network, Jeffrey Foskett, Mike Love, Bruce Johnston, Ron Dante, Bo Donaldson, Kenny Aronoff, Robin DiMaggio, Jimmy Paxson, David Raymond,  Eddie Munoz, Joel Mankey, Jesse Benenati, Perry Benenati, Daniel Orias, Stephen David Brooks, Jim Yukich, Cindy Kona, Ralph Rubenstein, Noah Rubenstein, Matthew & Gunnar Nelson, Mark McGrath, Charles and Mary Rook, Thomas Repicci, Merwyn Belin, Robert Matheu, Bob Hannam, Chantal Reeder, Marc Platt, Lianne Curtis, Millie Courtney, Robert Courtney, Bill Heckle, Jon Keats & theteam at the Cavern Liverpool The Greatest Club in the World, Blondie, the Empty Hearts , the International Swingers & Split Squad for loaning Clem to us, The Beatles, Chandler, Carly, Marc Chardon Rogers, Nick Wass, Cathy Harrison & Rob Olson from Hofner, Jim Lombard, Charles &  Mary Rook, Bootleg Blondie, Paddy, John, Bob Horrocks, Tony Barbados and Liverpool elite, Candy Kayne, Elizabeth M. Adger, our friends from Imperial Guitars, Norman’s Rare Guitars & Guitar Center, The Beatles, The Ramones, The Rolling Stones, The Beach Boys, Tom Petty, The Spoilers, The Rotters, The Jetsons, Trik, The Stingrays, 5 Cool What, The Pranks, Reverie, Aston Martin, Toyota, Mercedes, Honda, Ford, Chevrolet, Mr. & Mrs. Dog, Christine Brallier, Jack Brallier, Loretta Finseth, Dakota Finseth, Jade Finseth, Mack Finseth, Dave Humes, Tony Cook, Steve Heller, Mike & Jessica Lambert, the little Twerp, Cam Dafoe, Lisa Hekhouse, Cari Hekhouse, Shane Hekhouse, Kyle Hekhouse & the Ferriters,

Dedicated to E.L. Woody & Alan Massengale & every kid who has a dream to play an instrument or sing in public

In loving memory – of our family members who remain with us only in spirit & Timothy Bryson

“When you’ve topped 40 in age, you can never be in the top 40 on the Pop Charts, but you can always be Top 40 in Life.”

The Tearaways are represented by John Ferriter & Jamie Gruttemeyer at The Alternative

The Fontaines | SPOTLIGHT Series No.4 | ‘Two Bodies’ Exclusive Interview

In February 2017, Los Angeles-based Iconic Band ‘The Fontaines’ dropped their single ‘Evaporate’ on iTunes and are once again waking up the Music Industry demonstrating their incredible talent and consistently accelerating career toward the next level of fabulous. In fact, this is a band whose notoriety has been duly noted by the ‘who’s who’ in the industry such as Famous Radio Hosts Rodney Bingenheimer (KROQ – Rodney on the Roq in Los Angeles) and Mike Rogers (WhatTheFunday Inter FM Radio in Japan). The Fontaines had their (unreleased yet – we are waiting!) upcoming new single ‘Mercury’ spun on Bingenheimers’ last show ever on June 5th alongside the likes of Siouxsie and the Banshees, The Bangles, The Jesus and Mary Chain, The Moon Kids (another SMC fave), Elvis Costello, Van Halen, and Blondie. Bingenheimer is the legend responsible for discovering and spinning many of these bands (including Bowie!) in the early stages of their careers so THAT’S our indication of just how cool these cats are. See why we call them Iconic?

Today, the band has released their newest single ‘Two Bodies’ to iTunes following the succession of their single ‘Vacant’ (April 2017, reviewed on The Chronicles here) just in time for summer. The song is yet another result of this bands’ ability to create something we all want to hear 365 days of the year and can be summed up in one word: Extraordinary. Let’s break that down to the effervescent sexy, seductive, and lilting vocals of Charlotte Fontaine who carries off lyrics that are equally as suggestive and powerful ‘Two bodies in motion…’. This wickedly talented frontwoman of the band has a style that has engraved The Fontaines’ sound into music history and into the hands of iconic radio and media platforms worldwide. In fact, the bands’ website goes by the address THATFONTAINESSOUND.com, a truly unique sound created with the epic guitar riffs of Hank Fontaine and Daniel Zuker (Bassist) complete with a beat that makes you move your feet by Drummer Chrystian Kaplan.

We are always awaiting the release of new music, and it looks like the wait will be not much longer – their upcoming single ‘Mercury’ will launch by the end of summer 2017. Following the successful launch of last Junes ‘ii’ EP and with the hint of a new full-length album on the horizon, we can’t wait! Even if your first listen of this iconic band is today, prepare yourself for something one of a kind and completely addictive also known as: The Fontaines.

We took a moment to chat with Charlotte Fontaine in an exclusive interview below:

SMC SPOTLIGHT! Exclusive Interview | The Fontaines ‘Two Bodies’ June 6th, 2017

SMC – Here we are again with another Numbered Series on our SMC SPOTLIGHT platform. This is number four for The Fontaines! Can you tell us what your connection to SMC and your experience to date with our media platform?

Charlotte – I’ve said it before, and I’ll say it again-Candice’s support of our music has been incredible and so encouraging. It’s because of people like Candice that I continue making music.

SMC – We were so thrilled to see you on the roster for the great Rodney Bingenheimer’s last show on KROQ (Los Angeles). So many legends have been on his show – can you tell us how you met with Rodney and what your thoughts are on ‘The Mayor of the Sunset Strip’?

Charlotte – Rodney’s a legend! I can’t believe he played us twice on his final KROQ show. What an absolute honor.

SMC – If you could give a shout-out to Rodney here, what would you like to say?

Charlotte – Thank you for playing us and for the sugar free cookies.

SMC – When can we expect to see your single ‘Mercury’ (as played on Rodney Bingeheimers last show on KROQ) hit iTunes? I am already wanting it on my playlist! (laughs)

Charlotte – Mercury’s gonna be released by the end of the summer!

SMC – Now let’s get into some discussion on your single ‘Two Bodies’ released today: I see that there seems to be a trend with the releases and I recall the last time we spoke, that another album was imminent…will ‘Vacant’, ‘Evaporate’, and now ‘Two Bodies’ be on the album?

Charlotte – We actually will be putting out two EP’s that were recorded a while ago that do not include any of these new singles.

SMC – One thing I have learned about The Fontaines is that you are never predictable. Can you tell us what kind of feedback you have received from industry peers in terms of your individuality as a band?

Charlotte – Thank you! I think that unpredictability is a sign of growing, which is all I ever want to be doing as a musician and as a person.

SMC – That was so nice to see you had included Rodney in your ‘Two Bodies’ video! Speaking of the video (and all your videos for that matter), can you tell us what the inspiration is behind this video?

Charlotte – The biggest inspiration for our “Two Bodies” video was a lack of budget! We shot it in a warehouse that’s being converted to our friend Zach’s new recording studio (Big Bad Sound LA), and on Hank’s iPhone. I love how dramatic the video turned out.

SMC – I have also noticed a trend on your YouTube channel: the ‘Trashy Version’ of your upcoming releases. I had a chuckle when I saw that. Can you tell us what the trend is there in giving these videos that title?

Charlotte – We decided to shoot some acoustic type performances one day but our camera guy bailed last minute. So, I took out my iPhone and started shooting us selfie-style. Thus began the “trashy” series.

SMC – I have mentioned before that I feel your music and brand speaks for itself. Some of the greatest Musicians really don’t have to sell themselves short or be aggressive and pushy with their Music. What are your thoughts on that?

Charlotte – Living in LA gives you the opportunity to perform any night of the week, for entirely different groups of people. Plus, you can go to Canter’s deli and meet Rodney Bingenheimer.

SMC – What are your thoughts on the kind of music that comes from the east coast – is there a bit of a different vibe that westerners create in their music as opposed to what is produced in the east?

Charlotte – I honestly haven’t experienced their music scene half as much as the one here on the west coast, so I can’t quite say.

SMC – Since we last spoke, ‘Evaporate’ was the topic for discussion. You have also released ‘Vacant’, a brilliant song! Can you tell me what was the inspiration behind this song? Was it a personal experience?

Charlotte – “Vacant” is about creepy guys at the bar who you can tell a million times “I’m not interested” or “I have a boyfriend” or “I’m married to my cat” and they’ll still keep pursuing you.

SMC – The video for ‘Vacant’ was pretty on point. (laughs) On a serious note: whose idea was it for the theme?

Charlotte – The girl featured in the video, our friend Fiona, actually directed it and came up with the entire concept. I think her work is brilliant and so unique.

SMC – When it comes to the creation of your music, do you find that you all have that ‘ah-ha’ moment when you begin to produce and record it?

Charlotte – With every song there’s either an “a-ha” moment or a “this is awful! we gotta drop this!” moment. Funny thing is when two different people experience different ones with the same song…

SMC – We are looking at doing a Social Media takeover for SMC in the near future. You are SMC Royalty in our opinion and want to have you hosted on our Social Media for a full day. Tell us of the kind of creative things you would like to do if we are able to facilitate this?

Charlotte – Royalty! I can’t wait to tell our mom we’re royalty. We’d love to take over the social media for starlight for a day!

SMC – Can you tell us what other cool gigs you have coming up for the summer months?

Charlotte – We’re playing a festival in August called “Musikfest” in Bethlehem, PA, and we’re booking some east coast shows around that!

SMC – You also released another video to your YouTube channel last week ‘F Buddy Holly (Voice Memo)’ which is soooo pleasing to the ears. Can you tell us if this song will also be included on the new album?

Charlotte – ‘F Buddy Holly’ was just a voice memo we recorded onto my phone one random day last year with our friend Scott from the band Street Joy, so we just put it up on YouTube for fun.

SMC – Can you tell me a little bit about the title of the song and what it means ‘F Buddy Holly’?

Charlotte – “F Buddy Holly” was just us censoring ourselves. It’s just a pun. I recall listening to a lot of Buddy Holly that day. But that’s me every day…

SMC –Ha ha! I thought as much. I really like that you have registered your social media and website as ‘That Fontaine’s Sound’, yet another unique little nuance we have come to know and love. What do you think are some of the most important things a band can do for themselves in terms of brand awareness and marketing their sound?

Charlotte – Biggest advice I have is to come up with a band name and spell it in the most unusual way possible… the amount of trouble we and friends of ours have gone through with other people under the same name…

SMC – Can you tell us who your go-to is in terms of Media platforms and collaborations in getting your new music out?

Charlotte – Right now I’m on a YouTube kick. I’m posting vlogs of our everyday life on their once a week as well as releasing new songs or “trashy versions” of songs on there.

SMC – Where do you think the music world is headed in terms of Radio? Many are saying that Spotify playlists are the way of the future. You have been listed on our Playlists ‘SMC SPOTLIGHT ARTISTS’ and ‘SMC EDITORS FAVORITES’. I also see that you have close to 18,000 monthly listeners! What do you think the benefits are for being placed in Spotify playlists?

Charlotte – Spotify has been incredible for us. At one point when “Evaporate” first came out we had 37,000 monthly listeners… Their playlists are just a convenient way for people to hear new music, all of my friends go there for new tunes.

SMC – How long have you been on Spotify?

Charlotte- Probably about a year?

SMC – We are really beginning to push our Spotify playlists for the Artists that we support and are quite happy with the response we have gotten from industry peers. We are even thinking of compiling a Christmas playlist as well in the month of November. What do you feel the public wants in terms of a great playlist?

Charlotte – The public probably wants what I want from a playlist-high energy, then maybe some slow jams, and a build back up to some fun hits at the end!

SMC – Finish this sentence: If I were not a part of The Fontaines, I would be ______________.

Charlotte – If I weren’t part of The Fontaines I would…still be going to Fontaines shows (winks).

________________________________________

Band Members

Charlotte Fontaine (Vocalist)

Hank Fontaine (Backup Vocalist, Guitarist)

Daniel Zuker (Bassist)

Chrystian Kaplan (Drummer)

Biography

The Fontaines are a brother-sister duo based in Los Angeles, California.  Charlotte Fontaine (vocals) and Hank Fontaine (guitar) began writing new-wave influenced rock songs after growing up all over the world as kids.  The siblings are backed by Chrystian Kaplan (drums) and Daniel Zuker (bass) live and in the studio.

In 2016 The Fontaines performed at music festivals including Savannah Stopover, Canadian Music Week, Broke LA, and Make Music Pasadena.  In June, the band released their new EP, “ii,” which has gotten airplay on KROQ in Los Angeles.  The band is currently finishing up their debut full-length album, set for release in 2017.

The Fontaines Social Media Links (click to view)

Website

Facebook

Twitter

Instagram

Spotify

iTunes

YouTube

Bandcamp

THE MOON KIDS | SPOTLIGHT Series No.1

If you are itching for summer to hurry up, you might want to upload Dunfermline, Scotland band The Moon Kids two brand new singles ‘Forever Blue’ and ‘Something Spectacular’ right now. The band has launched the singles today, March 31st, and the tunes are the brilliant, effervescent, feel-good magic that only ‘The Moon Kids’ know how to create and are perfect for getting you in the mood for sunny days, flip flops, and music festival season! We had the opportunity to speak with the band prior to their single releases to get a more in-depth discussion on the new music, their upcoming projects for 2017, and the intense media support they have been receiving on some of the worlds most notorious radio platforms in Japan and Los Angeles. Here is what they had to say:

Interview | March 6th, 2017

By Candice Anne Marshall

*The band is comprised of: David Barr (vocals), Connor Whyte (guitar), and Rory Buchanan(drums)

SMC – The Moon Kids! This is our first official numbered series feature for you on our Spotlight. (previously the band was published in our first issue of Starlight Music Chronicles Magazine in October 2015). Can you catch us up to speed with some of the key things that have been happening for the band since then?

TMK – Gigs, single releases, recording, recording and more recording! And maybe a little soul searching!

SMC- I am going to get right into the topic of your new singles today. Before I mention the song titles, can you tell me what was the reason behind launching two singles on the same day? We have seen this with Ed Sheeran’s return in January but it’s not often that Artists these days launch two singles on the same day – this is exciting!

TMK – There wasn’t really a specific reason to putting out two tracks at the same time other than we have so much unheard material. We are constantly in the studio working on new music and always have been ever since we started. Because we have had a couple of line up changes we haven’t really been able to be as active as we would have liked… But during these periods I make a point of staying busy in the studio so that we keep moving forward. So, we’ve built up quite a large catalogue of material which I think our fans deserve to hear.

SMC – Who did you produce the album with?

TMK – We still work with Michael Brennan Jnr (snow patrol, Super Furry Animals, Primal Scream) but recently we have also spent time in the studio with Tony Doogan (Teenage Fanclub, Mogwai, Young Knives) Rafe McKenna but also a young Edinburgh based producer Mark Morrow who we recorded the next single ‘Forever Blue’ with.

SMC – So let’s get into the songs: ’Something Spectacular’ I have had the chance to sample on your SoundCloud and I am already playing it on repeat! What is the time frame from the last single to this one coming up in terms of new music?

TMK – Our last single ‘Ice Cream’ was released late in 2015 so there has been a full year gap since the last single. So definitely time for people to hear what we’ve been up to behind the scenes.

SMC – ‘Something Spectacular’ – can you tell us what brought on the inspiration for this song? Has it been something you have had waiting in your back pocket for a while or was it written very recently?

TMK – This was actually one of the very first songs I ever wrote when I was still a young teenager. It has changed and developed a lot since I first penned the track but the sentiment of the song remains the same. The other guys in the band had heard the old demo I recorded years ago and everyone just really wanted to work on it. It’s a ‘feel good’ track and the chorus is super catchy. It’s got strange groove to it… This is because years ago I used to have a little Zoom 8 -Track at home which had a built-in drum machine. So, I wrote the chord progression around a looped beat rather than writing on an acoustic first. It worked really well.

SMC – You second single ‘Forever Blue’ still encompasses that great Moon Kids sound but is a different…is this a precursor/sampling to an upcoming album?

TMK – Well… This is an odd one… This song we used play live and it was super fast. Almost quite rocky sounding. I spent some time in LA last year and really loved the chilled-out vibe… Especially Venice Beach. It’s a completely different environment to what I’m used to back home in Scotland. I felt really relaxed there. A busker gave me a shot of his guitar one night and I just started playing an acoustic version of the track. Really slow and chilled. Was just how I was feeling at the time. I just liked it and set up a few hours in the studio when I got home to record a stripped back version. And what you hear on record is how it turned out. It’s full band but it’s a lot more organic and raw compared to some of our previous releases. But personally, I love that about it.

SMC – You have been getting some great traction for your music with the media in the UK. Are there any particular platforms you would like to give a shout out to?

TMK – Yeah, I’ve been really blown away with just how many amazing reviews we’ve had and totally blown away with the amount of Spotify streams etc. We’re still very much a DIY band. We don’t have a manger or anything… So, the fact that so many people are finding and connecting to the music is really amazing. Big shout out to everyone who has listened, written about or played us really… There has been so many platforms and radio show supporting us that I’d hate to name any and forget to name others.

SMC- In terms of radio play, I know you boys have appeared on Rodney on the ROQ KROQ FM radio in Los Angeles and WhatTheFunday Inter FM Radio in Japan. Are there any other radio stations in other countries who have picked up your music?

TMK – Yeah, Rodney has been a huge support to us and that’s a great honour for us. The guy has a good hear for talent which his track record proves so it’s really great that he digs our music. It means a lot. Similarly, with WhatTheFunday… It’s really special knowing that a track you wrote in your bedroom on a rainy afternoon in Scotland is getting heard all the way out in Japan. We can’t thank these people enough.

At home Amazing Radio, BBC 6, BBC Scotland have all regularly played our music as well as a lot of other stations in Germany, New Zealand, Canada… It’s really amazing. For us being a Scottish band it is an achievement on its own just to get played in England. So, I feel really blessed to have the support we have had.

SMC – When can we expect the videos for the new singles to release?

TMK – 31rst of March… The video for Forever Blue is released. Big shout out Kansas Bowling who shot the video. She’s a super cool film-maker destined for big things I’m sure. It was great to work with her.

SMC – How do you think that Musicians in the UK differ from Musicians in North America in terms of production, branding, promotion, of their music?

TMK – I’m not sure to be honest. The UK is tiny compared to North America and we’ve been based here the whole time so it’s hard to make a comparison. I think its equally as challenging wherever you are. Especially for guitar bands in recent years. But I think that’s all going to change soon.

SMC – Which social media platforms are you most active on?

TMK – We are equally active on… Facebook, Twitter, Instagram, Snapchat, Youtube

SMC- Which social media platforms are the best at promoting yourselves as Artists?

TMK – I’m going to be brutally honest here… They are all equal in getting yourself out there… But Facebook charges bands to post. In order to be effective with posts you have to pay to sponsor it otherwise it gets diluted in the feed. So as much as I love Facebook as a promotional tool I do feel this is slightly exploiting bands. Especially considering bands make so little money these days from streaming etc. I think it has to change.

SMC – I really appreciated the treasures you all sent over last spring (CD’s, T-shirts, Buttons). I have to publicly thank you again for that. I think that lends a real personal touch to the connection between the Artist and Media. Most Artists will send all of their content and expect that an immediate connection has to happen and a write-up but I feel that the best way to get the most out of a well written piece is to know the band/Artist. What are your thoughts on that?

TMK – Yeah… I do believe in developing relationships with the people who support you. It’s really important. I want us to be one of those bands that people feel a connection with. So, we have to show our gratitude.

SMC –  What do you feel makes the magic in a band? What is it that makes a band stick together through thick and thin?

TMK – Well… A spot of luck goes a long way. I’m not sure either though… To me its about grit and determination… Bands are notoriously difficult it’s why inevitably we all split up eventually. People hear the music and think must be a great laugh being in a band… And it is, but its like anything the trials and tribulations are there. The music industry is tough and for a band trying to breakthrough it can be very gruelling. There is no way around it. One minute you’re the next big thing the next minute you can’t get arrested. It’s only really the bands at the very top who earn any money. So, you have to be prepared to ride the wave and be persistent. If being in a band is what you are passionate about then I think you should always remember just how lucky you are to be doing what you dreamed about as a kid.

SMC – I have never asked this until today but referencing the previous question, do you think that the long-term success of a band is different when they are family or friends?

TMK – Yeah, I think there might be some truth to this. Family obviously will stick together through thick and thin as will good friends. There is a closer bond I suppose. I think it’s down to the band though. If the individuals in the band are motivated, enthusiastic, passionate and determined then anything is possible.

SMC – I really have always loved the logo for The Moon Kids. Who came up with the concept?

TMK – That was myself way back when we first started. We were playing our debut show in Dunfermline and needed a logo for the kit. I think the skin got printed on the day of the gig so it wasn’t really thought about too much. It was more of a spur of the moment kind of a thing. But it’s like a tattoo. You’re stuck with it. So, I’m glad you like it.

SMC – I know that a lot of your music sounds light but the lyrics are often very deep. How do you achieve that balance when it comes to the songwriting process?

TMK – That’s really great that you have picked up on that because no-one else has. And to me this is one of the things that sets us apart. No one ever mentions our lyrics. I’ve always wanted that contrast. I love early Beatles and early pop music. The hooks, melodies and chord progressions are timeless so I always wanted our music to have this quality. To be catchy and good on the ear. But I think lyrics are so important so I didn’t want them to ever be throwaway. “Oh baby baby” and all that kind of thing. In fact, our first song ‘Rollercoaster People” is a good example I sang “Sha la la” normally a happy feel good chant over the top of quite an emotive chord progression. I love the contrast. Taking things out of perspective. Getting away with saying some quite dark stuff over the top of some nice major chords can really deceive the listener in a good way though. I love playing with that concept.

SMC – What kinds of challenges have the band face and how were they overcome?

TMK – Most bands face the same challenges, we’ve been kept on our toes I’m not going to lie about that. It hasn’t been an easy ride but then again, I didn’t expect it would be. Having very little money, working day jobs, band members leaving the day before a big gig etc. all make life a little difficult. You just have to persevere and that’s what we have always done. I’m a big believer in turning a negative into a positive. If you’re thrown into a situation that is out of your hands accept it and figure out how to flip it to your advantage.

SMC – Which would be the one country you love to all travel to in terms of live performance and getting your name out?

TMK – Definitely North America…

SMC – Okay, final question: Can you tell us what your thoughts are on the music that is being produced today and who you were most sad to see leave (pass away) the industry in 2016 and why?

TMK – Some amazing music is being made today in all different genres as always, a lot of what is played in the mainstream charts is throwaway garbage but that’ll always be the case. Scratch the surface though and there are some amazing groups and artists writing unbelievable music. Big shout out to Dutch Uncles who are my favourite band just now.

I’m sad to see anyone pass away and 2016 was just relentless. Bowie and Prince though both of their deaths really shook the musical world. Real icons so you don’t associate them with any form of weakness. It was really sad. For a song-writer when you come up against it… The right answer is always “what would Bowie have done?” He is one of a kind and brought so much joy to so many people through his art and passion for life. Really, he is a great example of what a pop-star should be.

SMC – Thank you boys!

_________________

The Moon Kinds Social Media Links (Click to View)

Website

Facebook

Twitter

Instagram

Spotify

iTunes

YouTube

Something Spectaular

 

The Fontaines | SPOTLIGHT Series No.3

The Fontaines | Exclusive Spotlight Interview

February 16th, 2017

By Candice Anne Marshall

There are some Artists that have fallen into our SMC Spotlight ‘Numbered Series’ category for their exceptional talent and Los Angeles based band The Fontaines have certainly earned this prestige. Since my first interview with the band (The Fontaines Series No.1) in 2015, they have remained consistent with the timing of their releases and the quality tracks that remain unique and iconic. When we reviewed The Fontaines stellar new four song EP ‘ii’, it became apparent that this was a band that needed to be followed in a Numbered Series on our Spotlight (See The Fontaines Series No. 2).

On February 8th, 2017, the band released their newest single ‘Evaporate’. A disco-style song oozing with the delicate punch-drunk love vocals of leading lady Charlotte Fontaine. I’m certain that this is a song being spun by notable Radio stations such as the famous Rodney Bingenheimer’s ‘Rodney On The Roq’ KROQ FM radio for its Studio 54 quality: epic and unforgettable! The beat is exquisite with vintage sounding instrumentation reflective of the days even I would go to the roller rink. The lyrics and vocals are sexy, fun and, I predict, the song will be a global 2017 Summer hit. If you are wanting to discover a new sound, tap into ‘Evaporate’ and let the soulful funky groove take over – just make sure you’re near a dance floor because after hearing the first few chords, I guarantee you won’t be sitting!

We have added The Fontaines’ new single ‘Evaporate’ to our SMC Spotlight Artists Spotify playlist and we look forward to hearing more as the band edges towards their next EP release! Catch the video for the single below and be sure to sample the bands complete music library on their SoundCloud as well.

I was lucky enough to catch up with Charlotte Fontaine for an exclusive interview recently. Here’s what she had to say:

SMC – We are THRILLED to have you on our Spotlight once again! This time we are going to be chatting about your new song ‘Evaporate’ that was recently launched. WOW! You guys keep getting better and better! Can you tell us about the kind of traction you’ve received from media responses to the new song?

CF – We’ve been getting such great feedback for “Evaporate”. Just yesterday we were named one of Tidal’s “Rising Artists To Watch” and they shared the track.

SMC – I fell in love with the two of you since the first day I heard your sound. It’s very unique! This new stuff has a nice, almost disco beat to it. Who wrote ‘Evaporate’?

CF – Thank you! We wrote “Evaporate” in a tiny treehouse in Mount Washington.

SMC – When can we expect a video release for the song? We’d love to feature it on the front page of our website!

CF – We won’t be releasing a video for this single actually. We’ve decided to let the song speak for itself.

SMC – Is ‘Evaporate’ a good taste of what’s to come for The Fontaines?

CF – We’re going to be putting out a few more singles in the same vain, and then our debut album.

SMC – I seriously love the videos you post on The Fontaines Facebook Page timeline…. it’s nice to see video of you and I think it connects you to your fan-base quite well. I know I have asked this previously but sometimes it varies – which platform do you think receives the most response to your posts?

CF – Conversational videos are the best form of social media in my opinion, I love it when I can see my favorite musician talking about what they’re up to. Twitter is my personal favorite at the moment though.

SMC – I saw that you have been added to some awesome Spotify playlists! Congrats! We are happy to say that you are on our SMC Spotlight Artists Playlist now too! What are your thoughts on Spotify and the kind of traction you receive on that platform?

CF – Thank you for adding us to the SMC Spotlight Artists Playlist! I use Spotify every day myself so it’s been fun to see that other people are seeking us out on there.

SMC – Is there another Album release coming in the near future?

CF – Soon, very, very soon!

SMC – I had a listen to your new song ‘Pitted’ which was sent in as an entry to the NPR Music ‘Tiny Desk Contest’ – it was fantastic! Can you tell us more about this? (the song and the contest)

CF – I’m glad you enjoyed “Pitted”.  It’s an unreleased number off of our debut album. It’s the first song I’ve ever had to stop recording midway through because of crying so hard.

SMC – Can you tell us who you would like to give a ‘shout out’ to in terms of Media support for The Fontaines?

CF – How can I not give a shout out to the one and only Candice Marshall for always supporting us!

SMC – I know you have been regularly spun on Rodney Bingenheimer’s Rodney on the Roq – KROQ show in Los Angeles – what other radio stations have shown a keen interest in your music?

CF – Getting played regularly on Rodney On The Roq on KROQ has been amazing. I’m excited to see where else it ends up.

SMC – Are there any festivals you will be playing this year?

CF – We might as well be getting on the plane to go to SXSW now!

SMC- I had a look at your website – it’s well laid out! Who manages all your music platforms and is responsible for the creation of visual content behind them?

CF – Hank and I design everything “Fontaines” related anyone sees. To me, the visuals go hand-in-hand with the music, so how could we not do it ourselves.

SMC – In terms of genres, what and who are your favorite go-to’s?

CF – I’ve been listening to “I Love You Always Forever” by Donna Summer on repeat for days.

SMC What do you think is most vital to grow your bands brand within the industry with Media and Fans?

CF – Making music you…yourself… would listen to.

SMC – Where do you draw your inspiration from when writing a song?

CF – Interpersonal relationships. Does anything else actually matter?

SMC – How do you execute a concept with a written song in terms of instrumentation? For each Artist, I get a different answer. I am curious what the process is like for you….

CF – Songwriting for us is like building a house of cards. Hank and I create the bass with chords and a melody and lyrics, then our bandmates (Daniel Zuker, bass, and Chrystian Kaplan, drums) come in and add their parts.

SMC – I think one of the things I love most about The Fontaines is that you promote your music in a very unique way. I feel the music and your image is enough to be considered one of those bands that really doesn’t have to push the promo to be truly great – you just are! Your brand stands on its own as something everyone wants to hear/know/see. It’s extraordinary. What are your thoughts on my views?

CF – What a great compliment! Music is the one place in my life where I truly never hold back from being myself, so it means a lot to hear you call it “extraordinary”.

SMC – I like to also mention that your songs: one to the next to the next is entirely different in its composition and sound. Is that deliberate? I love the range in sound you create!

CF – We’re just having fun putting out the music we feel fits our life at this moment in time.

SMC – It’s been some time since we last spoke. I saw that you have played a lot of live shows and will be playing at SXSW Festival next month! How did you land that? It’s awesome!

CF – I’m really looking forward to playing SXSW for the first time. I’m stoked to see Austin.

SMC – What are the top five songs in your most recent playlist? Inquiring minds want to know!

CF – “Get Physical” by Pep, “Calling You” by Jeff Buckley, “Wipe Out” by The Surfaris, “Comme Moi” by Edith Piaf, and “Stronger Than Me” by Amy Winehouse.

SMC – What do you think makes The Fontaines an ‘iconic’ band? I feel you are and I have my views, but I would like to know what your thoughts on yourselves are….

CF – I’m happy that we get to make whatever kind of music we want to.

SMC – We look forward to hearing more and have added your new single ‘Evaporate’ to our SMC Spotlight Artists Spotify playlist. Can you give us some parting words or a teaser of what’s to come from The Fontaines in the next 3-6 months?

CF – Stay tuned for our debut album. In the meantime, you can check out our single “Evaporate” on Spotify, Apple Music, and YouTube.

SMC – Thank you Hank and Charlotte! As always, we love having you on the SMC Spotlight!

CF – Thanks for having us on the SMC Spotlight!

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Band Members

Charlotte Fontaine (Vocalist)

Hank Fontaine (Backup Vocalist, Guitarist)

Daniel Zuker (Bassist)

Chrystian Kaplan (Drummer)

Biography

The Fontaines are a brother-sister duo based in Los Angeles, California.  Charlotte Fontaine (vocals) and Hank Fontaine (guitar) began writing new-wave influenced rock songs after growing up all over the world as kids.  The siblings are backed by Chrystian Kaplan (drums) and Daniel Zuker (bass) live and in the studio.

In 2016 The Fontaines performed at music festivals including Savannah Stopover, Canadian Music Week, Broke LA, and Make Music Pasadena.  In June, the band released their new EP, “ii,” which has gotten airplay on KROQ in Los Angeles.  The band is currently finishing up their debut full-length album, set for release in 2017.

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The Fontaines Social Media Links (click to view):

Website

Facebook

Twitter

Instagram

Spotify

YouTube

Bandcamp